To play devil's advocate here, (no not intended to be a Pacino ref)
"11. Warrants in 12 minutes"
- Kind of a major case, I'm sure thing can get expedited a bit.
"13. Overly periodic points of ominous music accompanied with long deep stares casting doubt on EVERY character."
- If they didn't cast doubt on every character it wouldn't have been interesting. When he gave Kim the bullets back I was expecting the ending to be them siting in a car and Kim saying "your 88 minutes are up" and shooting him in the head.
"14. Too many characters with shady backgrounds"
- Who had shady backgrounds? Mike was a student who wanted to explore his professor's biggest case, not all that shady. Kim was a rich girl with a "badboy" boyfriend, not uncommon. Guy was the "badboy" boyfriend, wouldn't have worked if he didn't have a shady background. Dale was hired as a call girl. You get super paranoid and dig into anyone's past enough they'll probably seem shady.
"15. 30 year olds playing young college kids."
- Grad students maybe?
"17. Taking only 3 and a half minutes to walk across Seattle College campus."
- Did they ever say where the office building was located? I'm not familiar with the campus, and you're probably right, but seriously, what movie doesn't have these kind of goofs.
"18. Absurd phone marketing"
- I didn't even notice phone marketing - I don't think they made any obvious attempts to show off a carrier or brand. Most movies that have cell phones as a key point, IE. Casino Royale, Departed, etc are MUCH worse.
"19. Going to ridiculous lengths to continue a gimmick premise"
- I thought burning down an entire apartment building was a bit much. Also, didn't quite understand why she was shooting at him before the 88 minutes were up. I'll have to give you this one.
"21. The morale of the story = "It's okay to plant evidence, lie under oath and coerce witnesses, as long as your sure it was Colonel Mustard in the Billiard room with the candlestick.""
-Well, this is a common theme in crime dramas and such, and of course, turns out he got the right guy. You'll find just as many movies/shows, 16 Blocks/every episode of Law & Order, that have the opposite theme: where they planted evidence or coached a witness and got the wrong guy. Blah blah blah.
"23. Little girl with kite on the lake front... we get it... she's innocent and he feels guilty. Why don't you just make the girl jump rope while licking an over-sized lollipop and mispronouncing spaghetti as "sgetti with meat bulbs"?"
- Should they have instead gave us a memory of her defecating? Or perhaps just show her watching TV mindlessly? I don't see anything wrong with this scene.
"26. The ending solved by a trusty recorder. Thank you Kevin McCalister, you and your trusty Talkboy have foiled the crooks once again."
- How was the ending solved by the recorder? I'm pretty sure the ending was solved by Pacino setting up a meet with Frank for 5 minutes before his time was up. Frank of course in dramatic fashion was 5 minutes late. None-the-less he saw a woman dressed in leather pointing a gun at Pacino, holding another woman from falling to her death by a rope, with yet another tied up. Not to mention Kim and the Dean both survived as eye witnesses. So how exactly did the recorder come into play... at all? In fact I got the impression Pacino pocketed the recorder, so he could destroy it so no one would ever hear him confess to coaching the witness.
I enjoyed the movie. Was it a masterpiece? no. But what is these days? Movies with complicated plots confuse and turn off casual movie goers, movies with simplistic plots just aren't interesting to anyone. In the end most movies bombarded us with big budgets, CGI, and the mandatory "young romance" theme to mask the fact that they have no plot and are just a mindless romp. 88 minutes tried to be a bit smarter while still being entertaining, and I think it succeeded.
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