MovieChat Forums > Unforgiven (1992) Discussion > Movie's message - When is killing someon...

Movie's message - When is killing someone ever OK?


I think the movie's message centers on whether murder is ever clear black-and-white, good-or-bad. Is it possible to make an accurate determination of when killing is correct, and if you cannot, then should you ever kill?

Let's go through the movie's major killings:

NED --- Instinctively, you'd say that it was wrong to kill Ned, as Ned didn't kill Davey and was heading home. But I could argue that Ned had it coming because he did ride with Munny and the Kid; he did help them locate the town and Davey; and he did fire one shot at Davey (though he refrained from the fatal blow). Ned therefore was an accomplice to a crime, even if he left. Little Bill had every right to question Ned, including by force. Little Bill inadvertently used too much force, of course, but he wasn't totally unjustified.

LITLLE BILL --- Some might say Bill deserved to get killed because he killed Ned, the innocent one. But as the girl noted, Bill had no intention of killing Ned. He killed by accident, and he did so specifically because he wanted to keep murder, bounties, and lawlessness out of his town. And though the viewer knows that Ned didn't kill Davey and was heading home, Little Bill had no way of knowing that. From Little Bill's POV, Ned was an accomplice to murder.

DAVEY --- He was the one who held back Quick Mike when Quick Mike cut the girl's face. Davey was the one who acquiesced with Bill's demands to give up their horses. Davey was the one who also sought to make amends with the girls, as he tried to give her a pony. Davey 100% did not deserve to die. Yet he did die, killed by our protagonists. All they saw was a guy who had a bounty on his head because he hung out with Quick Mike. They didn't see Davey as the good person that he really was.

QUICK MIKE --- Instinctively, you'd say Quick Mike deserved to die. But did he? What exactly did he do? He cut a girl's face, which is really bad; but is murder the right punishment? By law, Little Bill already exacted punishment in the form of their horses. By law, Quick Mike paid for his crime and was done. So did he deserve to die? Let's also remember the story that the Kid gave -- he said Quick Mike cut that girl's face, cut her eyes out, cut her tits. And that's false. He didn't do all that. As confirmation that Quick Mike didn't deserve the die, the Kid is traumatized after the killing, and the kid resolves never to kill again. If Quick Mike deserved to die, then why this guilt?

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I think most people were glad Quick Mike was killed even if he didn't deserve to die. To cut a woman's face to shred because she giggled at his little package was extreme.



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Deserves got nothin' to do with it
- William Munny

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How do you interpret that line?

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Personally, I take, "Deserves got nothin' to do with it," as Munny's take on life in general. We all have it coming, and there's no justice in timing.

As for the point of the film, I think deserve's got EVERYTHING to do with it. Mike might not have deserved death, but he sealed his fate when he slashed up the girl's face. No slash, no bounty, no outhouse execution.

Everyone deserved it, including Ned. Munny only survived because he was the instrument of the movie's justice. He's what happens when you stir up old ghosts. And he faded away like a ghost in the end

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> To cut a woman's face to shred because

Huh? Anyone doing that for any reason deserves to die, or a man's face, or an animals face for that matter - although prison is probably more reasonable in the case of an animal. Can't have people like that running around, and definitely can't have people who are just waiting to hurt or kill others possibly getting a chance to do that again even in their lives. Things like that are a bad or worse than murder depending on the circumstances and the motive.

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**Huh? Anyone doing that for any reason deserves to die, or a man's face, or an animals face for that matter **

Yeah, I could have said "a person" instead of a woman. But you know what? Women in the 19th century had virtually zero prospects for employment sufficient enough to provide a decent home for themselves. Women had to rely on men to a great deal back then, and their looks was no small part of their package of tools available to them, particularly if they had no dowry. Even as a prostitute, Delilah needed to be presentable and a scarred face greatly reduced her appeal to cowboys.

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So?

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I don't think clear cut had anything to do with it, the thing that made Bill Munny a survivor, was that he lived long enough and had been in enough situations that he could keep his nerve and focus. That's all. It wasn't that he was right, but it also did not make him an animal or psycho because he did kill on occasions. It was a long time ago, and I am not sure I remember a lot of that movie, but it impressed me and I put it at one of Clint Eastwood's best movies, most of which I don't care that much for. We the audience get to see Bill Munny's insides, from the camera's point of view. A view that does not really exist in reality, so Munny is a construct. He was in tough times and needed money if I recall and this opportunity came by and it was a kind of justice, so what is the problem? I'm gonna have to watch it again. ;-)

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This has absolutely NOTHING to do with the movie's message.

Unforgiven is another stupid anti-Big Gubmint screed/Nietzsche-ian nonsense from Eastwood. Almost all of his movies have the exact same stupid formula: 1. There's a "great man" who can save the day 2. He has to save the day, but now these stupid Gubmint officials and their stupid rules and protocols are compromising him 3. The "great man" flouts their authority, saves the day, and upstages the officials and Big Gubmit, proving how stupid, clueless and out of touch they are and how we don't need them.

This is also another pro-gun/anti-gun control screed. There's no reason why Gene Hackman's character would be that unreasonable/irrational when it came to his rules about guns in his town. But Hackman represents Big Gubmint and fruity anti-gun nuts, so of course, Eastwood was going to make him look as crazy as possible.

The whole B-plot about mentoring the kid who wants to join him but then is taught how awful it is to kill someone is just nonsense to manipulate the audience into seeing Eastwood's character as some kind of noble character, so it never questions his stance that it's okay for vigilantes to ignore rules or flout authority.

By that I mean, everyone knows that vigilantes are and always will be arrogant, smug thriller killers who only kill for self-serving reasons. Of course, they may imagine themselves to be knights in shining armor killing for a noble purpose. But this is not and never has been the reality. In the movie, Eastwood's character is imbued with so much wisdom and restraint that you don't see him for the smug, self serving vigilante thrill killer that they all are. You just see him as this completely grounded, wise sage who understands the severity of taking a person's life and would never kill anyone except for a really, really good reason.

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I think you're letting your hatred and intolerance of Eastwood to cloud your thoughts on this film or its message.

Shootouts in the streets and everyone walking around with guns on their hips (Bonanza) were a Hollywood invention. A no-guns ordinance was quite common in the west. There is literally nothing about Little Bill and his methods of law and order that are unbelievable, including his no-guns ordinance which would make his life as sheriff a whole lot easier.

There's no message to this movie other than to tell the story of a very damaged and cruel human who eventually finds salvation in the arms of a good and decent woman only to flip back when his wife dies and his friend is beaten to death.

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I think you're letting your hatred and intolerance of Eastwood to cloud your thoughts on this film or its message.


And I could argue that you're letting your love of Eastwood cloud your thoughts on this film, as well as his other movies.

See how easy this is?

BTW, here is Eastwood's politics, straight from the horse's mouth:

https://www.theadvocates.org/libertarian-celebrities/clint-eastwood/
https://reason.com/2012/08/31/a-refresher-clint-eastwood-libertarian/
https://freerepublic.com/focus/news/1047374/posts

He's a libertarian. Libertarians are people who pretend to be against government overreach, but actually hate all forms of government intervention or regulation, regardless of how beneficial to society because he subscribes to Nietzsche-ian bull about how "supermen" could save society if only government would stop undercutting them. This view is why in almost every movie going back to Dirty Harry, he goes out of his way to portray anyone remotely related to government agencies as bumbling, incompetent, clueless bureaucrats or dictatorial fools who are just stopping "great" men from doing their jobs.

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And I could argue that you're letting your love of Eastwood cloud your thoughts on this film, as well as his other movies. See how easy this is?


You could argue that, but you'd be wrong. Check my posting history - you won't find one incident of me trashing a movie because I have an issue with a studio's, director's, or actor's politics.

I honestly don't care what Eastwood's politics are. Further, I have no "love" for the man or any other of the entitled pricks and perverts who make up Hollywood. If I let politics or morality interfere with a movie, play, music, etc. I would be eliminating a large portion of entertainment available to me.

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You could argue that, but you'd be wrong. Check my posting history - you won't find one incident of me trashing a movie because I have an issue with a studio's, director's, or actor's politics.


That is exactly right. Just as you'd be completely wrong about me about what you said about me "hating" Eastwood. So, you understood the point of me making that comment.

If I let politics or morality interfere with a movie, play, music, etc. I would be eliminating a large portion of entertainment available to me.


All you are doing is grandstanding to avoid addressing the specific points that I made, so I will reiterate again.

Almost every movie that Eastwood has had the exact same themes, set up with the exact formula. Either you've seen all of these movies and can argue against the common thread--or you can't. If you've never seen enough of his movies to disagree effectively, then why not simply admit that you haven't seen them?

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That is exactly right. Just as you'd be completely wrong about me about what you said about me "hating" Eastwood. So, you understood the point of me making that comment.


It was you that brought Eastwood's (supposed) anti-big "gubmint" and anti-gun politics into this thread, not me or anyone else here. It's no stretch to tie your rant of the film to what is quite obvious a hatred for his politics into your review. If you claim you don't hate Eastwood, your screed doesn't back that claim up.

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I think dat delete guy ^ is the one who'se just started a new account to rant about Eastwood , libertarians and "Big Gubmint"

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That does happen, yes...

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Yours is a very small-minded, naive interpretation of the film.

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I don't care what you think, since you didn't bother addressing one thing I said and could only respond with a one sentence rebuttal.

P.S. Not trying to make a low blow or anything, but don't call yourself "film buff" if you don't know the first thing about auteur theory. Every auteur like Eastwood has themes that are consistent throughout their work (like how Hitchcock hated law enforcement, was obsessed with ice blondes and didn't trust the legal process). If you're even remotely familiar with auteur theory and have seen Eastwood's body of work, you will see the consistent themes in his movies plainly.

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"you'd say Quick Mike deserved to die. But did he?"

Fuck yeah.

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One is left to wonder how far Quick Mike would have gone with Delilah if Davey didn't stop him. Would he have just kept shredding her face until she was a gargoyle or would he have killed her when he was done disfiguring her?

In a world of Hollywood budgets and special effects, they didn't make Delilah cut up enough to be repulsive, which kind of puts the whole Quick Mike death thing in question.

If they made Delilah much more scarred and repulsive than they did, then it would have been an easy call to say QM deserved to die, but they didn't make her repulsive which I believe was intentional - make her injured enough to motivate the rest of the girls to hire assassins, but not bad enough to make it clear that QM should die. The girls seemed far more upset than Delilah was about her face.

Am I upset Quick Mike died? No, he was a detestable POS that no one would mourn.

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"Davey 100% did not deserve to die."

Agreed. I dont even understand why he involved in a "perpetrator" capacity.
sure he was travelling with the bad guy , but he didnt do the crime , he wasnt even in the room , and he tried to prevent it.

Yet Bill fined him 2 donkeys,
The whores put the bounty on his head and made him as bad as mike (as far as the murder contract goes)

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I was always under the impression that the movie's message was simply "Shit begets shit".

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"Little Bill had every right to question Ned, including by force."

Wrong. This delusional world of yours in which law enforcement officers in the US and its territories have the right to use torture when questioning a suspect; what other drastic differences does it have compared to the real world?

"Little Bill inadvertently used too much force, of course, but he wasn't totally unjustified."

Yes, he was totally unjustified in using any "force" at all in the first place, obviously. The only times LEOs can legally use force are in self-defense, defense of others, and to arrest someone who is resisting, and even then, they can only use enough force to get the job done. They aren't allowed to torture anyone for any reason, obviously. Bill was a "dirty cop."

"But as the girl noted, Bill had no intention of killing Ned."

It doesn't matter; he was a criminal by virtue of assaulting/battering him in the first place; same goes for when he did it to English Bob and William Munny. Even if it's true that he didn't intend to kill Ned, he still could have legitimately been charged with and convicted of some form of murder or manslaughter.

"By law, Little Bill already exacted punishment in the form of their horses. By law, Quick Mike paid for his crime and was done."

That's another comical facet of your delusional world. In the real world, law enforcement officers are not allowed to try, convict, and sentence suspects (and the suspects going along with it makes no difference whatsoever). All of those things are matters for the judiciary.

For the record, Wyoming was an incorporated US territory in 1881 and the US Constitution is in full effect in incorporated territories.

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It's okay when they're dangerous and by eliminating them you're protecting innocent people.

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