The George Clooney Testimony -- and how guns are fired at people on film
Perhaps somewhere back in time...Alec Baldwin beat out George Clooney for a role.
Because Clooney really turned on Baldwin.
Clooney told Marc Maron on a "WTF" podcast that he always checks the gun on movie sets when he is handed one: "I show it to the person I'm pointing it to, we show it to the crew. Every single take you hand it back to the armorer when you're done, and you do it again."
These remarks were read to Baldwin during his televised interview with George Stephanopoulos.
BEGIN:
"Well, there were a lot of people who felt it necessary to contribute some comment to the situation, which really didn't help the situation. At all. If your protocol is you check the gun every time, well, good for you. I've probably handled weapons as much as any other actor in films with an average career. Again, shooting or being shot by someone. And in that time, I had a protocol, and it never let me down."
END
It does seem that George Clooney's "testimony" will be at the heart of the discussion even if Clooney's words aren't used. Must the actor check the bullets(marked as blanks?) before aiming at another human being?
I've been thinking about how "people get shot" in movies these days. Usually the first camera angle is on the person shooting -- and then we get another "shot"(angle) of the person being hit by the bullet.
So the person filmed shooting is generally NOT shooting AT anybody -- they are just shooting into the distance. Then we get the shot of the person being hit -- and that "hit" is an exploding blood packet from an electric charge -- which can be dangerous: Sean Connery was sent to the hospital after having a group of blood packets explode on his chest in "The Untouchables."
The old Hays Code used to FORBID showing a shooter and their victim being shot IN the same shot -- too violent an image. Modernly, I think even when that IS the shot, the shooter aims the blanks to side of the victim...the camera picks up the death as "faked"
Also modernly, I can name two "recent" movies -- "John Wick" and "The Irishman" -- in which close range shots to the victims' heads are CGI animation of blood. I noticed this fakery in both movies, but decided, "well, that must be a safer way to keep shooting men point blank in the head on screen."
I expect we will see more of that fakery for safety purposes, and we will just have to get used to it. OK by me.
The irony remains, as well, that Baldwin fired the fatal shot not during a scene being filmed, but evidently just during a camera rehearsal.
It will be interesting when these theories reach a jury. IF these theories reach a jury. Maybe a plea?