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Supratad's Replies
Yeah, that one. Trouble is, you've not read this thread properly, or you have and it's passed over you, else you wouldn't make such a silly post.
Yeah, that sounds like it would have been amazing to experience, that way round.
The T-1000, had he been another human Reese like character would have appeared a bit more savvy and mission focused than Reese did, who was a bit shambolic and sometimes panicky really. Your friend might have been thinking "this guys got his sh** together this time"
That's how I remember it and agree the scenes work well, but every time I've watched it since, there's been a nagging doubt that maybe we were supposed to not know. I don't know, maybe it was Cameron's intention but the studio punted the idea of Arnie as the good guy as by then, he was always the good guy,
Although in hindsight, we presume he "knifed" the cop, you don't actually see that and it looks and sounds as though he might have just punched him in the gut and incapacitated him ... as a human, new Kyle Reese type character would do.
On the first ever viewing, you wouldn't even know that this new bad guy could change form into "stabbing weapons"
I saw it twice in successive weeks in the Odeon Leicester Square. It was awesome. There was gasps and "oohs" and when Ripley walked out in the Loader, there was a real cheer after her line.
And probably intimidated by him being a goddam sexual tyrannosaur.
Ahhhh, well that answers it perfectly. It must be too far left, off-screen in a widened cut for television. Unlike the Predator to miss though, unless he's meant to be a rookie.
Star Trek: Generations?
I don't think he was threatening him as such, other than trying to assert his authority as you say, however, it seemed to me like he was trying to get Mike to tell him the rig was in poor shape, bad repair, as that would give him more ammo to blame the owners of DWH for the delay in getting the well done. Mike seemed wise to this though and gave him nothing.
The old woman is actually on a table to the left of Jack as he walks to the toilet with Grady. She's got a green dress and a lace head-dress on and she turns to watch Jack as he passes.
If he needed money, he should have hung onto that case full of 4 million euros.
Bit late in the day to add to this, but I’m watching it right now.
Connery and Maxwell said they played their scenes as if their characters had shared a brief dalliance many years before, which gave them a little flirty ease with each other.
Since this is a reboot (despite the film’s insistence on referencing an actual past) this scene, I believe, is that moment.
Absolutely. I watched this only recently and suddenly "got" that scene. When I saw it many years ago on release, I was too young to fully appreciate that scene but he is definitely going to kill both his wife and child and then himself. He doesn't even say "all be together in heaven (or any other form of afterllife)" he merely says "..in the dark." Chilling scene.
Probably you mis-remembering it. Memory is fluid, not set. I was convinced for years that I'd seen a version of She's Having a Baby where the girl dies in labour, but I'd mind-melded the Kate Bush video of the song from that scene.
Holy crap. I've been saying this to people for some 25 years, and no one ever agrees. Your analysis is far deeper than I ever got to.
I reckon Repperton had already impregnated some girl at High School, before he was killed by Christine. That family lineage went on to produce Peter Weyland and his daughter Meredith Vickers, and it was in her, on that faraway planet that the stupid running gene re-emerged.
Just run to the side!!!!
He doesn't jump back and save Vanessa and then stay there, re-living the life he would have if she hadn't been killed first time around. He jumps back, saves her then jumps forward again, so when he gets to his current time, Vanessa has been alive the whole time but Deadpool has still done all we saw in the film, already.
Some people need to go watch Wild at Heart.
That would be the original Zombie film, Night of the Living Dead.
1) At that point, there was a divide amongst the living when they should have been united against the dead. All the same old prejudices and fears had come out led by one powerful "leader" spurring on the others. I know very little of Korean politics and history but given the old ladies' ages, I suspect they may have been little girls when Korea split into two, so the whole thing there was a metaphor for the division in Korea. She decided the others in the carriage had learned nothing from their history and by wanting to be re-united with her sister, also decided to punish them, that mankind did not deserve to live.
2) as above, they were bothered by the separation. The larger number of people against them wanted to stay in the bigger space with chairs in.
3)Yeah, the CEO was a self-serving tool/jerk. I'd have thrown him from the train in an instant.
4)That was the only time she got to finally sing her song, and it really mattered that people heard her. They knew they were approaching the safe-zone I think, but even if not, it's a good recall and emotional way to end the film.