LMAO, glad you caught the ending again. Yup the boy is totally safe.
funnily enough the the whole consensus is that Uncle Philip was real
It's amusing actually. I think this job did a great job of fucking with the viewer in a number of ways, and one of them was the uncle, because the whole damn time, I kept thinking, wait, is this guy even real? One of the first things we see is some weird hallucination of black smoke.
And then when you get to the climax, I'm like wait, he's a real person after all, and he's been hiding that boy in that room that the lead is too scared to go into.
It's only after thinking about the movie further where I'm like wait...wait...maybe the movie is doing this on purpose. It's intentionally allowing itself to be interpreted either way. (And I got Machinist vibes when the lead kept going to the door, and then deciding not to go in.)
All in all, I think I pretty much agree with that whole timeline. And that's the beauty of the movie I think; I think that same timeline can be interpreted with both an imaginary uncle or a real uncle. His past, his fears, his overcoming the image of his uncle as you said to release the child....all of that can be interpreted both literally or symbolically.
Some else that may be possible is the kidnapped kid may not even exist either this could all be a part of his fantasy/nightmare because the news reports were always timely/surreal
So the film could just be him in his dilapidated house all alone having a psychotic episode.
Oh yeah, I never considered taking it that far, but I think that isn't too absurd to speculate either. And it still fits with what we've been talking about.
but the common narrative online is that uncle was real and puppeteer totally innocent but i think i lean towards the fake uncle angle more
Guess we're in the minority then. Yeah, I think the story is a bit more poignant if the lead really did kidnap that child.
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