🎥 10 REMAKES BETTER THAN THE ORIGINALS.
????
https://www.watchmojo.com/video/id/58180
#10: “Dune” (2021) & “Dune: Part Two” (2024)
A revolutionary piece of fiction should easily inspire an equally revolutionary adaptation, right? Well, all we can say is watching Denis Villeneuve’s sprawling two-part sci-fi epic just makes us wonder how it took THIS long for a proper visit to Arrakis to see the light of day. We’re not saying David Lynch didn’t try back in the 80s, but it’s clear Villeneuve’s ambition and passion made all the difference in bringing the world of “Dune” to life. In fact, the decision to divvy up Frank Herbert’s text paid dividends, giving us a fully realized landscape to get lost in. Throw in state-of-the-art CGI, a haunting Hans Zimmer score, and a top-notch ensemble cast, and the “Dune” duology is a blockbuster prophecy come true.
#9: “Invasion of the Body Snatchers” (1978)
Another frequently adapted novel, Jack Finney’s “The Body Snatchers” has found its way to the big screen on four different occasions. The initial outing from 1956 is undoubtedly a classic in its own right, but the premise of aliens invading Earth via replication was even more at home in 1978. Upgrading the story from a small town to San Francisco, “Invasion of the Body Snatchers” maintains the chilling paranoia that made its predecessor great. But an added emphasis on disturbing practical effects brought the material much closer to body horror while also making the stakes far more personal. It’s a taut thriller about the loss of individuality and the dangers of conformity, one that encapsulated the uncertainty of a complicated time in history.
#8: “The Departed” (2006)
English language remakes of international movies can be risky. When done wrong, they can seriously diminish the value of their source. When done as well as “The Departed,” though, they can elevate the original to a new level of prestige. That’s exactly what Martin Scorsese does with this interpretation of the Hong Kong thriller “Infernal Affairs.” Switching the setting to Boston, the remake maintains the premise of an undercover cop and a mob member attempting to infiltrate each other’s organizations. But “The Departed” sets itself apart due to its impressive ensemble cast and staggering twists. It’s a dark but thoughtful exploration of complex themes like loyalty and justice, and one of Scorsese’s absolute best!
#7: “True Lies” (1994)
Following the success of “Aliens” and “Terminator 2,” James Cameron went in a decidedly different direction while keeping things on the biggest scale possible. This remake of the French spy farce “La Totale!” finds Arnold Schwarzenegger as globe-trotting spy Harry Tasker, who keeps his profession a secret from his oblivious yet bored family. It’s definitely the kind of movie that requires you to suspend your disbelief, especially once Harry wrangles his wife, played by Jamie Lee Curtis, into a fake mission that turns into a very real one. But “True Lies” still has plenty going for it, from its over-the-top action sequences to the screwball comedy of the two leads. Notable for being the first movie made for $100 million, the results speak for themselves.
#6: “War of the Worlds” (2005)
Steven Spielberg would go on to helm another worthy remake in 2021’s “West Side Story.” But when it comes to definitive film adaptations, the legendary director’s take on H.G. Wells’ seminal sci-fi classic has a slight edge. Whereas the original from 1953 blends in with other movies that used the threat of invasion as a Cold War metaphor, this remake stands out due to its modernized action and unsettling parallels to the September 11 attacks. This “War of the Worlds” effectively presents its Martian invaders as singular, unprecedented threats that don’t distinguish their victims. Although the film was criticized for its convoluted ending, it still captures a palpable sense of panic as ordinary citizens’ way of life is upended in an instant.
#5: “Scarface” (1983)
Although it makes many of the same points as its 1932 predecessor, “Scarface” takes a wildly different approach to doing so. Trading in the streets of Prohibition-era Chicago for the beaches of Miami, this remake also turns its Italian immigrant protagonist into a Cuban refugee named Tony Montana. In one of his most iconic roles, Al Pacino gives life to a violent and vulgar force who will do anything to stay on top of the criminal underworld. Equally defined by its graphic violence and memorable quotes, “Scarface” was not widely embraced upon initial release, with many criticizing its extravagant deviations from the original. Luckily, opinions have softened in subsequent years, with the film’s bleak portrayal of excess eventually finding a loyal following.
#4: “The Fly” (1986)
If you think horror can’t get weirder than the image of a fly’s head on a man’s body, prepare to bug out – pun very much intended. Bringing body horror into the mainstream, David Cronenberg’s “The Fly” refashions the 1958 B-movie of the same name into a terrifying tragedy. Jeff Goldblum assumes the role of an eccentric scientist whose teleportation experiment is upended by a rogue insect, and the film is helped greatly by his likeable charisma. Its equal parts thought-provoking, disgusting, and sad as Seth Brundle slowly morphs into an unrecognizable monster. With its unflinching, Oscar-winning makeup making his transformation all the more realistic, “The Fly” easily surpasses its campy origins to become an unforgettable experience.
#3: “Ocean’s Eleven” (2001)
Exactly how do you top a movie that brought together the most charismatic men in Hollywood? It’s simple: bring together the most charismatic men in Hollywood. 2001’s “Ocean’s Eleven” did just that, but took things a step further by matching its star power with a more compelling caper. The basic premise is still the same, with the titular group of thieves setting their sights on a series of Las Vegas casinos. But the movie succeeds where the Rat Pack-led original doesn’t thanks to its brisk pace and the intricate staging of the central heist. Much like George Clooney’s Danny Ocean, this is a confident remake that remains one step ahead of the audience the whole way.
#2: “Heat” (1995)
Of all the films on this list, “Heat” keeps its remake roots the most well hidden. You wouldn’t know it at first glance, but this crime opus starring Al Pacino and Robert De Niro began in earnest as an underseen TV movie entitled “L.A. Takedown.” Both films depict the cat-and-mouse chase between an overworked police lieutenant and a career bank robber, and the trail of devastation the two leave in their wake. “Heat” may have the advantage of a larger budget, but it seizes every chance to craft unrivaled action sequences around two iconic leading men at their most intense. It's really not hard to see why scenes like the diner exchange and the immortal bank shootout fare so much better on the big screen.
Before we unveil our top pick, here are a few honorable mentions.
“The Birdcage” (1996)
This Remake of a French Comedy Was a Milestone for LGBTQ Representation
“True Grit” (2010)
It’s Hard to Top John Wayne, But the Coen Brothers Make it Look Easy
“It” (2017) & “It: Chapter Two” (2017)
Another Remake That Benefits from a Divided Story
“Father of the Bride” (1991)
Somehow Even Sweeter Than the Spencer Tracy Original
#1: “The Thing” (1982)
Although still highly regarded, 1951’s “The Thing from Another World” was considerably hampered by how much of its titular antagonist it could and couldn’t show. In comparison, director John Carpenter’s 1982 remake brings the otherworldly invader to life in all of its horrific glory. Following a group of scientists trapped by an alien that can assume each of their appearances, it’s at once an intriguing mystery and an all-out fright fest. We can’t be sure of who to trust from one moment to the next, and the revolutionary special effects that helped bring the creature to life remain the stuff of nightmares. As we’ve seen, plenty of remakes have improved upon the original. But few have accomplished that job as well as this one has.
THOUGHTS?
shareI think you left out Terminator 2. Could be instead of True Lies.
Dune should not be on this list, it's not a remake, it's just a different take on the same source material. If you go by this logic, even Lord of the Rings would be a remake of that old cartoon.
true lies is a remake??
who knew
There are loads of remakes of the German "Das doppelte Lottchen".
The original is from 1950 in b/w, the Germans did several remakes and throughout the world there are many further remakes.
My favorite is the Disney remake "The Parent Trap" from 1998.
Good topic.
First thing that popped into my head was "True Grit".
OP mentioned some terrific remakes, unfortunately I can't join in because I haven't seen the originals.
Going thru it in my head (cases of seeing the original plus the remake)....
"The Longest Yard" - no
"Carrie" - no
"The Hitcher" - no
"Charlie and the Chocolate Factory" - no
King Kong 2005 vs King Kong 1976 - Eehh - maybe
Can't think of anything else. It'll be just one - "True Grit" 2010 over "True Grit" 1969.
I would definitely go along with The Birdcage.
I have not seen a lot of movies on your list. But I would say a big NO to the remake of Invasion of the Body Snatchers. The remake with Donald Sutherland was quite good, I’ll grant you that. But for me, nothing beats the original. The slow build up ,the voiceover of Kevin McCarthy, the paranoia and beautifully done in black and white. Movies like that just beg to be made in b&w. Color is too cheerful!
I have this on DVD and I watch it ever so often, especially on rainy, stormy night.
And the classic Father of the Bride with Spencer Tracey could never be improved upon. You cannot remake perfection.
I actually decided to finally buy my own copy. But I ordered the remake by mistake. I donated it to the library without even watching it.
I ACTUALLY ENJOY BOTH VERSION OF FATHER OF THE BRIDE....CLEARLY SPENCER TRACY IS TOPS....BUT THE STEVE MARTIN FILMS ARE QUITE ENJOYABLE.
shareDon’t get me wrong. I like Steve Martin. But for me this will always be Spencer Tracy’s movie.
I have this thing where if I really love a movie and have seen it several times, no remake will satisfy me.
Father of the Bride is one of my favorite novels and the Tracy film follows it so perfectly.
As for originals, I love The Taking of Pelham, One,Two, Three. I saw it on TV many years ago. I have a copy of it and it will always be Walter Matthau’s movie for me.
I tried to watch the remake and even though Denzel Washington is a favorite of mine, it just wasn’t “his” movie. Also the bad guy in the original was played by the great Robert Shaw and John Travolta was no Robert Shaw. It was a movie perfect for the time it was made. I don’t know why they felt the need to remake it.
But by the same token if they remade Crimson Tide, I probably would not like it because that’s Denzel Washington's movie. He and Gene Hackman could not be replaced in their roles as far as I am concerned.
That’s my problem with remakes. If I see the remake without ever having seen the original, then I don’t have a problem. No basis for comparison!
FAIR ENOUGH....I CAN'T ARGUE AGAINST THE ORIGINALS IN THE SLIGHTEST.👍🏻
shareU HAVE SEEN ALL THE REMAKES IT WOULD SEEM....MOST ARE PALE IMITATIONS FOR SURE.
shareNeat topic. At the risk of losing my horror cred here, one of my more controversial takes is preferring Dawn of the Dead (2004) and The Crazies (2010) to their originals. :O
And sure I've said it before, but Carpenter's The Thing was a much more faithful adaptation of John W. Campbell, Jr's. novella "Who Goes There?" The 1951 Howard Hawks film basically took the barest plot and made up everything else.
I know this list isn't yours, K. I just cherish that film.
I WILL SECOND THE CRAZIES REMAKE OVER THE ORIGINAL....THE DAWNS ARE A DEAD DRAW FOR ME....I KIND OF ADORE BOTH.
THE THING ROCKS....HARD.
No denying the OG DotD is a landmark zombie horror, with a surprisingly awesome soundtrack. The Snyder version just has a tighter pace for me. And I'm hardly a Snyder fan.
I have a theory that The Thing might be the most universally loved film of a few generations. Not that I lend much credence to popularity, but I rarely hear much hate for it.
The Maltese Falcon
Death On the Nile but both versions have their charm
1984. 1984 version
You hit a home run with True Grit and Dune. But, I believe the original The Fly is much better.
The Mummy 1999 is better than the 1932 version.
Little Women (2019) is one not mentioned here that I quite like. I was a Winona Ryder fan when her version of the film came out and she and Kirsten Dunst were both unbearable to me in that film.
share