MovieChat Forums > Ne le dis à personne (2006) Discussion > Did anyone else find the music distracti...

Did anyone else find the music distracting?


Is it just me, or did the three (and a half) music segments really bother anyone else?

It just didn't seem to fit the tone of the film that all of sudden we're in the middle of a music video. Personally I didn't even really feel that the songs were all that appropriate, especially the U2 track. We've established that Alex can't get on with his life wothout his wife, and suddenyl he's one step closer to putting the puzzle together, and we've got Bono warbling "I can't live with or without you" in our faces.

Call my cynical, but it just seemed liked the director wanted to fit these songs in somehow so he shot some overlong, indulgent montages and/or epiphany moments to accompany them. I don't know the director's other films, but this felt very much like someone's first film.

I thought this snag went some way to ruining what was otherwise a very fine film. It made the film seem very self-conscious, like they were trying to appeal to that MTV-generation mentality. I know that comment makes me sound old and pompous, but I am actually of that generation myself. I just can't stand MTV movies.

Anyone agree? (no trolls)

reply

Nope, it's not just you. Look around this board & you'll find plenty of comments criticizing the music. The music choices are heavy handed & extremely distracting & your comment that this feels like someone's first film is (almost) spot on. It's actually his second but it has the typical faults of a director who doesn't trust his story - & perhaps his audience - to get it so feels the need to hammer things home with a sledgehammer.

There's another recent French film called 36 Quai des Oeuvres which also suffered from this exact same fault. I hope this isn't a trend!

Mai Yamane! http://www.youtube.com/watch?v=mD83P-vn5JI&feature=related

reply

I agree - the use of music in the film was APPALLING.

I'm not a fan of the film in general - think it's drivel - if you take an episode of Law and Order or CSI, dub it into French and add subtitles you'd get the same effect.

Boring, corporate cinema.

reply

I didn't think it was that bad thefilmtalk. But yes, the "music video" segments greatly betrayed the director's lack of experience.

reply

well, it just got to me - by the time the 'killer' revealed all at the end with a long speech, ("But wait, i have still more to tell you"), i was so bored i was eating my hair.

reply

did you sprinkle any garnish on or was it just plain?


http://www.last.fm/music/Disuse

reply

Was so distracted by the awfulness on screen not even a sprinkle of any flavoring!

http://www.thefilmtalk.com/

reply

[deleted]

[deleted]

Yap, just a wee bit loud and intrusive.

reply

This isn't really a comment about the music, but a question. Was the soundtrack changed for the American release? It seems strange that a French film would feature all English language songs.

I hate the word "drivel" -- its such a snide and thoughtless thing to write.

reply

I think someone did comment that the music was changed for the American release. Not 100% sure, though.

reply

Thanks, I couldn't find any info on it.

Securing new songs seems like a lot of effort and expense (rights issues, royalties, soundtrack remixing) for such a limited run. Plus, the mix of French dialogue with English songs seemed kind of bizarre to me. Not unpleasant, just strange.

reply

This is my first reply here. Enjoy this forum a lot but never joined in.
The music was very distracting to me too, from the very first piece, a jazzy song I think. But it reminded me right away of a film I saw years ago, about a Frenchman's real-life friendship with jazzman Bud Powell. The film was 'Round Midnight. The Frenchman was played by François Cluzet, same actor who played Alex Beck. Watching Tell No One tonight, I thought it was very strange to have this overt jazz tune, right at the beginning of the film. It reminded me of something with Cluzet but I couldn't put my finger on it right away. Then the other music choices kept getting more in the way, too in-your-face. Tonight, I didn't remember for sure that it was Cluzet who'd played in 'Round Midnight, I just had a sort of feeling of déjà vu.

I checked this out after seeing Tell No One, and sure enough, Cluzet is the one who also played in 'Round Midnight. I thought that Cluzet must be a jazz freak and that the director himself may have associated Cluzet with jazz music, so thought he'd turn out a good movie by overdoing the music loved by his main actor.
I think Cluzet is known in French film world as a tortured character, depressive at times, etc. That may be why they chose him as main character, in spite of age difference with his wife in the movie. (Although a 15 year age difference doesn't seem unnatural to French people in general. But then, they should have cut the kissing kids scenes...)
Another thing that linked all this to choosing Cluzet for the part (maybe) was that he has a son with actress Marie Trintignant, who was killed by her then partner in 2003 I think. Her partner beat her to death while she was on the set of a movie directed by her mother Nadine Trintignant (her father is Jean-Louis Trintignant.) François Cluzet certainly has known that kind of pain and could portray it in this movie, perhaps as no one could. Sorry if I mixed 2 questions in one reply.

reply

I don't think having American songs in a French film is all that unusually. France has been americanised/anglicised to some extent, and many French would be quite familiar with some of these songs. For my part, I thought the songs worked well as a way to contrast the original soundtrack, which I enjoyed too.

She's as nervous as a very small nun on a penguin shoot

reply

That could be the case, because all the music seemed to be out of place.

In any case the film is still excellent and the music was only a bit distracting

reply

"This isn't really a comment about the music, but a question. Was the soundtrack changed for the American release? It seems strange that a French film would feature all English language songs. "
Why would a French film not have an american soundtrack?

reply

If you're talking about "Lilac Wine" and "With or Without You", yes, they definitely are in the French original, and no, it's not unusual at all to have English language songs in French films. After all, these two songs are very well known (U2, for *beep*'s sake) and even if they weren't...music travels pretty well regardless of language.

reply

Saw this with a few friends and we all thought the music was great. This was the original French film and it did have the American tracks. I just thought it was a nod to the novelist except of course the U2 song fit right in. Different opinions but I personally was very impressed with the soundtrack and thought it softened the tones throughout.

reply

How is it that so many non film makers and non film scorers know more about film music than anyone who worked on this film? And specifically, on this film, how do you know what a good or bad score is for this film, and none of you worked on it or any other film? Seriously, why do imdb posters know so much more than the film makers, how can all of you be so right about the score when the film makers are so wrong? Really, I want to know how? How do all of you so clearly see the missteps, and the gross use of a U2 song and they didn't? Tell me, how?

reply

Thanks for your post, james-lyons-iv. I found the English lyric songs in a French-speaking movie touching not only as a link to Alex's inner feelings, but as a suggestion that these songs are popular in France, the way some American movies are. Maybe these particular songs aren't really popular in France, but I didn't find them strange or inappropriate to the movie--rather, a refreshing multicultural touch.

reply

[deleted]

The director made some absolutely baffling musical choices. The score was very good, so why use the pop songs? Totally eliminates any tension.

reply