The notion that Michael raped Lisa is overeaching to a major degree. Michael Stone is indeed portraited as a tremendously selfish and immature man. However, nothing of what he did could be considered rape. First of all, he wasn't taking advantage of Lisa. He knew he could have had easily had sex with Emily, Lisa's friend, who was, by all accounts, more attractive and showed enourmous availability for sexual intercourse with Michael. He prefered Lisa because she looked, sounded and acted differerntly from the rest of the world - he though he had seen in her some of the characteristics that Michael believed to match his idilyc woman (as he did with many other women before her, but of course at that point we do not know that yet). He believed himself to be in love and though her to be unique, so unlike everybody else. However, in the morning, after she became to him more "common" and strating to sound like everybody else(as we all do when our mysteries and inner selves are completly bared for another to see) he lost interest. it is then revealed that the fault exists not in others but in Michaels shelflessness, who is unable to cope to anything resembling routine and that may be devoid of novelty, mystery and, toa certain degree, innocence.
He did not force himself on Lisa, she knew he was married and the promises of leaving his wife was made after the sex act was consummated, not before, so she was well aware at that time that it would a one night stand kinda deal.
So, if he didn't lie to her or made promisses to her before sex one can hardly say he took advantage of her and he was in earnest (at least at that moment) when he promised to leave his wife (after sex - I can't stress that enougth). It is when a longer life with Lisa becomes a real possibility that Michael, selfish and unable to cope with what it means to be in a mature, delusioned realtionship, that he believes he had rushed.
Intially we believe Lisa to be a emotionally unstable person as she doesn't fit in behavioral social standards; however in the end we learn that it is Michael who has serious problems with maturing and coping that will probably never be resolved; Lisa however seems to be able to easily accept circunstances - she is, as it turns out, more emotinally able to cope with life's misfortunes and traps than Michael is.
The movie should not, however, be taken at face value. It's story is obviously meant to be metaphorical and it should be pondered as just that - a metaphorical and alegoric take on love, human relationships, aging and the unwillingness to cope with life's reality and the deselusioment that comes with it. The characters are archetypes and metaphors and therefore, perceivd and judged as such.
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