If it had been a dramatic film, the songs would have been ridiculous and a Korngold/Steiner/Newman type orchestral score would have been appropriate (although also anachronistic). At first I didn't like the idea of a rock-song accompaniment, but I quickly realized the movie wasn't serious and the modern songs worked perfectly. Similar approaches were taken decades ago in the Broadway musical "A Connecticut Yankee" (1927), and the movie "A Connecticut Yankee in King Arthur's Court" (1949), medieval comedies that featured 1920s-style and 1940s-style pop songs, respectively.
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