Obviously it did control you. With all the edits, ADR additions, inserts of things that did not happen like Borat storming in at the last minute shouting shes 15 and Guiliani sitting up as if he'd been caught. He did storm in but the "15 year old" part was an insert after the fact, you can tell because they have a new camera angle catching it. Its edited really weirdly in itself because the old man is sat on the bed, Borat storms in, then Guiliani literally teleports out of the to the bathroom door, with laptop in hand, he was sat on the bed, is he a 70 year old flash now?
Borat storms in shouting passes the bathroom door ONCE, the next second when Guiliani is on camera after teleporting from the bedroom, Borat is still walking and doesn't make it past the bathroom door. The hall is about 3 steps long to the bathroom door and he's made 7 steps already without reaching it, while Guiliani has made it off the bed and to the front door. Its so weird.
It was a straight honey trap job.
She ushered him into that bedroom area, who knows what was said to get him there because the "lets have a drink in the bedroom" could've been ADR as we don't see the mouths. She could have said something a simple as "lets clear the room while the crew dismantles the set" (the crew we never see because they are "alone").
The hidden cameras are set up in the bedroom already, so we know this was all premeditated to get him into that bedroom alone with her and make it seem like there are only 2 total people in the hotel room. When there wasn't because who was operating the 6 cameras literally 30 seconds ago. Then the plan was to put him into a position where they are touching each other and capture it all from every angle and piece it together with timeshift edits, ADR and sinister music.
Jump cut to the bedroom and we see him man handling her. So her plan was to get up close and get him touching her, we dont see the part where she asks him to help remove her mike. She probably could have removed the mike herself but the plan is to get him touching her and her getting up close to him.
Then another weird edit where she teleports positions and possible ADR about "phone number and address". He's sits down on the bed. Which looks like another part was edited out where she ushers him onto the bed and starts undoing his mike, pretty much fiddling with his midriff and shirt for quite a long time while he sits there awkwardly, then the side PAT happens!
I mean, he's sat there like a goof and didn't know what to do while she was "helping" him with the mike, and he could have just done it himself without her taking over in that situation. He shouldn't have touched her everybody is right, but c'mon, It's like a single second awkward pat while she's still going whole hog at his midriff area for what seems like forever. I know what's worse if roles or power dynamics were reversed.
Silly old fool should have been savvy enough to get out of that situation and realise he was being set up. Because she is coercing and setting up all the pieces.
They are timeshifting all over, positions changing, so what exactly are they cutting out? Who knows what she was saying, she could have told him to sit on the bed for all we know. And the mike. He could have done that himself, but again she controls the room and initiates the touching, she wasn't going to allow him to undo the mike himself and needed to get as close as possible while "alone" for the camera.
Straight honey trap, get him into a position she controls, initiate close contact alone and touching. She initiated the moving to the bedroom and the touching, pulling his shirt out. And edit it's all together so it looks sinister then have Borat storm in at the end where more inserted shots and teleportation happen. Guiliani sits up abruptly as if he's been caught then teleports to a Borat at the front door after Borat already took 7 steps into the room.
Giuliani is holding his laptop at this point. You can see all the cracks appear if you watch it again.
https://en.wikipedia.org/wiki/Honey_trapping
The more I look at the footage the more I see weird edits, timeshifts, teleporting, shot inserts with new camera angles and possible ADR.
Sacha Baron Cohen has lost it if his comedy now involves preplanned honey traps to try and manufacture a fake me too moment in the editing room.
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