In any case, I believe that was a dream sequence. The see through dress, which was a nightgown probably, and being barefoot just doesn't make sense otherwise. And yes the deserted ballroom as well. It all had a dreamlike quality.
I accept that the see-through dress was odd, given that it would have made sense for her to wear something to
hide her pregnancy, not expose it, but it's certainly the same dress that she is wearing when she shown lying dead, so it was meant to be real enough.
Helene was wearing shoes when she arrived at Ann Pavlovna's, but yes, she was afterwards shown barefoot in the large empty room. I took that scene to be taking place after she'd returned to her own home; if the room is entirely empty, I think the director is signalling, none too subtly, that she now has absolutely nothing left.
If this is all dreamlike I think it's because the director's fondness for studied images and effects overrules common-sense realism.
For example, the shot of Helene dead is carefully constructed. She is lying decorously draped over the chaise longue like Snow White waiting for her prince to come... until the camera pans and reveals the blood. Studied and unrealistic. It's also reminiscent of the similar shot of Lise, dead. Here again, the gore is there for maximum impact. In reality the nurse or Mlle Bourienne would certainly have covered the bloody shift with a blanket or counterpane before allowing Andrei in.
Call me Ishmael...
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