that even sounds weird on the soundtrack without the imagery, i'm so happy john barry returned to make the soundtrack to this, up to live and let die barry had been making soundtrack to each movie, i don't know why they started various music makers after that, i've enjoyed the others as well, the soundtrack to the spy who loved me is amazing and quite diverse, the only one i wasn't crazy about was for your eyes only, though soundtracks to other movies that guy (bill conti) has made i'm quite hooked on, like rocky for example, but for your eyes only sounded too much all over the place without a common theme and didn't feel very bond like, from russia with love and diamonds are forever are probably my favorite main tunes, on the commentary track to this movie moore says he was surprised how some of the words to this particular tune slipped by, i'm so used to it i didn't think about it, but listen to what she (lulu) sings for goodness sake, tom jones must have been really young when he recorded thunderball, on her majesty's secret service is my favorite overall bond soundtrack album, i love listening to all albums up to the late 1980's when everything about bond began to transform (soundtracks, actors, producers, age limit...) i'm not making this up because i'm partial to john barry's music and the past movies, but i've read dreadful reviews of the soundtracks made after 1987, i admit i was hooked on the 1989 movie when i was a kid, but as an adult i think it's just a disgrace and ruined a fun franchise, i partly like the soundtrack though, you're kind of grateful cubby broccoli convinced moore to return as bond once more in 1985, personally that's where i stop in the series, barry returned once more though.
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youre like a fire alarm,
at 6 am goin off,
east glow in middle of honky home,
you left flames high,
just as i was about to cool down,
at 6 pm your hot western girlfriend came by,
trapped at centre of clock and earth spin around.
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