MovieChat Forums > Upstairs, Downstairs (1974) Discussion > Episodes that are difficult to watch

Episodes that are difficult to watch


I’m not referring to the ones that have, shall we say, dubious entertainment value (like The Swedish Tiger). I mean the episodes in which the characters behave badly, or a difficult point in history is revealed.

For example, one of my choices would be A Special Mischief. Of all the Elizabeth episodes, this one really makes me dislike her. She bullies Rose into joining her by threatening Rose's job. She behaves like a coward—telling Edward & Ruby not to say a word to anyone *and* going to Julius to get her out of the mess she’s gotten herself into (how could she possibly explain to her parents-or Sir Geoffrey-the reason for Rose being in prison?).

And then at the end: Elizabeth knows that Rose has been utterly humiliated by her prison experience, yet when Rose asks Elizabeth to never do anything like that again, Elizabeth hesitates.

It’s a well done yet difficult episode for me to watch because of the prison scenes and because Elizabeth never truly learns to appreciate Rose, in the manner she deserved.

Comments? Which episode would you choose?

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I agree. A Special Mischief is one of my least favourite episodes and not because it's badly made but because the prison scenes are so disgusting.

Btw, any episode without Hudson and Mrs Bridges are boring and therefore difficult to watch for me.

It's the times, what can we do...

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The prison scenes are indeed disgusting but the suffragettes themselves were disgusting too, at least as depicted here. I'm female, by the way, and happy to have the vote but am not one to think the ends justified the means in this situation. Throwing rocks (or whatever hard object) at politicians' homes or offices sounds to me like a probable way for someone to get seriously hurt, not the right way to protest social injustice! I can imagine their frustration at not having the vote but nevertheless, such violent, destructive antics make me ashamed of my gender and frankly, the behaviour of the women in this episode seemed totally juvenile to me! IMO, not a likely way to convince anyone women deserve the vote. As for Elizabeth, one has to wonder whether she recalled that her own father was a politician and how well she would have liked rocks thrown at 165!! I find the episode difficult to watch, it's also one of my least favourites, because just about all aspects of it are so infuriating!

I'm not sure whether you want to include sad episodes here but anyway...

Peace Out of Pain is difficult to watch because of the terrible quarrel between James and Hazel, with him being so cruel to her and no sign of really making it up before she died (although in the Diana affair episode, he later claims they made their peace???). Then we have the sadness of Hazel's death from the flu possibly compounded by a broken heart, then the inadequate mourning for her in that household (the way I saw it anyway).

All the King's Horses too. In case anyone here hasn't seen it, the final scene where James takes his leave of Hudson and departs 165 for the last time is the saddest scene in the series, IMO, very difficult for me to watch.

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Those two eps are good choices, as well, Roghache. As far as Eliza being concerned about her father, the second series Elizabeth didn't seem to care very much whom she hurt with her actions.

Sometimes at funerals, people say of the dead, "Well, at least, he/she isn't in any pain, anymore." That's how I feel with Hazel; at least, she's out of that hellish marriage and house--can you imagine what it would've been like for her without even Richard?

I, too, find AKH difficult to watch for the very reason you've listed.

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'Peace Out of Pain' amen to that Roghache. I also find 'An Old Flame' difficult to watch, a combination of the horrible disrespectful way Diana Newbury talks about Hazel (still so jealous even after her death!) and the cruel disregard for Bunny. It's a necessary episode to show the deterioration in James' mental state (he's lost the plot IMO) but I still find it infuriating (although the scene between Richard & Bunny makes it worthwhile as it's so touching).

'All the King's Horses' is extremely well done dramatically, but so tragic, not to be watched if already feeling sad at all in any way.

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Nachohater, good point about Diana. Both she and James are in "loveless" marriages, but they fail to realize it's their own faults. Both are married to very kind, decent people who would love and adore them, if D & J only made it possible! D & J did not deserve Bunny & Hazel.

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I so agree on "Peace out of Pain" and "All the King's Horses". I don't like the last episode "Whither Shall I Wander" because it is the last one and we're saying goodbye to everyone. Plus I hate the moving process and seeing once familiar rooms emptied and barren (which goes back to a traumatic move my family made when I was 12). The worst part is hearing Mrs. Bridges/Hudson crying as she goes up the area steps for the last time. Knowing that Angela Baddeley had died by the time that episode was shown makes it even worse.

And while "A House Divided" is brilliantly done I have a terrible time watching Miss Roberts' misery. Same thing with "I Dies From Love,"I hate seeing Emily's descent into despair and suicide.

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ALL THE KING'S HORSES....

It hurts me so terribly, still. James was always my favourite character, because there were so many layers. A mother's boy, a rather playful flirt, (with Sarah), a husband who was utterly unequipped to be one. An Officer in a war that destroyed his entire generation, and left the few survivors drowning in an entirely new world...

Finally, his mild mannered, but realistic father telling him exactly what he thought of him.

I'm still crying now....

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Beautifully expressed, joystar5879. I frequently watch the series, which I have owned for years (well worth every penny) James was also my favorite character; he just broke my heart in those last few episodes. I cry every time I watch ATKH, as well as Peace Out of Pain. U/D's entire team deserves so much credit for creating some of the most moving drama about WWI I've ever seen.

Put puppy mills out of business: never buy dogs from pet shops!

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I just finished the series last night (including the ATKH episode) and James' "soldier's way out" was completely unexpected for me. He was so devastating, and I can't believe I missed all the tell-tale signs earlier on when he began cleaning out his room, giving all his things away and burning his letters. He was preparing for the end, and was doing so even before the row he had with his father. I adored Hazel and always resented James for his treatment of her ("Peace out of Pain" was an exceptionally difficult episode for me to watch), but I also had a lot of sympathy for him. I've always had a soft spot for soldiers both deployed and returned, and have had a long interest in the British involvement during the Great War, the soldiers' experiences at the Western front in particular. Watching the last two seasons, I had an (academic) inkling of what James endured (and here in the US, the First World War is all but forgotten under the shadow of World War II). So it broke my heart to watch him reach that edge and jump off of it - his letter that Richard reads is so upsetting: "Dear Father, do you remember me telling you about that German soldier in the shell hole at Passchendaele, who should have finished me off, but declined to? Well, I'm doing the job for him." He had been thinking that thought for nearly 15 years: I wish that Jerry had killed me. What an agonizing way to go through the rest of all your days. James is just a character, but no doubt he represents far too many men who led the same kind of desperate lives and who were haunted by the same ghosts from that time and war. Richard, I know, too, would have been haunted by guilt over it for the rest of his days. And it bothers me immensely that James did not get to say goodbye to Georgina, who must have been asleep still when he knocked at her door before he left Eaton Place for the last time.

As a side note, for all of James' selfishness throughout the show, I found this part of his letter so touching, in a gruesome sort of way: "I choose this place [a hotel room] as to not make a mess of my rooms, or cause anyone anymore inconvenience than what is necessary." I suppose he felt he had made enough messes in his life and he didn't want to leave behind another, but it makes me enormously sad to think of his last moments all alone with that service revolver. He had no comfort at the end except for what he was about to do, and he died a lonely death in some strange room.

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"As a side note, for all of James' selfishness throughout the show, I found this part of his letter so touching, in a gruesome sort of way: "I choose this place [a hotel room] as to not make a mess of my rooms, or cause anyone anymore inconvenience than what is necessary." I suppose he felt he had made enough messes in his life and he didn't want to leave behind another..."

That wasn't particular to James, that was the way a gentleman was supposed to take his own life.


"I have had singing."

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In an even more gruesome sort of way, whenever I see that episode and hear that part of his letter about not making a mess or causing anyone any more inconvenience, I always think of the hotel staff and owners. THEY had to deal with a lot of inconvenience and mess as a result of his suicide.

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"In an even more gruesome sort of way, whenever I see that episode and hear that part of his letter about not making a mess or causing anyone any more inconvenience, I always think of the hotel staff and owners. THEY had to deal with a lot of inconvenience and mess as a result of his suicide."

So do I.

The poor hotel staff and owners had to deal with not only the inconvenience and mess but the loss of prestige to their establishment and possible loss of business. For every ghoul who enjoys being on the site of a murder and/or suicide, there are those who would avoid a place for the same reason[s].

"I have had singing."

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My apologies; of course, I didn't mean to be insensitive to that fact. I more meant his sparing of people who knew (and loved) him from happening upon the scene of his death. Sorry for not being clearer...

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I wonder if it ever occurred to James that the next of kin, i.e. Richard, would probably have to make a formal identification of his remains? So much for trying to spare the people he loved.

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The way I view it is the balance of his mind was upset, so he applied a logic and reasoning of sorts to his actions but it was not fully rational.

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That sounds like a good explanation. At least in his letter he told his father that his suicide had nothing to do with their latest argument, although I suspect that was cold comfort to Richard.

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All The King's Horses is the only "difficult" episode for me. I identified with James more than any other character and it's so heart-rending watching him throw Georgina's letters into the fire. I really think having Georgina by his side would have finally made him truly happy and content; I can never forgive Georgina for not marrying him.

On a more general level, I never liked Rose's chilly treatment of Eddie.

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I can never forgive Georgina for not marrying him.


She made a good call. "Marry him or he'll die" is not a good foundation for a relationship.

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I've just started watching the series again on Netflix and remember many of the episodes from my childhood, particularly James suicide. I have never forgiven Georgina as well. I feel sure that I will feel the same when I reach that episode this time round.

I had such a childhood crush on Simon Williams that I have never forgiven Lesley-Anne Down either!

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An absolutely superb post. I'm sorry I didn't see this sooner, aeriadnie Thoughtful, on point and beautifully written.


The devil turns away from a closed door.

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So many thanks, gaelicguy! I've really been enjoying reading your posts on this board, too, especially as I make my way through UpDown again after finishing it for the first time a few months ago.

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"Peace Out of Pain is difficult to watch because of the terrible quarrel between James and Hazel, with him being so cruel to her and no sign of really making it up before she died (although in the Diana affair episode, he later claims they made their peace???). Then we have the sadness of Hazel's death from the flu possibly compounded by a broken heart, then the inadequate mourning for her in that household (the way I saw it anyway)."

Yes, I feel the exact same way.

Hazel has always been my favorite character in the series so James's horrible treatment of her and then her death was hard for me. And I felt all the household, upstairs and down, showed only the scantest grief and decorum at her passing.


"I have had singing."

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>>Peace Out of Pain is difficult to watch because of the terrible quarrel between James and Hazel, with him being so cruel to her and no sign of really making it up before she died (although in the Diana affair episode, he later claims they made their peace???).<<

I always took James' declaration that they made their piece as a measure of his ability to delude himself. He had to tell himself that; he was incapable of taking responsibility for his actions, always. He couldn't face that he treated her like a rag and then she died. So he told himself and others that it didn't end that way.

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Roghache wrote:

>>The prison scenes are indeed disgusting but the suffragettes themselves were disgusting too, at least as depicted here.<<


The depiction of the feminists/suffragists was as one-dimensional and laughable as the portrayal of the Fabians. Caricatures all.

I love, love, love this series, but some of the writing is pretty ham-handed!

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The violence of the suffragette movement does seem shocking, but it is historically accurate. It's also shown in the recent PBS show "Mr. Selfridge", where the women were rioting in the streets; smashing store windows and causing other havoc until Harry's store window displays save the day and halt the women's rampage.

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Prison scenes highly inaccurate.Would have had their own individual cells then.

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How intriguing! I watched Shoulder to Shoulder, the fascinating story of the suffragette movement in the UK, through the eyes of the Pankhurst family, so the prison scenes, though disturbing, were something I had already seen and researched. Elizabeth and Rose had a rather rocky, though devoted relationship, essentially because Elizabeth constantly vacillated between her rebellious and dutiful natures. Elizabeth adores her father, but she finds herself drawn to anything that is "different" or "out of bounds." Therein lies why we watch her. Dearly as I love seeing any of the main characters, Hudson and Mrs. B really were the glue holding it all together.

Put puppy mills out of business: never buy dogs from pet shops!

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It's like chalk squeaking across a blackboard for me. It's hard to think a good example from this show but I get a similar feeling when the servants are placed in an uncomfrotable position such as:

Board Wages: The unfortunate arrival of James and the games he plays with them.

Key of the Door: With her parents away, Elizabeth brings her new friends in for a party and they leave the house a shambles, even invading the servant's quarters to make drunken speeches to them.

A Special Mischief Elizabeth cares about everybody in the world but not the people around her.

Whom God Hath Joined Elizabeth is beastly to Rose, trying to relieve her own pain by hurling it at another.

Goodwill to All Men Georgina pressures Daisy into visiting her family, with disasterous results. (Great episode but not a comfortable one to watch.)

A Patriotic Offering[/b} The Bellamys graciously accept Belgian refugees and then order the servants to take care of them.

[b]Alberto
Dolly Hale setting it up for Georgina to sit in Fredrick's lap- while James watches.

Joke Over Georgina and her friends invade Edward's and Daisy's room and demand the keys to the car.

I guess being &quot;working class&quot; (even if retired), I just don't like to see the servants treated badly. It seems the upper classes have lower standards for their behavior than their servants do. &quot;Our betters&quot; indeed!

Oh, and anything involving Mrs. Treadwell.



The past is a series of presents. The present is living history we are privileged to witness

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"Knowing that Angela Baddeley had died by the time that episode was shown makes it even worse."

I agree. Bless her. Also, the knowledge that a spinoff series centred on the Hudsons' new business venture was being planned makes it all the more sad; so much lost potential.

I was also moved when I heard that when Patsy Smart (Miss Roberts) was filming her post-Titanic episode, her own daughter was dying from cancer. Knowing that she may have drawn on her real-life distress for her role made it so potent.

"I Dies From Love" made for difficult viewing. Poor young Emily never stood a chance.

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Absolutely "A Special Mischief." I was so angry with Elizabeth--though I'm sorry that Nicola Pagett chose to leave, since that character made for such interesting television.

I've seen the whole series through once and I'm currently at the beginning of series 4, so I'm not really too clear on my memory of the rest of it at the moment. But I had a lot of trouble watching "Distant Thunder," when Hazel has had a miscarriage and James goes off to a ball with Georgina, and then "A Patriotic Offering," with the poor Belgians. Also, one of my favorite, but also most uncomfortable episodes is "Married Love" from series 2, when Lawrence gets his editor to sleep with Elizabeth. I remember thinking, that is unbelievably awful and creepy, but a seriously well-crafted episode of television.




"Listen very carefully. I shall say this only once."

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tiderolls, Peace Out of Pain, certainly makes my list, but I rather like something you hit upon in your post. The title is a double entendre - that, presumably, the 'peace' (or the armistice) comes, but not without the pain (barely imperceptible, as roghache correctly states), it brings to the Bellamy household. But that Hazel's pain is over and she is at at peace, I think, gives the episode's title its true import. For every time I've seen that episode and knowing what's coming, that bitter, acrid fight James and Hazel have is very hard to take, when Hazel asks what's she's done so wrong (nothing, of course, is the answer), that James is cruel to her and curses her - superbly played, but so very difficult to watch at least for me.

I'm glad crazyeightyeight mentioned "A Patriotic Offering." It puts a face to the German invasion and, of course, unspeakable behaviors that have universal resonance. However, not behaviors exclusive to Germans, which is why I have always found The Beastly Hun hard to watch. The Schoenfelds (sp?) are clearly very nice people, very fond of the staff, going out of their way to make Daisy a birthday cake, mindful that Edward is at the front and to divert her, if ever so briefly. It's shocking how they are treated by the staff, especially with a child who has sustained a head wound. Hazel, as ever, comes off the best and, yes, it is Mrs. Schoenfeld who decides that they are not welcome to stay, not really welcome. The denouement here is almost the exact opposite of A Patriotic Offering, in that, despite the horror the staff feel towards the Belgians' ordeal, they never muster the same sympathy for these hapless naturalized British citizens. Excellent points and observations made in The Beastly Hun, but hard for me to take.

One last comment - perhaps it was my mood, something astrological, but the last time I watched The Glorious Dead, it hit me HARD. The episode is masterful, but Rose's misfortune had me in tears a few times - something I have never done whenever I've watched it. Rose's shock, Mrs. Bridges's, with open arms, "Come to Mrs. B." call to Rose, Rose's talk with Hazel, James's talk with Rose and James taking Hazel's hand, after proposing a walk in the park and lunch - a husband offering his wife comfort, after discovering her dalliance with another man (the only source of consolation to her throughout the episode), packed a wallop. I think part of my reaction this time out was having the commentary on and having Simon Williams, MWO and Jean Marsh go silent, probably forgetting (or remembering) what a stunning episode it is, their own work and that of the writer and the director, each of whom are mentioned by the trio and are certainly given their due.

I am sorry for going on and on. Do forgive me.

The devil turns away from a closed door.

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*applauds gaelicguy's last paragraph*

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*applauds gaelicguy's last paragraph*


Which is that, rdavies23? Thoughts on The Glorious Dead or my apology for my lack of brevity? If the latter, I don't blame you.

One of the greatest strengths of the series is that there are episodes that further the overall story line and there are episodes that are atmospheric and take 'emotional time outs,' so that the audience can draw a bead on where the characters are 'at' - Distant Thunder and Another Year illustrate my point in a superb way. In The Glorious Dead, Rose gets her tragic news and the viewer can really gauge the emotional and psychological state of the household, as the war rages on, exacting a heavy toll, with no end in sight.

An absolute tour de force.

The devil turns away from a closed door.

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Ha ha - thoughts on The Glorious Dead, of course.

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Gaelicguy, never apologize for your comments; I always enjoy reading them!

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Good choices all. When I thought over the series I'd have to say "The Beastly Hun" because of its excellent portrayal of how easily people can be whipped into hatred by propaganda and how quickly we see a group of people as one homogenous unit rather than as individuals. I wonder what it is about us that leads us to hate so easily? I greatly admired Hazel in this episode. She's the only one who really stands up against this behaviour, showing great courage considering Hudson's intimidating tactics in previous episodes.

"All the King's Men" of course. It's a culmination of all the pain James has caused just about everybody in the cast, that pain a deep self-hatred, mutated and spewed out at those closest to him.

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You really hit the nail on the head with your last post, gaelicguy, though I thoroughly enjoyed your other, too. Friends have been raving about Downton Abbey, but I have felt dissatisfied with the superficial, hurried treatment of the war by Fellowes and Co. I'm sure part of my reaction stems from having the brilliance of U/D forever in my memory. Aside from Testament of Youth, I've seldom seen WWI, let alone the Edwardian era, so effectively dramatized. These people used such sensitive minds and deft hands when crafting these episodes. No wonder I still watch them so often.

Put puppy mills out of business: never buy dogs from pet shops!

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It was a slow day at work *laughing* so I was thinking about what nachohater and tiderolls said about Diana and Bunny, namely that he didn't deserve the cruel treatment she levelled at him.

I think that Bunny is a good egg and I too found the Diana scenes very uncomfortable. However, when you marry someone who *clearly* isn't in love (or even "in like" or "in lust") with you, as he did, don't you rather set yourself up for a fall?

I gather from his conversation with Richard that he resigned himself to this..... but maybe we viewers haven't!



EDITED to correct typo

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Poor Bunny, he was head over heels in love with Diana when he asked her to marry him and he wasn't perceptive enough to understand that she didn't love him back. He eventually realized this but he continued to be in love with her, so he continued to hope that eventually she would love him back.

I've often wondered what ultimately happened to the Newburys. I'd like to think for Bunny's sake that Diana eventually came to recognize his worth and to feel some affection for him, but I'm really doubtful of that. I imagine they went on in that shell of a marriage for the remainder of their lives. I tend to doubt that Diana ever had another affair. She just went on being nasty to Bunny and clever and charming in public.

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I reckon they remained in their shell of a marriage. Perhaps at some stage they would have done what was necessary to produce an heir to the title (although Diana was 40ish when UD ended I think, and more than ten years into their marriage, so maybe Bunny had already resigned himself to a childless partnership as well as a loveless one).

I think she would have continued to take lovers, to be honest. Maybe she had an affair with Edward VIII, before he met Wallis! He favoured older, married women who were lively company.

I reckon that if she'd predeceased Bunny, he would have remarried. He was the type who needed a partner.

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Diana makes a comment somewhere that she couldn't have children. Whether there was a physical reason isn't clear.

I tend to see Diana as not that interested in sex, but maybe its just that she hadn't met the right man. She'd be a good fit for Edward, all right: bossy and bullying, very much like Wallis Simpson.

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I gathered there was a physical reason Diana couldn't have children though it wasn't made clear. In the affair episode, she commented that Bunny might be pleased if she left him so he could find a wife who would provide heirs. Despite her general contempt for Bunny, I took her as actually regretful about not giving him children, as though she would have done so if she could.

Even if Bunny was head over heels in love with Diana, he must surely have realized from her bored "Why not?" proposal response that the feeling wasn't reciprocated! He stated to Richard that his mother had been keen on the match. I imagine with the recent passing of his father, pressure was put to bear that it was time for him to marry and produce an heir. (I wish the series had shown that wedding!!!)

Not that I'm being naive as I realize it was both common and socially accepted for married ladies to have discreet affairs, but I took it myself that Diana hadn't taken any lovers until James. It seemed to be a Big Deal to her, going off for this affair weekend at the cottage, not something she routinely did or indeed, had ever done before.

Even though yes, he might have known what he was getting into, I adore Bunny and always find it painful to watch the contemptuous way his wife treated him, even apart from her having an affair with his best friend.

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I like Bunny too, but he wasn't very bright and not at all perceptive. When Diana says "Why not!" in accepting him he looks happy and unaware that he's her second choice at best. He must have caught on pretty quickly after the marriage, he's already pretty unhappy by the time of "The Bolter". But I think he always adored Diana even after she ran away with James.

Yes, Diana would have certainly had the idea that a wife's job was to produce children drummed into her at an early age. And being part of the aristocracy herself she would feel a responsibility to help the Newbury title pass on to the next generation. I hope Bunny had a younger brother or a cousin who inherited when he died so the Marquessate didn't become extinct. He and Diana must lie side by side in the family tomb at Somerby.

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Just saw your reply jd, yes I think Bunny would have continued in his doomed adoration of Diana too & they ended up side by side in the Somerby tomb (the estate perhaps in the hands of the National Trust or English Heritage) - optimistic fan fiction aside.

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I'm not so certain that after the affair Bunny would've allowed her to publicly humiliate him again. He definitely would've remained married to her, no divorce "stigma" for him. You can only push a nice person so far, and he might've been the kind who told Diana, "No more snide remarks in public."

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You make a fair point rdavies (& Roghache) about Bunny setting himself up for a fall, in 'A Change of Scene' her bored acceptance of his marriage proposal is as clear an indicator as any of what lies ahead. As an aside, strangely in than episode there are moments when I do find her quite likable as she obviously truly loves James and wants to marry him above a more titled richer man, but when she accepts Bunny's marriage proposal in that bored manner any liking I have for her promptly flies out of the window (& in 'The Bolter it flies off planet earth!).

My theory on Bunny (I'm fond of him too Roghache, he's sweet & affable & his concern for Hazel in 'The Bolter' seals it for me) is that yes he does know that she doesn't feel the same way about him but overlooks it in the hope she will grow to love him in time. He does have pressure from the dowager as you say Roghache which must have been a factor, but I think ultimately he is besotted with her and can't stop his heart ruling his head. What level of sympathy you feel for him over that might possibly depend on your own perspective/experiences.

Regarding her childless state, I think (not certain) that it's the dowager who has expressed her dissatisfaction rather than Bunny. Although he may be inwardly disappointed with the lack of children Bunny strikes me as too sensitive and loving a man to have made an issue of it - if anything I would imagine he would skirt around any issue in order to keep the peace (& Diana). You can see at the end of 'An Old Flame' he is prepared to do anything to keep her, and I don't see a happy future for the Newburys myself. Jd's prediction of Diana continuing the pattern of her cold cruelty to Bunny/public face of charm sounds most likely to me. Although I seem to remember the fan fiction thread a while back produced quite a few happy endings for Bunny, proving there must be some eternal optimists among us.


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Yes, Nachohater, I remember concocting a fan fiction awhile back where Diana finally came to appreciate Bunny -- not that I think this is at all likely! Also, there were one or more other posters who came up with alternate happy endings for Bunny with a different wife.

I agree, it would have been the Dowager either openly expressing dissatisfaction with Diana's childless state or her disappointment obvious even if she didn't openly express it. Bunny would never have expressed or even hinted at disappointment, particularly if it seemed clear or likely Diana was unable to conceive.

And I agree with Jd that Diana would have had it well drilled into her head through all her growing up years that it was a wife's primary duty to produce children. That's why, bored as she was with the marriage and contemptuous of Bunny himself and not that she probably much liked children, she'd nevertheless have done her duty and provided the heir(s) if she could have.

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I don't recall the Dowager expressing anything about Diana in the way of a suitable bride for Bunny. Wasn't the Dowager promoting her son to take an interest in the hapless Miss Grey, whom I find very so sweet and endearing?? The Dowager comments to Miss Grey that James and Diana are quite like 'brother and sister.' Remember, it's Richard who lets it slip to Hazel that Lady Marjorie was keen to have Diana as a daughter-in-law (I always laugh when Richard finds himself in that tight spot, but dearest Hazel finishes the sentence for him, easing his discomfort).

As for what the future held for the Newbury's, I am very much in agreement with your observations here. I've said this before, I know, but I rather hope Miss Grey met a man who would love her and take care of her. She was very young and innocent and I would imagine grew into a lovely and gracious wife, mother, hostess, etc.

Thank you, nachohater, for your remark that there will always be eternal optimists among us, like you and I are and so very many here.

The devil turns away from a closed door.

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Gaelicguy, I can't recall whether the Dowager actually expressed anything specific promoting Diana as a suitable bride for Bunny though it's my recollection this came across in the episode as definitely being her sentiments. I took her comment about James & Diana being like brother & sister to indicate her belief (or, more likely, wish!!) that there was nothing romantic between these two -- since she herself was hoping Diana would be a match for her son. It was like she was trying to reaassure herself that James was no rival to Bunny for Diana's hand and also to dissuade others from having any notions of James & Diana as a couple. I expect that, like everyone else at Somerby, she saw that Diana was keen on James, thus was trying to rationalize it all to herself and others with the brother/sister comment.

It was specifically stated by Bunny that Miss Gray had been invited to Somerby for James. He expressed disapproval that James wasn't doing his bit like a good guest to pair up with the person who'd been invited for him.

I can't think the Dowager would have had any desire to promote Miss Gray as a match for Bunny and set her up as the new Marchioness as sweet and endearing though she was (I LOVE Miss Gray!), she was untitled herself and totally lacking in confidence. Miss Gray was upper class but perhaps marginally so while Lady Diana Russell would have been the daughter of at least an Earl. Diana was not only titled but confident, qualities the Dowager would have sought in a bride for her son. I'm not saying that should have been her attitude but I believe it was in keeping with upper class views on what made a suitable wife for a Marquess.

In the later James/Diana affair episode, Bunny did verbalize to Richard that his mother had been keen on him marrying Diana.

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I'm sure I remember the Dowager saying, perhaps to Kitty Danby, that her son and Lady Diana made such a good couple. Of course to us this looks like a classic case of a mother's blindness, but the Dowager was probably unaware of Diana's less pleasant traits.

Miss Gray was young, probably had just made her debut, and was still finding her feet in Society. Undoubtedly she became more self confident with experience. I imagine her mother or grandmother was friends with the Dowager and that's why she was at the Somerby house party without a woman relative, or even another girl or two of her own age, to help her and protect her.

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Now that you've reminded me, jd, I think I might recall some such remark by the Dowager about her son and Diana making a nice couple.

Probably Miss Gray had just made her debut and would eventually gain more confidence as you suggest but nevertheless, she comes across as particularly confidence lacking in that episode, far less so than most debutantes would have been in that situation, IMO. It would have given the Dowager extreme pause, picturing Miss Gray as the new Marchioness acting as Somerby hostess.

Picture Georgina during her first summer Season right before the war, sometimes perhaps a bit unsure of herself in a new situation like the Distant Thunder ball but generally coming across as quite a confident young woman. She adored being a weekend house guest apart from the dreaded bread & butter letters, indicating not the least uncertainty about fitting in and even seeming rather pleased that Billy's family had arranged a maid for her. Georgina would never have been viewed as obviously 'in over her depth' at Somerby as people regarded Miss Gray.

Even Elizabeth was confident at age 18, just had scorn for the social niceties! So while (fortunately!) confidence does often increase with age and experience, much of it is personality driven. Some people exude confidence, others are shy and really remain so, sometimes just learning with maturity to mask their shyness and develop social coping skills.

Hazel was, by her own admission, 'painfully shy'. She had, for instance, dreaded the prospect of an unknown Somerby maid doing her hair. (Little did she realize she had worse things to worry about 'in Diana Newbury's world'!!) Once she saw what this crowd was like, she was wise enough to avoid Somerby in future but I believe she was, despite her natural shyness, a reasonably confident mature woman who could have coped much better the next time, if there had been a next time!!

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Poor Miss Grey (I remember your wonderfully happy ending for her Gaelicguy ), it's impossible IMO not to have sympathy with her ending up the gooseberry amongst this lot - and what a dreadful lot they were (aside from Weinberg). As has pointed out by others many times on these boards before it's the 'outsider' characters which perfectly frame scenes such as these.

As for the Dowager, I can't remember any exact reference but like jd & roghache I seem to have a vague recollection of her making an observation, I'll look out for it next time I watch.

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It was specifically stated by Bunny that Miss Gray had been invited to Somerby for James. He expressed disapproval that James wasn't doing his bit like a good guest to pair up with the person who'd been invited for him.



Ah, yes, roghache, as usual, this once steel trap mind has gone a bit rusty. I had forgotten that Miss Gray had been invited in order for her to meet James, as Bunny mentions. I still don't recall the Dowager saying anything specific about Diana being suitable for her son - I will have to go back to episode to have a look. Mrs. Kenton lets it drop to Hudson that the family are expecting some 'good news' and that surely, Diana was more suitable for Bunny than James, the commoner. I always found that odd, because his grandmother is still a Dowager Countess and hardly common.

I had forgotten, as well, Bunny's conversation with Richard in An Old Flame. So you GOT me on both counts. The Dowager was very kind to Miss Gray, attentive and seeing that she was included in going to church, etc. I believe the old lady liked Miss Gray very much, but not as a potential daughter-in-law. I am glad you love Miss Gray. Next to Max Feinberg, Miss Gray comes off very well and I can only hope that my wish for her came true. She was just a bit wet behind the ears, but I've no doubt that she grew into the role she was born to and came into her own with great alacrity. Had Hazel been there, I'm sure Hazel would have felt for her and would have tried to help her learn 'the heraldic channels,' as Sir Geoffrey calls it in Another Year.

Please excuse my confusion, roghache, and thanks for the correction and for the clarification. As ever, you are a great help.


The devil turns away from a closed door.

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You're welcome, Gaelicguy! My own mind has its rusty moments, believe me!! I'm really not sure whether Bunny's mother commented about her son and Diana making a lovely couple or however it went. As many times as I've seen that episode, I'd have to rewatch.

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I'm not sure if the dowager ever says anything, but in "An Old Flame," Bunny tells Richard that his mother was "awfully keen" on his marrying Diana.




"Listen very carefully. I shall say this only once."

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Actually, Diana would have been around 50 when the series ended, as she and James were about the same age. I detested brittle, b*tchy Diana throughout the series. Bunny did deserve better. I've never been entirely convinced that Hazel and James might not have been able to salvage something, had she lived. He was still in the midst of his recovery when they were quarreling right before her final illness. On his previous leave, they had grown closer. His injuries and his experiences ate away at him; in a weird sort of way, Georgina was already toying with him in that hospital, which must have been awfully confusing to a severely injured man.

Put puppy mills out of business: never buy dogs from pet shops!

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Diana didn't really love anybody. She was in lust with James but that's all. She is kindly put a female sociopath.

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I just watched "A Place in the World," and I'm adding it to the list of hard-to-watch episodes. Between James losing his cool a little in front of an unruly mob and Edward yelling tearfully at Hudson that he's just an old man who didn't do anything in the war except pour sherry...beautifully written and acted episode (especially Chris Beeny--who'd have guessed from that cheeky Edward of the earlier series?), but I found myself periodically checking my e-mail or Facebook just for a break from it.



"Listen very carefully. I shall say this only once."

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The hardest episode to watch, for me, is "Disillusion." My heart was breaking for Hudson the entire episode--he looked SO happy and so joyful that he found love. I couldn't even look at the TV when Lily was yelling at him, saying those horrible things. And then when he opened the letter and he burst into tears! I wanted to hug him. Although I could empathize with Lily, liking someone enough to enjoy their company but not having the heart to tell them you don't care for them in that way for fear of hurting their feelings, I just wanted to reach into the TV and hug Hudson.

I agree with the others that "The Beastly Hun" was a bit of a doozy. That was perhaps the ONE time in the entire series that I wanted to shake Hudson into his senses. I mean, it was known for a while that Hudson is a little xenophobic but to believe such drivel (the propaganda was simply absurd) and to think his own countrymen (whether or not they WERE of German descent) of being capable of such things was just horrible. And they, good kindly people the staff of the Bellamy household knew for years! I also felt a spark of worry in the very last episode when he praised Mussolini...I dread to think what he may have thought of Hitler. But I take hope that if Hudson remained alive to see WWII, he would believe the fascists to be fools.

And the end of "A House Divided" pulled at my heartstrings. Roberts was so dedicated to her mistress; it broke my heart to see her in such terrible distress. And Roberts was a character that never struck much sympathy with me - the one other time being when she was in a panic about being called a thief. I guess that's a testament to Ms. Smart's acting.

I disliked Dianna the very moment she met Hazel at Somerby, and then played that rather cruel joke that could have gotten Hazel seriously injured. And the way she treats Bunny is just deplorable. I think Bunny got a rawer deal than Hazel - at least Hazel had a husband, that although not a very good one, didn't humiliate her in public. And James had a heart.

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I agree it's difficult to watch Hudson talking about the Germans in this way in 'The Beastly Hun', but the publication Hazel discovers in his possession was an actual publication from the time, many people did think as Hudson thought. It's never comfortable to think of a character we like (if we like Hudson, and I have to say I do) thinking in such a way, but the propaganda of the time portrayed the Germans as brutes (and in 'A Patriotic Offering' the staff were horrified by the atrocities committed upon the Belgian family) it's entirely credible IMO someone with not a very high level of education and of limited experience such as Hudson would drink it in without question.

The line about Mussolini is a wonderful one, but again many British people did respect the perceived order of his regime at that time (thinking of the old line about the trains running on time ) so it was good UD realistically reflected that. I think Hudson with his need for order and certainty would always have been vulnerable to regimes promising that, so uncomfortable as it was I think it was spot on characterisation.

An interesting thought jaustengirl about Hudson if he had lived to see WWII, and what his reaction would have been (as many did, I think he would have admired Hitler's running of the economy pre-war).

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I remember my grandmother telling me about the propaganda circulated during WW1 about Germans bayonetting and consuming Belgian babies, and raping Belgian nuns.

At the time, many people believed it! I suppose on the whole they were far less worldly then, very few had ever met any "foreigners", they didn't dare question government information as we do now, and there was no access to internet.

I'm sure that a tiny minority of (mentally unstable) German soldiers raped people, and murdered infants for the fun of it, but you get those types in all walks of life all over the world.

One sad side-effect of this nonsense was that many Brits then believed that the stories of the WW2 concentration camps were ridiculous anti-German government propaganda also, because they sounded just as far-fetched as the WW1 lies. If only.

I admired Hazel in that episode, and was disappointed in Hudson. I'd thought that he was cleverer than that, a cut above.

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Hudson was talking about German spies disguised as waiters working in England sometime during Season 3. I remember Rose poking fun at him about it. He was a prime target for that sort of propaganda since he was extremely patriotic and not willing to believe that his country could ever do wrong, or that its enemies could do right. And unfortunately wartime propaganda is still highly effective. We in the US and UK were told of those weapons of mass destruction Saddam Hussein was getting ready to use in the run up to the invasion in 2003, for example.

And an even better example took place in the buildup to the first Gulf War in the fall of 1990, when we were told of Iraqi soldiers taking Kuwaiti babies out of incubators and leaving them on the floor to die. It was very dramatic and helped swing US public opinion in favor of war. The only problem is it didn't happen, as we learned later on. Here's an excellent article about it:

http://www.csmonitor.com/2002/0906/p25s02-cogn.html

Then there's the Islamophobia among some in the US today, very similar to the Germanophobia in Britain in WWI. (I'm sure there was Anglophobia in Germany, too).

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Hudson's hatred is certainly embellished by the timing of the The Beastly Hun. The sinking of the Lusitania, I'm sure was more grist for the mill for Britons. When Mrs. Schoenfeld suggests that the English ship was carrying arms and war material (which was German justification for its attack), the staff are so indignant and Mrs. Bridges says, quite firmly, that the British would never be involved with anything as unseemly as that, I always get the sense that the attack served as an iconic reminder of why this war was being waged. Of course, Hazel is vindicated in the treatment of the Schoenfelds - that they cease being the very nice, kindly people the staff once knew to being German sympathizers, because, of course, their German ancestry would demand that of them.

One of my favorite quotes by Benjamin Franklin was one he made during the debate of whether the American colonies should break with Britain. When a fellow delegate scoffs at the idea of a 'declaration of independence' to justify an illegal rebellion, Franklin quips that rebellion in the first person, as in 'our rebellion' is always legal. It is only in the third person, as in their rebellion, that it is illegal. I think this translates when discussing wartime tactics - that whatever the Allies did was perfectly justified, whereas, all things being equal, the Germans were 'beastly huns' for committing the same attrocities.


The devil turns away from a closed door.

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Good points, jdcofield. I never believed any of our government's propaganda, nor any that came from other governments.

The Germans and the British had a long-standing distrust of each other, despite Queen Victoria's attempts to bring them all together through her children's marriages. Several of her daughters suffered horribly at the hands of Anglophobes such as Bismarck. The Beastly Hun evoked all that xenophobia about Germans perfectly; though I always adored Hudson and Hazel, I was so glad to see the latter stand up to him so sternly. I'm glad my family taught me to think for myself and to conduct an elaborate sniff test with anything I see or read.

Put puppy mills out of business: never buy dogs from pet shops!

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I get tired of Mrs. Bridges twisting her proverbial knife deeper and deeper into people's wounds:

In "I Dies From Love", she tells Emily horrible stories about servants who go against their employers' wishes; THAT was supposed to make her feel better?

When Elizabeth re-hires Sarah as scullery maid, Mrs. Bridges nitpicks about Sarah's lack of cleaning skills.

In "A Patriotic Offering", Madame Chargaud (sp?) helps Mrs. Bridges cook dinner for the servants, but Mrs. Bridges just HAs to say "She makes the dumplings different than what we do; I don't know how they're gonna come out." (as though "haute cuisine" originated in India--silly cow)

And let's not forget her flip "Well....that's that!" when Sarah loses her baby at the end of "Guest of Honor."


Alternatively, I also find "A Change of Scene" somewhat difficult to get through. Though not the most religious of Jews, I bristle at the anti-Semitic stereotypes that spew forth from Charles Gilmour's cakehole; as we find out later, he's rather the "adventurer" himself.

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Although I've rewatched many episodes, I haven't rewatched the one in which Hazel dies (I liked her so much that I didn't want to watch it at all, in fact!) and I don't think I've rewatched "I Dies From Love" either.

"In my case, self-absorption is completely justified."

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