imagine the movies and stories we could be getting...
if everything wasn't so sanitized and filtered and put through politically correct lenses.
shareif everything wasn't so sanitized and filtered and put through politically correct lenses.
shareNo need to whine, I'm sure you can still get a copy of the original "Birth of a Nation" to fap to.
share🤣
shareumm sure "if you dont like what i do you a nazi". ultimate intelectual laziness
shareYou're the one who wants movies that aren't politically correct!
Backtracking now, are you?
whatever helps you.......
shareWeenie! You say you want movies that aren't politically correct, but wimp out when someone brings up the real deal.
shareAre you seriously equating 'The Lord of the Rings' (2001) and tv shows like 'Friends' (1994) to Nazis, the Klan, and 'Birth of Nations' (1915) [as the two initially mentioned properties are deemed "NONE PC"]?
sharei like actually well written strong female characters not mary sue "boss bitches"
so of course im therefore a white supremacist who likes birth of the nation.
im on the left but the left has left me behind. theve gone full nutjob
Mary Sues can still be well written and serve a purpose in a story, or at least be entertaining if not well written. Or do you also hate Luke Skywalker, Superman and Harry Potter, etc?
shareMary Sues can still be well written and serve a purpose in a story, or at least be entertaining if not well written.
Or do you also hate Luke Skywalker, Superman and Harry Potter, etc?
Aw, thanks so much, I love freebies. But I tend to disagree with you. I don't believe struggle is necessary to tell a good story. Many good stories centre around someone who goes on a fun adventure and comes back much the same. Sometimes the adventure itself is the story, not the character's development.
Also, regarding Harry Potter - Ron and Hermione were almost never there when he was fighting against the main bad guy. They weren't with him at the end in movie 1, 2, 3...you see what I mean? And we're talking about an 11 yo who didn't grow up around magic constantly defeating a world-renowned magical mass murderer/cult leader on his own. Sure, he experienced struggles and sure he had assistance at times, but not to the extent that you could discount him as a Mary Sue.
Same as Clark Kent in Smallville. Every episode he "struggled", but every episode he persevered. Sure, you can blame that on the tv series format, but it didn't stop the show from being entertaining and Clark really didn't change greatly as a character from season 1 to season 10, and that's a lot of episodes.
But what do I know, right? Guess I'm just too uneducated to "get it".
I don't believe struggle is necessary to tell a good story. Many good stories centre around someone who goes on a fun adventure and comes back much the same. Sometimes the adventure itself is the story, not the character's development.
Also, regarding Harry Potter - Ron and Hermione were almost never there when he was fighting against the main bad guy. They weren't with him at the end in movie 1, 2, 3...you see what I mean? And we're talking about an 11 yo who didn't grow up around magic constantly defeating a world-renowned magical mass murderer/cult leader on his own. Sure, he experienced struggles and sure he had assistance at times, but not to the extent that you could discount him as a Mary Sue.
I think we'd improve movies as much - or more - if everybody stopped dropping all their dollars on these mega-franchises like Marvel Movies, Disney live-action remakes, endless Star Warses, etc. This committee-built stuff can be entertaining, but it keeps the waters of art stagnant and shallow.
sharethat is true. and while remakes/sequels are nothing new, it seems hollywood is extra lazy these days
shareYeah, I think a lot of it is related to this constant lust for "cinematic universes". They're all putting the cart before the horse, just greenlighting properties as fast as they can without pausing to think, "Do I actually want to tell this story?"
Or it's just nostalgia-bait. Or both...
at least the first few MCU phases were competent. but then again they focused on building characters and a well crafted intertwined story.
now they just want to push as much shit out the door as possible.
For me, it all kind of deteriorated quickly and started to feel very "samey". It's not like there aren't entertaining chapters, but it's just like, "Oh, yeah, let's print more money. Do another one. 50% action, 40% quips, 10% dramatic moments. Fire the machine up!"
shareAS LONG AS IT WORKS...WORK IT...WE LOVE THE MCU IN THIS HOUSE...LOOKING FORWARD TO MORE.
shareFair enough, and to each their own. I had my "superhero fatigue" set in early. It's not that I'm not entertained by a lot of MCU stuff, it's just that I find it dreadfully uninspiring and I miss more variety and exploration in action movies. Different ideas, characters, themes, plots, and (most notably) aesthetics.
The MCU, and other mega-IPs, have just sorta "bottlenecked" the movie industry, and I think we're seeing less variety. That's fine for the die-hard fans, but for other movie fans, we miss out on studios taking risks on properties that could be really special.
But, absolutely; if it's your thing, it's your thing, and I'm not saying you shouldn't like something that you like just because I got bored of it.
YOU'RE COOL...I LIKE YOU...I ALSO WISH FOR MORE VARIETY...BUT AS I STATED I LOVE THE MCU...SO...I GUESS WE AGREE AND DISAGREE.🙂
shareSpot on Ace_Spade
There were generic and formulaic before , simple actioners , teen comedies , disasters whatever but at least there was variety .
Now MCU and others have swamped the industry with men-in-tights-with-magic-powers.
My superhero fatigue started with batman 89 and was fully set in with spiderman 2 i think . Thats the first ii , not any of the countlesss remakes / re do's or whatevs.
THERE IS ROOM FOR ALL GENRES...THE ISSUE IS YOU REALLY...OR AT LEAST PEOPLE LIKE YOURSELF WISHING FOR DIFFERENT CHOICES...IF THE AUDIENCE ISN'T THERE ...NEITHER ARE THE MOVIES.
shareI get that i'm apparently in the minority , and these movies' make money , so they make more .
But I bet no other genre fad has ever taken so much of the market , even westerns in the 50s probably didnt represent the % of releases that Superheroes do today.
I DISAGREE...I DON'T KNOW THE EXACT PERCENTAGE OF RELEASES THAT ARE CAPESHIT...BUT I BET IT'S MUCH LOWER THAN YOU THINK...AND I BET 50'S WESTERNS PERCENTAGE IS MUCH HIGHER.
I'm now curious about those stats. Of course, they'd be hard to come by. Tallying up all major studio released movies year-by-year and classifying them would take a while.
shareI started checking out around Avengers 2. Also, I should say that when the superhero movie goes out on a limb, I get more interested. Logan, for instance, took some risks and dove into the storytelling in ways that main franchises - the MCU, DCEU, and X-Men films, basically - just didn't do. I was interested in Joker because they went somewhere different.
I really like the Burton Batman films, personally. Your superhero fatigue set in early. I mean, at that point, it was basically just the Christopher Reeve Superman, Batman '89, and a few B-movies like Swamp Thing or the Sylvester Stallone Dreddful movie.
I think it'd be nice if they tried to be a bit more unique and interesting, and make room for other films, yeah. But, as you say below - and I said elsewhere - I'm not begrudging other people their superheroes; I'm just stating my own, personal taste.
I vote for dropping more dollars into the Star Wars universe. Marvel on the other hand, not a fan.
shareI think they should invest more *time* into the Star Wars universe. Understandably, right out of the gate they bought Lucasfilm and had to make something - anything - because they paid a crazy amount of money just for the rights to make something (which costs even more money). But I think they oughta slow down and really think through their stories. Taking time to tell these tales makes them better. The Disney Committee seems to have figured out that fans had a bad reaction to the PT, but not why. I'd contend that the scripts were kinda rushed. Disney/Lucasfilm should find some passionate fans who are great writers and give them the lattitude to write something really thoughtful. Then, kick it around for a bit to contemplate any ramifications of the new script's additions to the lore.
Spending a little more time in addition to the bucks will not only give us great looking movies but movies that will last a lot longer instead of this consume and move on mentality.
Yeah I can absolutely agree with that and should clarify I thought the sequel trilogy was an absolute travesty, since it was clearly poorly planned and rushed. On the other hand though, the recent Disney+ series, The Mandalorian and Ahsoka for example, have been great. Obviously a little more effort and care went into these shows.
shareI haven't seen the newest stuff, partly because I feel worn-down on the Star Wars thing. I have heard good things about the Mandolorian (at least, the first two or three seasons?)
I haven't heard a lot about Ahsoka one way or the other, actually. I heard Andor was okay.
Anyway, it doesn't really interest me very much - the wider Star Wars stuff.
Yeah, the ST was rushed. It's a shame, too, because there's a TONNE of talent involved. If they'd taken a few months to plan the darn thing before even writing the scripts, they'd have crushed it. Instead, we get three very mixed bags.
The Mandolorian is basically a western in space.
shareI mean, A New Hope itself had a lot of western influence, as well. Probably not as much as The Mandolorian, but it's definitely there. Also, Star Trek was pitched as "Wagon Train to the stars," so sci-fi and westerns have long had a pretty tight relationship. Shows like Firefly (and Mandolorian, I guess) just push it farther.
Kowalski's right, by the way, Firefly is awesome, and if you like the sci-fi/western, it's right up your alley.
Also worth checking out, if you dig on cartoon media, is Cowboy Bebop. Also a space-western that is off-the-charts good. I'm speaking of the original anime show, not the Netflix live action series. I haven't seen that one and cannot speak to its quality one way or the other.
The Mandalorian is a fun show and well made by writers who seem to care.
Ahsoka has pleasantly surprised me, especially with in the introduction of Thrawns character.
Andor is a whole different animal. It's more of a slow burn, which focuses on the conflicting philosophies of each side.
About the movies, the only redeeming factor was the talent. Adam Driver and Daisy Ridley were great, but unfortunately didn't have good writers to back them up.
Good breakdown of the shows. Sounds like I'd be most interested in Andor, actually, which is odd because Rogue One's characters didn't grab me much at all while I was watching the movies. Andor himself seemed like an ersatz Han Solo. But, of course, if he has his own show, there's more chance to get into his unique personality and explore his story.
I agree that the talent was there, but I think there was some other stuff. I appreciated the hard-hitting fight at the end of TFA, for example. After the technical limitations of the OT and the overly-balletic and choreographed PT, it was nice to see combat that looked a bit rough around the edges. Rey fighting Kylo Ren seemed like two people struggling to strike at one another. The use of the old, old R2-D2 recording of Leia in TLJ was inspired, and while I don't like the movie as a whole, that moment was beautiful and touching. Some visual imagery is nice, too. The silent, almost black-and-white still shots of the frigate ramming the other ships in TLJ is a gorgeous use of celluloid (or digital imagery, anyway). And, yes, I have all the same problems with the introduction of light-speed ramming that everybody has, but in the moment, didn't it look fantastic?
So, while I didn't much for the ST, and overall it was disappointing, rushed, and under-written, I also try to give them their rightful due and acknowledge the stuff they did get right.
I think Andor surprised everyone. It completely breaks the Star Wars mold and goes into a completely different direction with the story telling and heavy diaIogue. If I remember correctly, there will be a 2nd and final season, which should lead up to the beginning of Rogue one.
shareFrankly I do t care.
shareWith so many movies and franchises flopping this year I hope it means we are on the cusp of major change in tv and movies.
sharedisney jsut repalced Rachel Zegler with Jenna ortega in at least 3 projects. it seems so or at least partly slightly on the right track
shareReally? That's interesting.
shareyaaa an upcoming Pirates of the Caribbean project, a voice role in some Pixar like movie and one more.
That aside although theyd never say it publicly, DIsneys clearly not happy with and in full panic mode over what Rachel said and the reception.
theres no way to frame this as "just a small angry group of bigots" like they normally do.
im on the left and i think shes a F*** clown. who shits on and makes light of their costar losing all his scenes? shes an unlikable narcissist and her ability to anger people through sheer smug, elitism and dislikability in general crosses political lines.
Another reason to find great obscure movies from the 60/70s (or before).
In the 2000s, I was hoping people would make these movies and upload them on YouTube, since the lament was "I can't find a distributor or a way for people to see them"
'Everything'?
It's a big old world outside of heavily marketed Big Studio Hollywood or the Walt Disney Company and its subsidiaries or whatever else it is that's grinding your particular gears. Find entertainment more suited to your tastes. There's so much available.
unfortunately for the most part, tiny production companies or independant filmakers tend to just make lower budget dramas.
im not hating these i do enjoy them, but for the larger bigger action/ fantasy/ epic projects, its basically exclusively hollywood. its just economics. Sean Baker who did Tangerine and Red ROcket isnt about to get handed 100 million from some angel investor to take a risk on making some big blockbuster style film
but for the larger bigger action/ fantasy/ epic projects, its basically exclusively hollywood
its not everything but its certainly a big part. of course thats my personal subjective liking of certain genres, but i cant just watch small budget indie movies. not only would i get bored id die from melancholy and depression.
I didnt say its everything. the point is i DONT have vast consumer choice. because if i want any sort of epic, sci fi, action, fantasy. i HAVE to go back to hollywood almost exclusively. there are exceptions like the Norseman, but they are the exception not the rule. you seem to be contradicting yourself
saying that "hollywood isnt everything theres other stuff outside big studio hollywood"
and when i say i know but the smaller ones dont do many of the genres i like. you say
"But that isn't 'everything', is it? You have vast consumer choice. If you don't enjoy the entertainment you're watching, you should exercise that choice."
well i cant by definition, because my only choice for 4 or 5 major genre, which are my favourite i can ONLY get those from hollywood. SUre i can get a shit tonne of indie dramas, comedys and even some horrors from outside hollywood. but cant get the others.
Oh I’ve seen some pretty fucked up movies my man!!
I’ve seen some FUCKED UP STUFF MANNN!!