MovieChat Forums > Batman Returns (1992) Discussion > Why do we need a make-shift funeral for ...

Why do we need a make-shift funeral for Penguin?


I mean, Penguin is the bad guy and we as the audience, naturally want Batman to defeat him and save the day. So why in return (no pun intended) is his demise suppose to be remotely tragic? I mean, I don't recall Oswald Cobblepot at any point in that movie, be truly or legitimately sympathetic.

Yes, he wants to learn about his parents who abandoned him as a baby but he still does horrific, stuff like bite an innocent man's nose, kidnap an innocent woman and causes her death (the Ice Princess), kidnap small children and threaten to kill them too, and callously guns down his henchman (the Fat Clown) for daring to question him.

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Well, that I actually agree with. It also looked silly instead of tragic.

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I liked it. It didn't make me feel any sympathy whatsoever for Cobblepot. But it did make me feel sympathy for the penguins...

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The funeral was one of the better scenes in the movie.

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The penguins were the ones who had raised him after his human parents abandoned him in the sewer because of his disability. So they felt remorse for him when he died regardless of what he had done. I don't know if silly is the right word though, maybe basic, primitive....they did the best they could being penguins.

They understand that something has happened, but they don't understand what he inflicted on the surface world. They only realize he is not around anymore.

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Yes, The Penguin was THE victim of the entire film. Anyone who doesn't get this, doesn't get Tim Burton, and they certainly don't get this film.

His life was horrific. This unfortunate deformed and disabled individual was 'greeted' with horrified screams as soon as he entered the world, he was kept in a cage as a baby, he was thrown into a stream as an infant (with his parents intending that he died), he was raised underground in the sewers on and off for 33 years, and in-between that time he was exhibited as a circus 'freak' to be mocked and derided.

The reason you all hate him is because he's ugly, and also because, whilst we've mostly all started to catch-up when it comes to systemic sexism, racism and homophobia, it's still socially and culturally 'acceptable' to hate on the disabled (and the fact he's a straight white man, means he doesn't tick any of the big three boxes when it comes to oppression, even though, as I say, his life was FAR worse than most human-beings, regardless of sex, gender, race or sexuality).

Also, Josh and The Ice Princess, two 'normal', 'good-looking' people, weren't as innocent as you say, and The Penguin only wanted to kidnap the spoiled rich first-born children, so they would suffer a similar fate to the one marked for him.

So, yes, of course we are meant to feel bad for him. What an absurd question to ask.

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Frankly I don't agree with you there. He may have a sympathetic backstory but he was still an evil man who did evil things. Yet you seem to think the ice Princess is somehow worse than him? There's nothing in the movie to even say she was bad. You're just thinking this because you think Penguin is somehow more sympathetic than he actually is. I noticed you also don't say anything about him biting a guy's nose or about his plan to kill babies. You just ignore that because you yourself sympathized with him more than the rest of us did. A bad past doesn't give you the right to kill innocent people. And yes. Batman himself probably shouldn't kill people but then again this is based off the original 30s comics where he would kill people.

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There's also a big difference between taking a bomb that was already lit by a homicidal maniac and turning it around on the maniac (one of Batman's kills in Returns) and kidnapping a bunch of literal babies to murder them.

I agree with you almost entirely on Penguin: his backstory is sympathetic, and the tragedy is that - as Schrek points out - if he had received a little love, maybe he'd have turned out differently. With that said, the implication in the film is that Penguin isn't just a product of his environment. In the opening scene where he's a monster baby in a cage, he pulls the family cat into his "crib" and mangles it - probably to eat.

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I myself have multiple disabilities and while I did find Burton's screenplay (around the time of the ADA being signed!) interesting, the penguin is no 'innocent victim' as people note, he kills the family cat, he bites people, he kills innocent babies

Selina by contrast only wants to intentionally kill Max after her traumatic brain injury and years of prior emotional abuse working for max, the man who killed her.

Other than that she does try to rescue a woman who is being assaulted. She does express remorse at the ice princess dying. We feel for selina because she feels for others.

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Nicely said đź‘Ť

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He kills the family cat as a BABY! Whatsmore, a BABY who has been LOCKED IN A CAGE due to his physical disabilities and deformities. I'm frankly amazed that anyone who is *genuinely* disabled could be so callous about such blatant ableism.

He bites the nose of a man who was mocking him for his disabilities, and for being a homeless sewer-dweller. I'm not saying that it was right, but neither was insulting a man who was born deformed and was punished for that deformity.

As for killing 'innocent babies', you're forgetting that Oswald was an innocent baby himself, who'd been thrown into the sewer simply for being disabled, or do you draw the line when it comes to babies who 'kill the family cat'? In which case, how do you know any of the children (I saw no babies, although I did see a grown-man who Oswald attempted to kidnap at a swanky party) hadn't killed their own family cats?

I never said he was 'innocent' although I also suspect that had he been treated with love and kindness, he'd have turned out a much nicer human-being (the only people who could *possibly* disagree are those who believe physical ugliness is inextricably linked to evil...) In fact, Danny DeVito, who played the part, and thus knows the character far better than you or I, said the very same thing himself. When an actor or director tells us how to regard a particular character they've conceived, only a fool would ignore them.

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Selina was not treated with love and kindness either--but she did not go out and kill masses of people. The only person who was polite to her pre-transformation despite his own prior loss and psychological issues was Bruce Wayne--he is at the meeting where Max says she has not been housebroken yet.

Burton used the three characters to explore how disability is/could play out. Selina is that wavering line--not quite sure what they want to do but not incapable of redemption...Bruce is the good (so far) person with invisible (psychological/mental) disabilities--he tries to help people but he's not 'warm and outgoing'. And Oswald is the 'dangerous' person with disabilities who is (yes) subhuman and animalistic.

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The difference is, Oswald was physically disabled and deformed, and he was thrown into the sewers as a baby because of it.

Selina, by contrast, was a beautiful cishet white woman whose mother still called out for her, to the extent where she was asking Selina to come back home for the holidays. The novelisation even suggests that she had a pony growing up, which implies she was raised in some level of financial comfort and privilege (maybe The Penguin's line about her being a 'screwed-up sorority chick getting back at daddy for not buying her that pony when she turned sweet sixteen" wasn't that far offthe mark). It appears that it's the bullying of Max and his colleagues that causes Selina to have her psychological breakdown, but her mother clearly loves her, even if she is a nag, and her boyfriend is a bit of a drip but hardly sounds abusive. Still, some people have suggested that Max's treatment of Selina is a metaphor for rape, and her breakdown analogous to rape survivor trauma. I can sympathise with that analysis, but it does also suggest that Selina's formative life wasn't what caused her to 'snap'. It was how she was treated upon working as Max's assistant in Gotham that destroyed her.

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she was physically disabled too by the TBI etc she received from being pushed out the window she also has blood on her so she presumably has other disabilities now acquired from the fall.

Even though she presumably had a health care plan from being an executive assistant/secretary for Shrek, we never saw her get a CT/MRI from the fall. Or physical therapy, counseling...etc. Making the costume and trashing her apartment is how she 'rehabilitates' herself. She does appear with a bandage on her head and around her hand during a subsequent return to the office, and Bruce is concerned but nothing was checked out.

Actually nobody even calls an ambulance even though her fall would have realistically made a noise in the business district....the cats implausibly are the only ones who hear it. They let her transform into Catwoman and do not stop her. They supervise that process, content to let it occur.

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I don't know how 'disabled' she was, seeing as she apparently emerged from her accident with 'super-powers', but the point is, she wasn't born disabled, and she didn't grow-up facing discrimination on account of being 'disabled'.

I do however find your last few points more interesting and compelling. Yes, Selina didn't receive medical treatment upon falling to her apparent 'doom'. Like you say, no one, but the cats, responded to her 'accident', all of which goes to show how insigificant she is within the context of Gotham. She has no family around her (presumably they live outside the city), her boyfriend has just dumped her, and, as she says, men come and go throughout her life, she doesn't appear to have any close friends, and her boss has just tried to murder her, and one suspects few people at her office treat her with much more regard than Shreck does. And so, she is left to essentially 'die' alone, were it not for the stray cats who 'bring her to life'. Unlike most of the other characters in the film, including The Mayor and his baby, Shreck and his son, and The Ice Princess, all of whom cause a panic when they are in peril or apparent peril, no one seems to give a damn abour poor Selina's fate, save, of course, for those cats...

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Even if you're not born with your disabilities and acquire them, it's still possible to face discrimination....

Max remarks that he will push her out of a higher window......he is still determined to assault and harass her in the workplace. He was stunned by her change but his determination to do things to her does not end. He is oblivious to having injured her as being inappropriate in the workplace so she kills him.

at the dance after seeing the gun Bruce remarks that he knows she is having problems with her boss. Yes her disabilities are invisible, but she is having 'problems' in society.

Presumably Wayne Enterprises has a non-discrimination policy and he could have given her a referral saying hey come work for me or I can give you a referral to another place, but for some unexplained reason he lets her stay with Shrek and that work environment even though she is obviously in a bad situation. He of all people knows emotions are no less serious even if invisible.

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Do we know that 'Wayne Enterprises' even exists in this universe? There's nothing to indicate that it does. Even if Batman Forever is a canonical sequel, for all we know, Wayne Enterprises might have been built within the interim between Returns and Forever. Perhaps it was built off the remnants of Shreck Industries.

As for Selina, once again, I see no evidence that she is discriminated on account of any 'disability', certainly not a physical or plainly apparent one. It's definitely possible that she has some mental illnesses, even before Shreck tries to murder her, and that Shreck took advantage of her mentally ill state of mind, but once again, I see no evidence that society as a whole is discriminating against her because of those illnesses, in the same way Gotham discriminates against Oswald on account of his physical deformities.

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sure Bruce meets with Max re a proposed power plant deal as Bruce Wayne the head of Wayne enterprises--and explains that he and the Mayor see eye to eye re it not being needed. Selina pre-transformation is nervous and stressed during the meeting even though Bruce at least will not harass her.

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There's no reference to Wayne Enterprises. The implication is simply that Bruce is wealthy enough to be a potential investor.

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He owns it so no, there would not be a reference. He doesn't work for them, it's his company.

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But if there's no reference to the company, can we be sure it exists? We never see him visit the company or talk to any associates/employees. He seems to be a complete recluse who only has regular contact with one individual: Alfred.

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To me the scene is about the strange world of Penguin where the only beings he has sympathy with - and who care for him - are animals. There's a tragedy to watching it because we can see a primitive drive to care for this monster, and we get to witness a vision of love that was stamped out throughout Cobblepot's life.

I think it's also just a great, weird comic book type image where there's this strange reality in which penguins have funerals for this bird-man.

His backstory is tragic, I grant you, but it's not all sympathetic. He kills the family cat and it's implied that a large part of his looking for his parents is because he just wants unlimited access to the hall of records so he can find the names of Gotham's firstborn sons and exact his twisted revenge.

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I always wondered did Penquin murder his parents and was the visit on his parent's grave just a show for the public?

And yeah, I agree that Cobblepot had badness in him from the very beginning, as shown by the cat scene at the very beginning. But the funeral scene at the end was still touching.

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There is a weird pathos to the funeral, yeah, but the tragedy there definitely comes from the wasted potential and how this person was rejected and rejected all others in turn, not because he wasn't a monster.

I never thought Penguin murdered his parents. Does the film say how they died?

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"Does the film say how they died?"

No, it was left open. I tried to see hints on the grave stone, the date of their death, but can't can't remember right now if it was visible.

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I'm wondering if there are any possible clues in the scene where Bruce is going through the history of the Red Triangle Circus. He skims through news articles looking for a connection from the circus gang to the Penguin ("Aquatic Bird Boy") and maybe when he's listing their crimes something comes up that could be the killing of the Cobblepots.

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I doubt highly he murdered his parents--but I think the visit to their gravestone was pure show for the public.

I think it was done to get votes....oh how sweet he's visiting his parents grave.

I also don't believe he felt for their death either. They did not raise him, the penguins did.

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You're right. There is NO evidence he killed his parents.

Firstly, how would he know who his parents were?

Secondly, before he's done his research in the Hall of Records, The Red Triangle Circus Gang refer to him as The Penguin, not Oswald.

And you're 100% right about the wasted potential. This is what Danny DeVito had to say about the character in the Making Of Book (which makes it CANON like anything else in the tie-in production material, particularly filmmaker and actor interviews): "The Penguin is a very intelligent man, someone who always wanted acceptance...I mean, his parents took a look at him when he was a baby and totally rejected him... ..but if they tried to understand that there was a human being inside that hideous 'penguin boy,' he might have become another Albert Einstein."

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I don't believe people are just 'born evil'. Oswald probably grabbed for the cat because he was kept in a freaking cage.

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A child of that age cannot see the difference between a cage and a crib. The abuse of the cat said something about the newborn's temperament. He had been caged for a reason.

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I honestly can't believe what I'm reading! It's frankly sickening and disturbing.

Who puts a child in a CAGE with steel bars? And how can anyone possibly defend throwing a child, a baby even, into a stream/sewer?

Do you honestly believe the hateful nonsense you're typing here?

A child was almost murdered for being deformed/disabled!

And if you believe he was already evil, you're as bad as his parents, for associating innate evil with physical deformity/disability.

Suffice to say, *a child that age* shouldn't be treated like a monster.

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Laugh. Ok, whatever. But just to be clear, I didn't defend throwing anybody into a sewer. But the main credits sequence that followed is one my favourites. Read it as you will.

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But you *did* defend locking a child in a cage, and did imply that child was 'born evil' (thus, partly excusing his parents' decision to throw him into the sewer, not that I'd approve of the decision even if he were, somehow, 'evil', not that such a thing as an 'evil child' exists, even in fiction).

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And yet you yourself admitted to being a psychopath by saying it's okay to bite off someone's nose off if they insult you.

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Did I say I'd do it? I said I empathised. He was a deformed 'circus freak' with very litte socialisation with mainstream society, and he was being insulted directly to his face.

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I always wondered did Penquin murder his parents and was the visit on his parent's grave just a show for the public?

Nice theory, something that in all these years I've never even considered! đź‘Ť

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The only issue I have is the scene is a little long. I always felt that scene was to show that there are two sides of a villain.
Even though the Penguin commits evils acts, he is loved and missed by the few others he truly cared about. In this case, it was his penguins.

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I don't believe the aim was character storytelling so much as visual symmetry and world building. The sewers were both his refuge and his prison in a way, so it's visually fitting that his life stops there. And it also compounds upon the weird and apathetic atmosphere of Gotham and it's people, given that the only real compassion in the film is expressed by animals.

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after Selina is physically disabled with her concussion (TBI) the cats are the first entity who rush to her aid--again when inexplicably she falls above ground in a busy urban street, as a full grown adult, whose thud should arouse public concern. And nobody at all notices a woman pushed/falling several stories out of a building. Okay it's 1992 and very few people have cell phones on them to immediately call (likely people have to find the nearest pay phone and hope it is not in use/they have enough money) but still. Somebody would notice.

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Yeah, that's the point I'm making - they probably noticed, but they didn't care. The fact no one had cell phones means they would've had less to distract them from the fall, too. But that's Gotham for you.

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She was a light woman, who fell through several awnings, which broke her fall, and she fell onto a sheet of snow. Unlike other instances of people falling throughout these films, there was no 'thud' here.

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actually there was a thud.

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I just watched the clip, and no, there wasn't a thud. There was a sound, as one would expect, but it was quite a soft sound for a long fall.

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But it was a sound, a reverberation, she did make a noise of some kind--things (the cats) heard. There was not silence.

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Agreed, and I apologise if I seemed to be implying otherwise. You're right, there was a sound. In fact, there were several sounds, including the 'thwack' of her falling through the various awnings, before she finally hit the ground. I just meant that it wasn't a particularly loud or heavy sound when she finally hit the snowy pavement.

But no, there wasn't silence.

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