First Hannah would like to extend her deepest and most sincere condolences to the family and friends of Halyna. She was an inspirational woman in film who Hannah looked up to. She also offers her thoughts and prayers for a speedy recovery to Joel. Hannah is devastated and completely beside herself over the events that have transpired.
She would like to address some untruths that have been told to the media, which have falsely portrayed her and slandered her. Safety is Hannah’s number one priority on set. Ultimately this set would never have been compromised if live ammo were not introduced. Hannah has no idea where the live rounds came from. Hannah and the prop master gained control over the guns and she never witnessed anyone shoot live rounds with these guns and nor would she permit that. They were locked up every night and at lunch and there’s no way a single one of them was unaccounted for or being shot by crew members. Hannah still, to this day, has never had an accidental discharge. The first one on this set was the prop master and the second was a stunt man after Hannah informed him his gun was hot with blanks.
Hannah was hired on two positions on this film, which made it extremely difficult to focus on her job as an armorer. She fought for training, days to maintain weapons, and proper time to prepare for gunfire but ultimately was overruled by production and her department. The whole production set became unsafe due to various factors, including lack of safety meetings. This was not the fault of Hannah.
Hannah and her legal team will address more of these rumors and the whole incident in an upcoming statement next week.
Ultimately this set would never have been compromised if live ammo were not introduced.
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Well yeah. The reason an armorer is hired is to make sure that there are no live rounds on the set save for security personnel, but also to continually check the weapons to make sure a live round doesn't get into a gun, not only a day one, but day 2, day 10, day 30, etc. The gun must be checked right before it's handed to the actor.
Even with all the checks and balances, a tragedy happened. But ultimately, it falls on the armorer to make sure guns are safe.
But there are more checks and balances than the armorer and her duties. Obviously, she's (her lawyer) pointing to the production -- i.e., the producers, of which Baldwin is one. And Baldwin is pointing to the AD, and I'm sure the AD will point to the D, who might also point to the production. And then there's Baldwin, the actor, not following protocol either. I have a hard time believing that it will fall solely on the armorer. The finger pointing suggests that these parties realize that as well.
I keep seeing conflicting reports on whether or not the actor should check the weapon. A lot of people are saying that the last person to check it before it's used should be the armourer, even to the point that if the actor does check it, the armourer should re-check it afterwards.
That's b/c there are only guidelines, and those guidelines are muddled and might even be contradictory in spots. It seems that the goals of effective filmmaking are sometimes at odds with what many would consider standard gun safety.
No they are not guidleines. There are safety protocols in place and that is called "the armourer". There sole job is the safety and use of guns on a movie set.
I don't think people realise how many thousands of movies and tv shows each and every year use real and prop guns with blanks and live ammunition without incident.
My god the westerns of 70 years ago used thousands of rounds of ammunition to shoot scenes.
This death is a tragic accident. If there is to be blame then unfortunatly it is the prop master and armourer.
There's not one "safety protocol" called the armorer. There are guidelines that everyone should be aware of and follow. You're supposed to have meetings on set --with everyone-- regarding them. But b/c they are not as clear as you would think or are they strictly followed, you're getting conflicting testimonials regarding protocol from people who have been on all those sets you're talking about. Some have even said one thing only to retract it a day later. Why? B/c it's so clear? The AD shouldn't be taking a gun from the armorer, then handing it to Baldwin, and Baldwin shouldn't be accepting a gun from him. And it doesn't sound like he was treating "every gun like it's loaded" (part of the guidelines) as he pointed and pulled the trigger while practicing some move.
And if the armorer has this one and only safety critical purpose, maybe she shouldn't be tasked with wearing another hat as well. There are multiple breakdowns here, from why the production was stretched thin enough to skimp on two critical safety roles, to what the armorer, AD, D, and actor did and didn't do. I'm sure armorers and prop masters cover for a lot of sloppy sets, but the guidelines say that all should be in on gun safety, not just those two.
“I think there was some complacency on this set,” Sheriff Mendoza said. “Any time firearms are involved, safety is paramount.”
I'm sure this isn't rare, but one stickler of an armorer can cover for a bunch who don't bother. But those who don't bother aren't absolved b/c this armorer may not have been a stickler.
It is the armourer sole job to make sure that all ammunition, firearms are kept clean, safe and used properly and safely and then stored away safely. Within that job title will be safety protocols and preocedures that they have to adhere to.
Failure to do so results in what has happened.
If this is neglegence then it falls on the armourer or prop master. If live rounds were loaded then it falls on the person who did that. If it was a misfire then that is an accident. None of them is the actors fault.
Baldwin's lawyers likely are thinking along similar lines and are putting all of their efforts into preparing for the civil suite they know is coming and in which their client will be a defendant. Unless, something different happened that we don't know about yet. People may not want to hear this, but if you're a betting man or woman the smart money is Baldwin walks in criminal court, and then crawls in civil court.
All I see him penalized for is being partially responsible as one of the overseers of this shoddy and disgraceful production that got someone killed. That will happen in civil court. The criminal case against Baldwin people are imagining is a pipe dream. There's really no legal precedent for it and there are too many ambiguities. So, the prosecution isn't going to bother with Baldwin. They'll go for the easiest conviction (if there are any), and that would be the armorer or the Assistant Director. Good luck to Baldwin in finding a union crew that wants to work for him in the future. The insurance on any future non-union Baldwin film is going to be out of sight. That'll be his punishment: the end of any meaningful career and heavy financial penalties.
You're ignoring that outside the protocols of the title, there are protocols for the production and set that everyone is supposed to follow. That everyone is supposed to gather and go over. No one is let off the hook when it comes to gun safety. It's not tune out, be oblivious, and leave it all to the armorer. The redundancy is intentional to stomp out any potential slip along the way. Everyone is supposed to understand and follow these guidelines.
Baldwin, a veteran actor, on plenty of films with gun play, has retweeted stuff about the AD. Why? B/c the AD handed him the gun, and the AD is typically in charge of safety on the set. If everyone knows it falls only to the armorer, why is this film set veteran pointing to the AD? Like I said, there's finger pointing in all directions, and there will be more of that b/c everyone has a role to play. The armorer is pointing to the production --i.e., the producers, of which Baldwin is one, b/c she had to wear multiple hats and was denied training and prep time despite the magnitude of her responsibility.
You're ignoring that outside the protocols of the title, there are protocols for the production and set that everyone is supposed to follow
And that is the job of the armourer to enforce those rules not the actor.
If this woman was killed by a car on set during a chase scene no one would even comment on it. The only reason is because it is a gun. Real world saefty does apply on a movie set to a certain degree otherwise why would people jump off buildings or stand in a fire or near explosions. Some risk is accepted and that is why prfessionals and experts are hired to limit the chances of anything happening. Unfortunaly accidents happen due to neglegence or just plain human error.
If it is neglegence that falls on the armourer.
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Again, you're pretending that the armorer is solely responsible for what anyone else chooses to do regarding gun safety. And you're continuing to ignore that guidelines for gun safety are in place for everyone to know and apply, firsthand, not only at the crack of a whip the armorer doesn't have. The armorer doesn't run the set. The armorer is under the AD, who is typically in charge of ALL safety on the set -- which I'm sure is why Baldwin's lawyer is retweeting stuff about him thru Baldwin's account aka "He did it!"
And why bring up cars when we already have specific guidelines for gun safety on set for everyone? There's a guideline on set for "horseplay" with guns --i.e., don't fool around with ANY gun, hot or cold, blanks or empty, don't point it, don't pull the trigger, unless it's for the actual scene or a full run rehearsal. Why does that exist? B/c you're supposed to follow it. You're supposed to play a role in prevention via these guidelines. Everyone is supposed to be onboard. The guidelines don't say: "Don't worry, it's on the armorer." It says what you should/shouldn't do as well. Anyone can call out any breakdown along the way. That doesn't guarantee that they will or that anyone will listen and change course.
And as a producer, you're not covered simply b/c you hired someone to be an armorer. You're supposed to vet these people. If you didn't, and you hire an inexperienced armorer to save money, you may be on the hook. You can't say "Tag, you're the armorer -- and now it's all on you. Oh, and by the way, we don't have enough time for proper training or prep. We shoot tomorrow." A wide net is going to cast, and any breakdowns along this chain are going to be scrutinized.
I keep seeing conflicting reports on whether or not the actor should check the weapon. A lot of people are saying that the last person to check it before it's used should be the armourer, even to the point that if the actor does check it, the armourer should re-check it afterwards.
Anyone who says that is wrong. Ultimately, the person responsible for gun handling is the person handling the gun. He should check the weapon immediately upon picking it up or receiving it, to make sure if it is loaded or not. That's the very first rule of gun safety. If the armourer re-checks it for you, then that only necessitates that you re-check it again when re-receiving it. I don't care if Charlton Heston came back from the dead and checked it for you, you still check it yourself when you receive it.
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in "the real world" yeah, every possible safety precaution.
You cant apply all those rules to filming a scene.
nor is there a need to because its a closed environment with dozens of people working on the same thing some of which are *specifically employed to check the gun for the actor.*
Are the actors supposed to check their own climbing ropes? or scuba gear?
no - they have people on set to check at the appropriate times.
you literally cannot take every "real world" guideline into the movie studio,
For example how about the rule "Never point a gun at anyone"
In acting that needs to happen - its in the script.
Another example.
suppose in the script the characters receive weapons either someone hands them a gun , or they pick them up from a box / car trunk - like in pulp fiction.
The characters in the movie dont then perform a gun safety check,
so how can the actors do it?
So going back to the OP , I'd say this armourer lady is more at fault than any of the other people blame is being pushed around to
{edit}
Thinking about it , the above when camera is rolling.
off screen there is no reason not to take every possible precaution (the standard gun handling rules), and avoid waving it a round at people like a dick - which is what seems to have happened in this case.
All good points. She's claiming she was hired for two positions on the film. If her boss told her "just leave the guns here and go make some sandwiches" or whatever duties this "second job" entailed, that implicates the boss as well.
you literally cannot take every "real world" guideline into the movie studio,
But you can take the basic gun safety rules there. Especially the one about always checking the firearm you pick up or receive. It is easy enough for lay people to do. If they don't know how to do it, then they should not be handed the weapon at all - period.
For example how about the rule "Never point a gun at anyone"
In acting that needs to happen - its in the script.
It wasn't in this case. Hell, the cameras weren't even rolling.
Another example.
suppose in the script the characters receive weapons either someone hands them a gun , or they pick them up from a box / car trunk - like in pulp fiction.
The characters in the movie dont then perform a gun safety check,
so how can the actors do it?
By having the actors in question checking the weapons before the scene is shot.
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If you read how it is done on other movie sets, the armorer and actor given the gun look at it together. It takes longer because when it is done that way the armorer has to verify with every actor that a gun is unloaded and if you you have a lot of actors in a scene it will slow things down.
You also find from other shoots that some producer don't want to spend the time and money on doing things the right way and cut corners. This was clearly happening on this set. This wasn't surprising given the relatively small budget of the film and that they were trying to push 2 jobs onto the armorer.
In the end the armorer cannot force people to follow the right procedures when their boss that is paying them is directing them to cut corners.
I have a hard time believing that it will fall solely on the armorer.
It won't, nor should it. Still, in the interest of safety, they created a job position called "armorer" whose purpose is to make sure this couldn't happen. There's plenty of blame to go around (including those that hired her), but ultimately, the most responsibility in my opinion still falls on the armorer.
What if the armorer tells the actors and directors not to take any gun from a table unless the armorer is there to verify the gun is safe and the director ignores her and takes a gun anyways? Would you still think it was the armorer? The reality is the person point a gun at another person and pulling the trigger shoulders responsibility for shooting someone. To try and push that blame onto someone else is like a drunk driver that kills someone in their car trying to blame the car salesman that sold them the car.
If the armorer provided guns that were defective and blew up in the face of the actor using it then it would be the armorers fault. But this gun functioned as it was supposed to, the only problem was the idiot with the gun pointed it at someone and pulled the trigger. It doesn't matter that it was loaded, there was no reason to point it at anyone.
I've even read accounts that Baldwin was pissed that he was asked to redo the scene and gave a response that he was going to shoot them both.
I don't know where you get your information from, but it was reported that the gun went off by mistake. So, it wasn't supposed to fire, even in the rehearsal. I don't know if you are one of those right winger trolls who hates Baldwin or if you are just an uninformed person who doesn't know the hierarchy on film sets, but there is one person, and one person only, who is responsible for gun safety on a set and that's the "armourer". Not the actor, not the 1st AD or director, not even the producer, it's the "armourer".
So yeah, it's nice to read a statement by the lady, but even not knowing that there were live rounds circulating the set is part of her job and her fault. The followup question is of course: if the armourer did not provide and live bullets to the production, where did those come from? This turns put to be the exact reason why there should be less guns, less ammo and less gun culture in general in the US, but of course right wingers are trying to make it into a "Hollywood" problem and a "Baldwin" problem instead.
Procedures on a movie set don't trump accepted gun safety. Movie sets don't dictate laws, and you'll find that pointing a gun at someone in New Mexico is illegal in that state. You can make up all the procedure you want but it doesn't void the laws of the state which were violated when he negligently pointed a gun at someone and shot them.
You sound like a typical anti-gun idiot that thinks a gun goes off by itself. It doesn't happen that way. place a gun on a table and leave it there for a hundred years and it will not fire unless someone goes and pulls the trigger. The damn thing will rust away before it fires. Baldwin pulled the trigger, the AD didn't the armorer didn't... at the end of the day Baldwin pulled the trigger and killed the camera operator.
all the gun nuts are cumming in their pants wanting to explain to everyone how guns are not dangerous when you know and do all the procedures like they do.
Although ive yet to see one explain how films are made with guns pointing at people when one of the "riles" is dont point them at people
"Although ive yet to see one explain how films are made with guns pointing at people when one of the "riles" is dont point them at people."
Is that a joke or do you really not realize that in movies and TV shows, things can appear to be happening that aren't really happening in reality? I guess it would surprise you to learn, for example, that the Starship Enterprise wasn't a real space ship, it was just a wooden model that was several feet long at the most, and that William Shatner doesn't really have a twin brother, despite the several times that we have seen two James T. Kirks onscreen at the same time. Should I go on, or would prefer to keep your child-like delusion that everything you've seen on screen happened in reality, in exactly the same way that it appeared to have happened?
It's hilarious that all of a sudden anti-gun leftnuts are coming out of the woodwork to, of all things, oppose common sense gun safety rules that are older than anyone alive today, simply because one of their own is under fire. You guys would obviously be singing a different tune had it been, e.g., Donald Trump instead of Alec Baldwin.
I'm gonna take a wild stab and say that the gun Christopher walken held to his own head in "The Deerhunter" was real ,
and also that holding a gun to your head is a no no in the safe gun handling rulebook?
I don't know anything about that movie, but it's obviously possible to break any rule, and Baldwin dusting that woman is a good example of what can happen when you do. Had he not pointed a gun at her she wouldn't have been killed because the bullet he fired wouldn't have hit her, obviously.
"But ultimately, it falls on the armorer to make sure guns are safe."
No, ultimately it falls on whoever is holding the gun to make sure it's safe. That includes checking the chamber(s) to see if it's loaded (and if so, what it's loaded with), and checking the bore for any obstructions. Furthermore, regardless of what you find when you inspect the gun, you are not to point it at anyone except in self-defense. That way, even if the gun is fired, it won't hit anyone because it wasn't pointed at anyone.
Still LOL at you thinking that Hollywood gets to pass on the fundamental and obvious rules of gun safety which are older than anyone alive today.
"You're one of those people who can't seem to separate reality from movies... Wow."
Making movies is reality, simple fellow. If it weren't, Baldwin couldn't have offed that woman, because bullets only kill in reality. Also, since you failed to address, let alone refute, anything I said, your tacit concession is noted (again).
Your non sequitur (of the laughably wild delusional fantasy variety) is dismissed.
"and summarily declare yourself some sort of winner."
LOL at you thinking you can possibly win a debate without presenting any arguments. In reality, when you've replied to an argument with nothing but a non-argument, you've tacitly conceded, i.e., you've lost (obviously).
Is it the actors responsibility to check the safety of cars and vehicles before using.
Is it the actors responsibility to check explosives before using.
Is it the actors responsibility to check climbing gear before using
Is it the actors responsibility to check scuba gear before using
Is it the actors responsibility to check literaly everything that is on set and can be used on set before using or is it only guns.
The answer to all of them is NO. It is the responsibilty of the person or department who is in charge of the safe use of whatever equipemnt is required for any particular scene.
Anyone using anything is responsible for using it safely; their profession is utterly irrelevant. LOL at your "pass the buck" mentality; it's that same mentality that results in the courts being flooded with frivolous lawsuits.
When it comes to guns, using them safely means you don't point it at anyone who isn't threatening your life. Even if you [foolishly] skip the safety inspection part, as long as you don't point it at anyone (and unlike in your laughable attempts at analogies, refraining from pointing something at people requires no specialized knowledge, tools, or time/effort at all; even a child can do it), it will prevent injury/death if the gun is fired. That's why it's the primary rule of gun safety.
So let me get this straight and I know the answer will be no because you literally talk nonsense.
Do you check your car yourself after a mechanic has fixed it?
How about elctrical wiring, gas boiler, any safety equipment used for work. No you don't and you shouldnt be expected to because that is why we have trained people to do this for us. Why is a movie set any different.
means you don't point it at anyone who isn't threatening your life
I'm guessing this magic moving pictures are new to you then.
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"Do you check your car yourself after a mechanic has fixed it?
How about elctrical wiring, gas boiler, any safety equipment used for work. No you don't and you shouldnt be expected to because that is why we have trained people to do this for us. Why is a movie set any different."
Is that a joke? What kind of training is required in order to refrain from pointing a gun at people? And for the record, and not that it's relevant, I do mechanic and electrical work myself. It's irrelevant because, like I said:
"Even if you [foolishly] skip the safety inspection part, as long as you don't point it at anyone (and unlike in your laughable attempts at analogies, refraining from pointing something at people requires no specialized knowledge, tools, or time/effort at all; even a child can do it), it will prevent injury/death if the gun is fired."
"I'm guessing this magic moving pictures are new to you then."
That's comically ironic, coming from the simpleton who doesn't know that "movie magic" can easily make it appear that someone is pointing a gun at someone even though, in reality, they aren't. Furthermore, LOL at you thinking that playing make-believe gives people a license to ignore life-or-death gun safety rules. And on top of that, Baldwin dusting that woman didn't even happen during a scene; he was practicing his cross draw; the camera wasn't rolling.
You do realise guns real and fake, ammunition live and blanks have been used millions of times over 100 years of movie making.
This has constituted to unfortunatly 3 or 4 losing there lives.
Guns are pointed at actors and other poeple regulary on amovie set, it happens thousands of times a year for point of view shots and to see the real recoil of the gun.
ignore life-or-death gun safety rules
Why do you think experts are hired
Practical effects have always been used and always will be used because they are cheaper and look better.
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Your question was based on invalid analogies (and I explained why they were invalid; twice), and therefore a non sequiturs. Non sequiturs can legitimately be dismissed out of hand.
"You do realise guns real and fake, ammunition live and blanks have been used millions of times over 100 years of movie making."
What does that have to do with anything? There's no inherent problem with using real guns and blanks or even live cartridges. There is a problem with ignoring gun safety rules though, because it constitutes negligence, and if it results in a homicide, you have a negligent homicide, which is a serious crime.
"Guns are pointed at actors and other poeple regulary on amovie set, it happens thousands of times a year for point of view shots and to see the real recoil of the gun."
Regardless of how many times it's done, they are not supposed to, and if it results in an injury or death, they will be held responsible if the law is enforced correctly, because it was due to negligence.
"Why do you think experts are hired"
For redundancy, not for passing the buck onto them. A gun isn't supposed to be pointed at anyone except in self-defense, and the only person who has control over where the gun is being pointed is the person holding the gun, obviously.
"Practical effects have always been used and always will be used because they are cheaper and look better."
What does that have to do with anything? Making it appear as though someone is pointing a gun at someone else is easily done with practical effects.
They are usually there on set to check and recheck the gun before it's handed to an actor. She said they were locked up, but they were just sitting out on a cart. There's a reason they do multiple checks like that.
The producers had her doing two jobs when a movie like this probably requires more than one person to take care of the guns. That would explain why she wasn't even on set during a scene where there was going to be gunfire.
I read a story in which they talked to a prop master who they offered the prop master job to, and he turned it down for that reason. They wanted him to do two jobs while he actually wanted a small team to help him. He thought the prop master job would require some help.
A lot of this clearly started with the producers cutting corners to save a few dollars. It'll be interesting to see how involved Baldwin was as a producer. His production company was also involved in financing the movie.
And Baldwin was the person that selected her. If you buy a cheap car that doesn't have brakes, then crash into a wall it is the fault of the person that sold you a car without brakes or the person that decided they didn't want to spend the extra money on a car that had brakes.
I'm assuming you're saying the owner bought the car knowing full well it didn't have brakes.
Did the person buying the car know it didn't have brakes, or was there a reasonable expectation that the car would have brakes? Did Baldwin have a reasonable expectation that the gun would have blanks? Should Baldwin have held that expectation? Giving what I've read about the shambolic production I'm not very confident the answer is "yes" from an ethical point of view, but that would be for a jury to decide if it comes to a criminal trial, which I don't think it will (for him anyway). I say he walks despite all the virtual ink spilled on this topic. I don't think him a hero or a victim in this, but that's how the cookie will crumble. If there is no criminal trial or he walks Hollywood will see to it that Baldwin loses his shirt in civil court to appease the public and, more importantly for them, the unions.
There are some things that are legally held to a higher level of care because of their inherent danger, guns are one of those things. You can't get out of the responsibility to know whether a gun is loaded or unloaded simply because someone tells you it is unloaded.
As for the car, I said if you bought a cheap car that doesn't have brakes, I didn't say a cheap car with faulty brakes.
Faulty brakes, cheap brakes, no brakes, it makes no difference. The question I asked was whether or not the owner deliberately bought the car knowing about the brakes. Are you suggesting Baldwin literally knew the gun was hot? If this is to be analogy, it could work, but it depends on what the car owner knew (or reasonably should have known) and when, and if Baldwin likewise knew the gun did have a bullet in it at the time (or lacked reasonable expectation that the gun was "cold"). The only way the car owner could be in trouble is if they were aware of this and drove it anyway. You would have to prove to twelve jurors that the owner MUST have known or SHOULD have known the car lacked brakes before the accident occurred. A car with no brakes would be fairly noticeable, I should think, unless the accident happened IMMEDIATELY after driving off. Perhaps brakes are not the best analogy. Maybe bad tires or some other part would be a better analogy, because you might have to eyeball them to know if there was a problem. Faulty tires might make a sound or ride funny, so maybe that's not a perfect analogy either.
Anyway, if the owner didn't know or simply didn't think to check, was there a reasonable expectation that the car would have brakes? This what a jury in a criminal trial of Baldwin would have to decide. I think he should have stopped filming based on what was happening that day and how procedures had broken down, but will this be enough to say he lacked reasonable expectation of safety? You need twelve jurors in a criminal case to agree. Do the movie guidelines actually say that the actor MUST check the weapon, or does it say that the actor has the right to check the weapon upon request? Does it actually say the actor is OBLIGATED to do that? This argument has never been tested in court since Brandon Lee's death. I think this argument has better chance in civil court. We'll see.
NOTE: Also, pointing at the camera and firing and his role as producer are separate issue.s
You keep acting like guidelines on a movie set are going to provide an excuse, that isn't going to work. The prosecutor will simply have to show that Baldwin had the gun in his hand, that he pointed the gun and he pulled the trigger. Baldwin's attorney can claim he thought it was unloaded, but that isn't going to save him. Whether the gun was loaded or unloaded, pointing a gun at someone is against the law in New Mexico. That in and of itself is proven to have happened by the fact when the gun was fired it hit the woman. That would show he was negligent and his negligence resulted in a death... that's involuntary manslaughter. Sadly it will only be punishable by up to 18 months in prison... but there is nothing that will change that.
I did point out that the loading/checking of the gun and the pointing/firing of the fire of the gun are two separate issues. He could be cleared of the one and not the other. I don't understand why this is considered a defense of Baldwin. It is not intended to be. The car brake analogy (whether it actually is applicable or not is debatable) really only applies to the loading and checking of the gun in any case. The cops main concern right now if finding where the bullet came from and confirm the origin and trajectory of the bullet. We'll see what happens after they do that. Anyway, I will bookmark this and save it for later.
They may want to find the origin of the bullet, though unfortunately the longer it goes without any charges being filed the less likely it is that Baldwin will be held accountable for what he did. If you were some high school kid playing with a gun and shot your friend you would already be arrested. They might still continue looking for how gave the kid a gun or where he got it from, but those things wouldn't change the fact that the kid would be arrested for the act of shooting someone. If it later turned out the kid did it on purpose then the involuntary manslaughter charges could be replaced with murder, that's what should have already happened with Baldwin. Finding out where the bullets came from may result in someone else being charged for their part in what happened, but it shouldn't change the fact that Baldwin was negligent and should be charged. The fact that he hasn't been charged yet indicates he is using money and influence to try and avoid being treated like a regular Joe would be treated.
Do you have specific knowledge that Baldwin selected her? I've not seen that in any reports and hiring for this type of job is normally done by the line producer or production manager.
Thank you for posting this. I don't think people realize how many roles and production crew spots are in a movie. Baldwin's title may be 'producer' because he's partial owner of the company or he decided to put in some money into the production he wanted to be involved with but that doesn't necessarily mean he was hands on the hiring person. That's going to be up to the investigation to find out what role he actually had as a 'producer'. There are also multiple producers on a production so any fault that goes to Baldwin could go to the others as well.
To me, the real question is Who put a live round in the gun in the first place? Would the disgruntled employees who quit the night before have had something to do with that? A parting shot, as it were?
That occurred to me as well, perhaps just to get the production into trouble and not cause a catastrophe necessarily.
If you let yourself really get creative, you can envision where Baldwin wanted to murder the cinematographer and so set up this plan to free himself of murder charges by implicating himself in the accident. Sounds like a CSI episode..
On that line, is it possible that someone who was complaining and was ignored about the conditions loaded the gun in the hopes of bringing attention to the problem? Some of the reports about the strike, walk outs and the crews commuting hours and treatment have taken a spotlight in this story when none of it really matters to the actual facts of the case. But now it's been shown abundantly clear how this production was treating the workers. hmmm....
I think there was an episode of Diagnosis Murder with the same mystery. I need to go back and watch it, lol
Considering the camera operator had apparently been arguing with Baldwin for better working conditions for the staff he had fired, it is just as plausible that Baldwin loaded it himself to get rid of a nuisance... remember this is a hot head that has attacked people on the street for simply daring to photograph him out in public.
From what I understand the gun that was fired was a .45 long colt which is not a common caliber. You can guy .45 ACP bullets from a Walmart, but they wouldn't fire in that gun they would slide out... the .45 long colt is difficult to find outside of a gun store and would have cost about 1 to 2 dollars a piece if you were lucky. Often even higher. These are normally reloaded by the person that owns the gun because reloading is much cheaper. I know they mentioned that the gun was used for plinking, but plinking with one of these would be a very expensive proposition and would almost certainly been done with reloaded ammo as I can't imaging a bunch of the crew that had been hired on the cheap shelling about a couple of hundred dollars a box for ammo to go plinking.
I would suspect that the armorer did have live ammo with her and probably reloaded it herself as well as reloading blanks. It would simply make no sense for someone that was making a movie where god only knows how many blanks were going to be fired would be buying ammo for dollars when they could reload it for pennies.
.45 Colt (.45 Long Colt is a misnomer, by the way) is a common cartridge, especially since "cowboy action shooting" became a thing a few decades ago. Also, Walmart does sell them, or at least they have before:
No box of .45 Colt would cost a couple hundred dollars, unless there were a lot more than 50 round in it. Even the most expensive loads you can buy, such as this highly specialized load with heavy solid brass bullets from Buffalo Bore, would only come to $153.55 for 50 rounds:
Normal standard-pressure loads with ordinary cast lead bullets are a lot cheaper than that.
And yes, reloading is a lot cheaper, but the idea that any of those buffoons on that production, especially the "armorer" chick, even knew how to reload, is far-fetched IMO.
Not really a misnomer when you consider it was referred to as a .45 long colt by the quarter masters at the time of its use to avoid confusion with a .45 S&W Schofield... or the fact that Colt themselves label the current single action revolvers that use it was with .45LC, and the L refers to long. So was it originally called a long Colt when it was first introduced? No... but it certainly is in the present day even by Colt.
Now while Walmart might have once carried it, they certainly don't in any of the Walmart in my state, my cousin is involved in that goofy cowboy gun crap and until he got the reloading tools for that cartridge he had to go to gun stores to buy the bullets because they were the only place that carried them.
As for the price, it probably varies by location. I can only go by what I've seen it selling for locally. And I haven't seen it for under a dollar a cartridge.
"Not really a misnomer when you consider it was referred to as a .45 long colt by the quarter masters at the time of its use to avoid confusion with a .45 S&W Schofield..."
I know the story behind "Long Colt". It's a misnomer because the actual name of the cartridge is .45 Colt.
"or the fact that Colt themselves label the current single action revolvers that use it was with .45LC"
No, they don't, not on the gun itself anyway, and not on the box it comes in either. On the current production SAA it just says ".45" on the barrel (in the recent past it said "45 CAL"), and on the box it says "45Colt". In the scan of the SAA owner's manual that Colt has on their website it's called ".45 Colt" (pages 4 and 6 for example).
"As for the price, it probably varies by location. I can only go by what I've seen it selling for locally. And I haven't seen it for under a dollar a cartridge."
It doesn't need to sell for less than a dollar per round to cost less than "a couple hundred dollars" for a box. For a box of 50, it would have to cost $4 per round in order to cost $200, and for a box of 20, it would have to cost $10 per round. On this site it ranges from $0.90 to $3.30 per round:
And those ridiculously expensive ones aren't something that would normally be bought just to go shooting; they are specialized self-defense and hunting loads, and those type of loads are a lot more expensive than basic ammo in any caliber.
Also, there are 55 varieties of .45 Colt ammunition made by 20 different brands to choose from just on that website; far from "not a common caliber".
They list them as .45LC, and that isn't a random manufacturer its on Colt's own website. So it isn't a misnomer.
As for 55 varieties, when I say common caliber I mean it in the sense of easy to find in places outside gun stores. And as I said in places like Walmart in my area it isn't common enough to stocked on the shelves.
"They list them as .45LC, and that isn't a random manufacturer its on Colt's own website."
What some inept webmaster types up for a website doesn't even remotely trump something official, like the gun itself, the box it comes in, and the owner's manual that comes with it. Also, on Colt's website (which has always been terrible), there's no consistency, i.e., it is variously referred to as "45LC", "45 Colt (LC)", and "45 Colt", all on the same page no less. Furthermore, SAAMI, which has been the American authority on cartridge standards/specifications for ages, calls it "45 Colt" (pages 7, 9, 11, 24, 32, 68, 96, 127, 133, 179, 193, and 195):
Yes, it is. The actual name of the cartridge is .45 Colt. But regardless of that, why call it ".45 Long Colt"? Do you think there's still a realistic risk of confusion with the .45 Schofield (which actually is an uncommon cartridge, by the way)?
"As for 55 varieties, when I say common caliber I mean it in the sense of easy to find in places outside gun stores. And as I said in places like Walmart in my area it isn't common enough to stocked on the shelves."
Just because the particular Walmart in your area doesn't carry it doesn't make it uncommon. With an actual uncommon cartridge you'd have trouble finding it even at gun shops. Since gun shops are very common in the US, if a cartridge is readily available at most any gun shop, it can't be considered uncommon. There are about 63,000 gun shops in the US while there are less than 5,000 Walmarts.
65,000 gun shops includes many home businesses and you can't seriously think that they all stock the cartridge, you can't be that stupid. Oh wait, you refuse to accept that the manufacturer of the gun knows what they are talking about when THEY use refer to the caliber as .45LC... so I guess we are starting to realize just how clueless you actually are.
That's utterly irrelevant; gun shops are still way more common than Walmarts. My small town for example isn't anywhere big enough to support a Walmart, but we have two gun shops. I can walk to a gun shop but I have to drive 20 minutes to get to the nearest Walmart. Also, in order to get an FFL, you have to have posted business hours (at least one day per week) and be in the actual business of selling guns.
"and you can't seriously think that they all stock the cartridge, you can't be that stupid."
Reading Deficiency Alert
I said:
"Since gun shops are very common in the US, if a cartridge is readily available at most any gun shop, it can't be considered uncommon."
Does the "bolding" help?
"Oh wait, you refuse to accept that the manufacturer of the gun knows what they are talking about when THEY use refer to the caliber as .45LC..."
So you think Colt's webmaster is "the manufacturer"? Let's see just how competent that guy is:
"Available in 45 Colt or 357 Magnum with multiple barrel lengths and finishes."
Wrong. The SAA is only available in .45 Colt, and it's been that way for a while now. At least he got the name of the cartridge right that time.
"Material: SAO"
SAO (single-action-only) is a material?
"Size: 45 Colt (LC)"
"45 Colt (LC)" is a gun size?
"Style: 7.50""
The style is seven and a half inches?
"Length: 6rd"
The length is six rounds?
"Gun Type: Exposed"
I've never heard of a gun type called "exposed", have you?
"Metal Type: Black Polymer"
Metal is a polymer now?
"Caliber Gauge: Blade Front"
I didn't know that "blade front" was a caliber or gauge designation, did you?
"Quantity: 44 oz"
So weight is a quantity?
"Recommended Usage: Color Case Hardened Steel"
Since when is color case hardened steel a type of usage?
"so I guess we are starting to realize just how clueless you actually are."
Comical Irony Alert, you know, coming from the guy who thinks the ramblings of a demonstrably inept webmaster trumps what's actually stamped on the gun, what's published in the official owner's manual that comes with the gun, and what's printed on the case that the gun comes in, and as a bonus, thinks the webmaster trumps SAAMI too, and thinks anything not sold at his local Super Walmart is inherently uncommon.
Did you babble something again? Sorry, I wasn't listen you've start sounding like a liberal yapping about Trump. Maybe you should calm down and stop pretending your random babbling has any relevance.
Hmm. Maybe at some point she just stopped giving a fuck, because in most of those she doesn't look like someone who has made diet or exercise a priority.
What a load of crap. As far as her statement is concerned, it doesn't matter who introduced live ammo to the set, or why. It was her responsibility to make a visual check of every gun before allowing any actor or stunt person to handle it, to be certain it was either not loaded or loaded only with blanks. It doesn't matter if that's part of the protocol or written rules of film making, it's a rule that should and would be followed by any responsible, intelligent person with any knowledge or experience of handling firearms. If she didn't have such knowledge or experience, she should not have accepted the job of armorer. If she couldn't look at and into a gun and tell whether or not it was loaded, or recognize the difference between a live cartridge with a bullet and a blank cartridge, she should not have taken the job. Anyone who knew she was unknowledgeable and inexperienced and put her in the job anyway bears some of the responsibility. Any actor or stunt person who is handed a gun should know how to check if it is loaded, should be able to tell the difference between live rounds and blanks, and should always check, no exceptions. If the rules don't require that already, they should be changed immediately.