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HelpMeRhonda's Replies
I don’t remember his accent being bad, but I do remember the wife character having a horrible accent. When Baldwin is riding for Lane, and she says “He’s riding for Lane now” in the most emotionless voice ever. The other cowboy, the poet, he had more conviction in his line “Ride em!” then the wife could’ve dreamed of.
A movie that has faults, but because it’s one of the most famous of its kind, is worth watching for the highlights.
-Singles: dating and music
-Demolition Man: society and it’s view of the future
-American Beauty: the human psyche(?)
-Boyz in the Hood: violence
Larry was a screw-up because his father raised him to be that way. We see that from the beginning. It is ultimately Larry’s fault though, because in the end he has to take responsibility for his son; if he doesn’t, he’s not a man. He always had a choice, and he chose to run away from his responsibilities.
I know young woman whose mom was digging through her purse looking for something, and found her vibrator. She and Wiest needed to be more cautious!
I remember watching it and feeling like they overdid Helens cussing. However, raising 2 rebellious teens of the opposite sex will do that to a person.
Plus Helens cussing exemplifies her good parenting later on in the movie.
Cussing or not, it’s a good movie.
It would’ve gotten PG if made in the 70s.
When I read the Furious Styles lines, I couldn’t help but here Grady from Sanford and Son going, “Mmhmm. Yup. That’s right.”
You might call it a buddy comedy, action, crime drama.
Not no more he ain’t.
“Bitches leave”
Good for a date night I reckon. Action for the guy, romance and drama for the lady.
I remember being around 8, watching this all the time. It was a little scary and mean but oh well.
Crisp wouldn’t be allowed to tour the school without ID and a background check.
I think it’s more of an ensemble rather than dominated by a leading role. It’d be interesting to know which characters get more screen time, but man do a lot them (Pinto, Flounder, Boone, Otter, Hoove, and Bluto, etc.) have side-splitting, relatable scenes.
Since Pinto and Flounder are characters we see from the beginning, we are introduced to the fraternity alongside them, our natural tendency is follow their stories with a “home base” feeling.
Pinto though, is more identifiable than Flounder perhaps because he is the Everyman.
Good thing it’s called “Animal House”.
Instant classic scene. Some of their characteristics resembled my experiences.
Air Force One is good but not near as good as The Fugitive. Just my opinion.
AFO has Ford and that’s about it. Oldman is good but I like Tommy Lee Jones in Fugitive much much more.
I saw this review last night. Funny stuff!
I remember my friends and I seeing this in the theater. We were in high school. Yeah we thought it was kinda dumb but hey we had lots of fun with it!
When he and whatshername wake up after his nightmare, and his claws shoot out, my friend whispered, “I’d never let him finger ME.”
And then when the infamous helicopter blowing up scene occured, we cheered! Yes we knew it was corny af but at least we knew it was SUPPOSED to be badass. Might as well go with it.
Korshunov was meaner imo so I’d say him. He was hotheaded, merciless. There wasn’t a hint of calmness in anything he did.
I think that he’s a character that is somewhat parallel to Al from the first movie. They are both local and are the first to trust McClane. So the reasons that we like both characters are fairly similar.