Yeah, there's something to appreciate in every one. I just didn't care for "Reservoir Dogs" because I found the thugs uninteresting as characters (the opposite of "Pulp Fiction") and the setting was too one-dimensional for my tastes (the old warehouse), but it showed Tarantino's potential and paved the way for the masterpiece "Pulp."
The main thing I didn't like about "Death Proof" was the dull chit chat of the girls, especially in the second half where it went into overdrive and, specifically, that involving Zoe Bell, Tracie Thoms and Rosario Dawson. Yet the first half is very good, opening with the excellent "The Last Race" by Jack Nitzsche, which was the theme song for "Village of the Giants." And Russell's character is perversely charismatic; the movie perks up whenever he's on screen.
Anyway, I noticed that my list is very similar to yours, Jacob, with the obvious exception of "Reservoir." I didn't much like "Hateful Eight" the first time I viewed it, but the second time (not quite a year later) I 'got' it and found it quite entertaining, even ingenious. The movie's intentionally offensive (the title tells all) and you have to roll WITH the excesses to be entertained; otherwise you'll hate it. Compelling extended dialogues have always been Tarantino's strong suit; and so it with "Hateful." The melodramatics are amusing and the story keeps your interest despite the one-dimensional setting. Thematically, Tarantino is poking fun at our petty hostilities that separate us based on race, gender, sectionalism, faction-ism, envy and rivalry. Furthermore, men divided by hatred of culture and race can unite in hatred of something else, in this case misogyny.
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