If it makes 670 milllon ww, it could still be 40 million in the red:
Edit: I'm NOT calling this film a flop, nor am I a Marvel shill who's out to bash the DCEU. This post is meant to illustrate how corporate filmmaking works. Suicide Squad not making a profit during it's theatrical run was always a calculated loss: contrary to popular belief, most megabudget productions don't turn a profit through box office performance alone, not even the ones making between 600 - 800 million dollars.
Suicide Squad’s numbers (rough estimates, but based one the numbers from films of similar size):
REVENUE (by the end of its theatrical run):
Revenue from theatrical rental
Domestic: approx. 300 million, studio gets 55% = 165 million
Foreign: approx. 370 million, studio gets 40 % = 148 million
Combined revenue (all of the above): 313 million
COSTS:
Net production budget: 175 million
Marketing/releasing costs (domestic)): 80 million (estimate based on films of similar size)
Marketing/releasing costs (abroad): 80 million (estimate based on films of similar size)
Overhead: 17.5 million
Combined costs (all of the above): 352.5 million
313 million minus 352.5 million = -39,5 million (in the red)
And that figure doesn’t even factor in participations (back end deals for Smith, Leto, Robbie, Ayer and many others).
Naturally, this product will break even in the long run through ancillary revenue, though I doubt the corporation WB belongs to will consider it a winner. The real issue in the case of this product was not the little loss it suffered (that was calculated, although the studio certainly hoped it would make more money). What really hurt was the lukewarm reception from audiences and the scathing reviews from critics, because THAT jeopardizes what products like Suicide Squad are actually made for: to generate a never-ending stream of ancillary revenue through TV rights, DVD and Bluray sales, sequels, toys, spin-offs (film and TV), TV-shows and tie-ins, video games, books and comic books, soundtracks and even theme park rides and muscials.
Now instead of just insulting me, if you doubt what I'm writing here, somebody who's much smarter than me summerizes what the actual logic behind these tentpoles is here (in case, you'd rather just insult me, though, go ahead, but at least try to be creative):
Part 1:http://iveybusinessreview.ca/blogs/lbolukhba2010/2014/02/28/the-future-of-film-i-what-happened-to-summer-2013/
Part 2: http://iveybusinessreview.ca/blogs/lbolukhba2010/2014/03/01/future-of-film-ii-la-fin-du-cinema/
Part 3: http://iveybusinessreview.ca/blogs/lbolukhba2010/2014/03/02/future-of-film-iii-the-entertainment-as-a-service-crash/
Once you've read all this, you also realise why most of these products are declining in quality with regards to their storytelling.
The slightly more entertaining version of the above you can read here:
http://www.cracked.com/blog/why-blockbuster-movie-bubble-will-burst-in-2018/
and here: http://www.cracked.com/article_19012_5-hollywood-secrets-that-explain-why-so-many-movies-suck_p2.html
"The complication had a little complication."