Thanks for not jumping on the sheeple feeding frenzy. Sofia simply wasn't that bad in the role. She came across as exactly what her character is -- an unseasoned, slightly self-conscious, flirty teen with upfront vulnerability, simplicity and freshness.
I blame the one who cast her.
It was a tough situation for Francis on location in Italy. Winona Ryder physically collapsed a few weeks into shooting. Who was best to replace her on such short notice? Since Sofia was available and had a history with the Godfather saga -- playing an infant in "The Godfather" and an immigrant child in "The Godfather II" (just bit parts, of course) -- it made sense to cast her, especially since Francis
knew her and knew he could work closely with her. In other words, he didn't have to waste energy adapting to a new personality on set. Does anyone seriously think that the other considerations for the part -- Madonna, Annabella Sciorra, or Laura San Giacomo -- would've fared much better? As far as Ryder goes, I'd take Sofia over her any day.
The critical feeding frenzy regarding Sofia's part is similar to the absurdly overkill criticisms of Cimino's "Heaven's Gate" a decade earlier. Little of the carping turned out to be true; it's actually a really good Western. The issue was behind-the-scenes politics, not the film itself.
Whether Sofia's performance was good enough is a matter of opinion. Ebert had professionally reviewed thousands of flicks by that time and didn't have a problem with Sofia in the role (see his defense of her performance at the 4:55 mark of this video with Gene Siskel
https://www.youtube.com/watch?v=oh7O4FKATWk, which features a clip of her supposedly atrocious performance so readers can see for themselves). One thing's for sure, Sofia was effective in the scene of Mary (Sofia) on the steps of the Palermo Opera House. Her stunned look as she asks, "Dad?" stays in the memory.
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