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Techto's Replies
I honestly didn’t care for that hairstyle but she was attractive nonetheless.
Right. It’s left unclear.
Yeah, I don’t really feel it should be categorized as film noir. “Noirish,” more like.
She had an incredible figure in the early seasons — and, yes, still quite nice thereafter.
I never found her particularly attractive but beauty is subjective. She certainly wasn’t ugly, though.
Chandler
Monica (before Mondler)
Joey
Ross
Rachael
Monica (after Mondler)
Phoebe
Ross could be funny but he was also often irritating and cringworthy.
I didn't’ find Phoebe’s quirks funny or endearing, for the most part.
Thanks. i knew it was dozens and dozens — mostly by Joey. It’s way overused, I agree.
Shane was staring lovingly at Marion after she brushed his cuts with turpentine after his fight with Chris and was looking on enviously when Joe and Marion were sharing a celebratory anniversary kiss at the Fourth of July party.
Yes, I think so, too. In the final few seconds of the movie we see Shane in silhouette slumping in the saddle as he rides through the cemetery. That’s gotta be foreshadowing.
He made the most of his few lines and was a menacing presence even when silent. It was a great performance, for sure.
He *was* bald.
Oh, well, that makes it okay, then.
I think they cast Quaid at least as much for his acting ability and name recognition as for his physical resemblance to Reagan.
I didn’t find it credible that she would be attracted to him. She seemingly found him repellent or a sad joke but then inexplicably wants to take him up on his offer of dinner.
Because he didn’t look the part or he couldn’t capture Reagan’s mannerisms and/or voice?
Yes, the movie idealized its subject.
Ironically because he ended up as the lone bachelor by the show’s end, I liked most of Raj’s love interests better than the other guys’, Penny included.
There’s a bit more to the story. From the film’s Wikipedia entry:
<blockquote> Producer Aaron Rosenberg says that the reason Stewart and Mann never worked together for a sixth Western collaboration after The Man from Laramie was a disagreement over the quality of Night Passage. Mann had been slated to direct the film and worked with Stewart on preproduction, but disagreed with the casting of Audie Murphy and had an argument with Stewart in which the veteran director dismissed the film as "trash". Mann quit the movie, replaced by director James Neilson, feeling that Stewart was only making the film so he could play his accordion. This enraged Stewart so much that the two didn't speak again. </blockquote>
Nice work. Poet types don’t math so well.
I thought the same. Maybe the cameraman couldn’t estimate the movie camera’s perspective quite right for the shot and he and the director didn’t realize it until too late to do a reshoot.