Has anyone read the book?
And how does it compare to the movie...meaning does it follow the movie the same way or is it totally different?
thnx
And how does it compare to the movie...meaning does it follow the movie the same way or is it totally different?
thnx
There's some major changes but only in minor scenes, if that makes sense. For example, the main plot of Inman travelling, getting captured at the freaky whore house, etc etc is all the same -- but in the book when he was captured he escapes in a completely different way. The movie edits things for overall length, but doesn't really mess with the plot. It cut out a good 30% of the content and added in all those gruesome war scenes at the very beginning (the war itself was never graphically described by the author.) The book was slow like the movie, but also much more thoughtful and calm. A good read as long as you're in the mood for it.
shareI agree, the book is a little slow. Very descriptive with very little dialogue. But still a good book.
shareAlso, Sally's sons had no mention in the book, that entire thing got into the movie, I suppose to sentimentalise it?
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My wife is the kind of person who will buy books by the box-load from garage sales, clearances, etc without knowing what they are.
This book was in one, hardcover and looked like it had never been opened. I liked what the liners said and read it, amazing!
Well, there I am scrolling through the tv listings and see 'Cold Mountain', checked it out and wow it's the book on film, I had no idea they made one. We sat down and watched it together, amazing!
Not many book to film adaptions are faithful to the source for whatever reasons, but the tone and story were all there, by the end we were in tears.
If you liked the film, read the book, both are very well done.
I loved the movie so I thought I'd try the book. I found the book pretty slow going and I cheated a bit skipping through some tedious bits. I didn't get the fix of romance I was hoping for from the book whereas the movie does it for me!!
shareJudging by many of the comments on this board, my guess would be no. Almost everything that people have complained about in regards to this movie, from the plot to the characters to the ending, and have said the movie would have been better off without, were all integral elements of the novel-the very things that gave the story its heart, soul, quirky charm, and character.
To answer your question, as far as movie adaptations go, it was very faithful. They did condense some of Inman's adventures (for time's sake, I'm sure) and as I recall, I don't believe Teague was as dominate a character in the book as he becomes in the movie. But as for everything else, it followed the book very closely.
I actually loved that they didn't ruin this film by "Hollywooding it up" which was my biggest fear when I heard it was going to be made into a movie. But I think the fact that it remained so faithful to the book is what threw a lot of people off. Like most literary works, it's a quiet story that speaks more about "the human condition" than grand plot twists, or Good Triumphs Over Evil or a typically sappy love story in which the hero returns home and everyone lives happily ever after. It's not about the "getting there" but, rather, what these people discover about themselves and about love during the course of the journey. How can two people who have sustained on fantasy and longing for three years now build a life when their world and everything in it-including themselves-has been destroyed? When they have had to become, in essence, totally different people from what they once were? As it turns out, they have exactly 24 hrs to learn those answers.
I think the movie captures that quality, which is the essence of Frazier's novel, beautifully.
I wish more people who complained about this movie would read the book. I think then they would have a much better idea of the unique challenges Minghella was facing in adapting this story-and what a beautiful job he did!
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I'm afraid I must disagree with most posters on this board in that I don't think the film was very close to the book. I actually listened to this book on audio-disc on a series of long drives during the course of a long distance relationship (which made for a truly beautiful and sometimes cathartic listening experience). I had seen the film before and was immediately surprised by how different the order of the narrative was. After that I realized I was in for a different experience than I had expected based on the film and just let my preconceptions go.
Consequently I experienced the book in a much different way. The characters all became new to me. The main element that is lost in the film is the prevalence of the stories of the people Inman and Ada encounter. A big part of the novel was made up of these side stories (most of which were very interesting and heartbreaking in their own right). The love story in the film is romanticized somewhat (it had a cut-and-dry realism in the book that I found touching by its honesty). The figure of Ada is also a bit romanticized in the film. I absolutely adored her character in the book. She was elegant, but had a rather bleakly practical outlook that almost matched Ruby's, coupled with a dark-humored sense of irony that was brutally incisive, and sometimes hilarious. I didn't get this as much from Kidman, who seemed more the storybook heroine. Several of the big plot points were there of course, but in different order, somewhat condensed, occasionally altered so that the outcomes moved the story along faster. The decisions were made to allow for time...that's part of making a movie and I understand and respect this. It simply wasn't the book. That being the case, I honestly love the film.
As someone who saw the movie first, I highly recommend the book. I hope you, as I did, fall in love with the story again in a whole new way.
P.S. has anybody read Thirteen Moons. I've been curious to pick it up, but am a trifle reluctant because I don't find the cover story as compelling. What do you guys think (no spoilers please).
Thirteen Moons is a much better book than Cold Mountain - a far more sweeping story of early America and the mistreatment of the native population. It isn't as slow going as Cold Mountain and is more engaged with the characters. It would make a great mini-series.
shareJust some things I noticed that were starkly different between the book and the movie (in no particular order)...and **BEWARE** -- this might spoil parts of the book if you are looking into reading it!
-I believe the book's character named "Swimmer" was depicted in the movie as being right alongside Inman at Petersburg (if I am correct, he's the one who gets shot in the chest by friendly fire after they charge into the woods). In the book, however, it is never mentioned that Swimmer took part in any fighting, other than that he "may have fought past the mountains somewhere." In fact, he is only mentioned when Inman remembers his days as a youth in the mountains with the Cherokee.
-The Swanger family did not meet its end at the hands of Teague's men. An identical scenario IS recounted in the book by a prisoner in the town near Black Cove, but the Esco Swanger never gets impaled by a saber and all of Sally's fingers survive the war (as far as the reader knows). However, it is mentioned in the book that their sons were probably killed in action on the frontlines.
-Teague, in fact, was not that much of a central character in the book. His "quest for all the farms of Cold Mountain" was never mentioned in the book, and he never courted Ada. He did ride around leading the Home Guard, and he was certainly not a nice person, but he was not as power hungry in the book.
-In the novel, the ferry girl did not die. As a matter of fact, the crossing of the river was actually made at night, and all three survived the trek across the river, although they had to overturn the boat to make cover against the gunfire.
-From my reading of the book, I never picked up much on the topic of slavery, save a few bits and pieces. The Monroe's didn't own slaves -- instead, they had a few hired hands before the elder Monroe's death, and it is implied that these were poor whites. Inman DOES come across a group of slaves on his journey (in the novel), but they are friendly to him, give him food and shelter, and guide him towards the western Carolina mountains. In the movie, however, Inman comes across the standoffish runaways in the corn fields and then hears them die at the hands of the Home Guard. That scene never occured in the book.
All I can think of for now...and hopefully I didn't spoil the book for anyone!
To my recollection, the differences you cite stood out to me as well.
On one point I had a different reading. This is a refreshing portrayal of Southern life during the Civil War in that it is based around the small farmers of the North Carolina mountains rather than the aristocracies of the lowlands and coastal regions. Consequently slavery is implicit throughout the book rather than explicit. However, I remember slavery coming up explicitly at a few notable points. The most startling example I can think of is a story told to Inman by one of the men he encounters on his journey. The man is a planters son who was cruelly separated from a slave girl named Lucinda whom he deeply loved and has spent the intervening years searching for her. I won't give further details for fear of spoiling the book for potential readers, but of all the smaller narratives that are dispersed among the major narrative, this one stays with me most.
One also assumes that the Monroe's must have encountered slavery in their former life among the upper-middle-classes and gentry of Charleston.
The book is an absolute masterpiece. Charles Frazier won the National Book Award (the literary equivalent of an Academy Award) for his debut effort and it is one for the ages. It absolutely stands up with Faulkner or McCarthy in terms of capturing that Southern poetic essence. Readers of contemporary literature will almost assuredly downplay the brilliance of the book by decrying its "slow' pace. In reality, Frazier writes Cold Mountain in a style and eloquence that is reminiscent of the greatest novelists of all time. His subsequent novels, Thirteen Moons and Nightwoods, have unmistakable flashes of brilliance and breathtaking flourishes. But Cold Mountain will likely stand as his magnum opus. There has been no better piece of fictional prose written in the past quarter century.
shareI agree, the book is absolutely brilliant. I loved it, and it's now my go-to book when I want to re-read something that I can totally immerse myself in (I tend to re-read my favorite books). Reading Frazier's book is like being woven into a shimmery, summer's day tapestry. There are only a few books that do that for me (Jim Grimsley's "Dream Boy" is another). I love that type of prose-like writing.
I think the movie adaptation was wonderful, but I did see the movie before I read the book. Nicole Kidman was only slightly miscast, but I think she did a great job. Jude Law (whom I absolutely adore) made me forget he was a Brit. The movie is full of "Hey, it's that guy" casting, but it doesn't take me away from the story at all.
I wish they had mentioned Inman's relationship with his friend Swimmer; I love the chapters describing his time hanging with Swimmer and the other Cherokee. I also love Ada and Ruby's relationship (it's so sister-like; I love the part when they see who can do the most outrageous braid in each other's hair), and I think it was very well done in the movie. Also, it's such fun to see my long-time favorite alt rock god, Jack White as Georgia, especially since his musical career is really taking off (outside the alternative music community, that is) . His contributions to the soundtrack are beautiful, and really helped make the movie for me.
This was literally the worst book to movie adaptation I have seen to date. It is even worse than the travesty that are the Harry Potter movies.
shareNot the most faithful, certainly. But there have definitely been worse.
shareThe three main objections I had to the movie (I love the book and re-read it often) are these:
1) The movie portrayal of Ruby.
Renée Zellweger seems to be portraying the Gomer Pyle version of Ruby. They make her accent ridiculous (and not especially North Carolinian to my ears*, kind of sad seeing as Zellweger herself is from Texas) and her mannerisms and gestures overly broad and comical. I could not watch whenever she came on screen.
2) The building up of the tension with the Home Guard.
As others have mentioned, Teague is a minor character in the book (although he does figure in the ending in a prominent way), but he and Ada have no real interaction, and he's present for maybe one or two scenes before the end. He is played up as a major antagonist in the movie in order to make the end more satisfying, I guess.
And my most major complaint:
3) The relationship between Ada and Inman.
In the book, it is clear that they began something before he left, but it didn't have time to develop very far before he went off to war. Their letters are few and far between and Ada certainly does not sit pining over Inman all the time, nor are her letters full of love words or florid appeals for him to return. She's too busy learning how to live independently and provide for herself, and growing as a person, to spend much energy pining. Both characters grow and learn a lot, in fact, but it ends up having very little to do with romance and everything to do with the directions their lives take them. But all of that gets disregarded in the film adaptation. It made me wonder if whoever wrote the screenplay even read the book.
*I'm not from North Carolina myself, so I'm willing to be proven wrong by someone who actually is.*
On point number three:
I agree with you in several respects. As I wrote previously, I do think the movie unduly romanticizes the relationship, and particularly the character of Ada. In fact, I don't even necessarily think of the book first and foremost as a love story, whereas it is hard to mistake the movie for anything else. Ada in the book is a very human character. Sensitive and vulnerable to be sure, and in many ways a romantic as she obsessively returns to morbid fantasies involving fictional heroines. But she also often reveals herself to be a bitingly cynical pragmatist at heart, with a dry sense of humor about herself, her situation, and the people around her. Traits I think she inherits from her father, who though a romantic in the philosophical sense, and a man of God, has an incisive sense of humor about his calling that a more orthodox Christian might find bordering on heretical. An interesting dynamic in the story arises when Inman romanticizes her into an ideal lover, perfect and untouchable on her alter of comparative wealth, with her chic Charleston clothes, and impeccably rendered coiffures. He does not really love her for herself, and it does not become clear until late in the novel if she really loves him at all. She is coldly realistic about their situation. He, on the other hand, clings to his romantic ideal as a motivation for survival. It is not very hollywood, but it is very believable.
I do however think the movie gets it right in some ways. It does not particularly embellish the bare events as presented in the story. It has been quite a few years now since I saw it last, but I as I recall they do not make promises or demands upon each other before he goes to war. Their courtship is evident, but not clearly defined until they share the kiss. In the book, Ada does write the odd, emotionally honest letter to Inman leading him to believe that her feelings are somewhat deeper than her unforthcoming nature has led him to believe. I wouldn't call them florid, pining, or romantic, but the sentiment is there. I wouldn't say the movie changes their relationship, so much as misrepresents it, rose-tinting the context to appear more romantic than it was, with the actors delivering lines which in themselves are not terribly florid in an overwrought and misleading way. Once again, it has been at least two years since I read the book, and longer since I saw the movie, but I do recall a final kiss, a letter not so much imploring but asking him to come home, a few moments of painful remembrance and regret rather than overzealous pining. It's there in the book, it's just a matter of presentation and emphasis.
The book does prove to be romantic in a way. The great miracle of an otherwise largely unsentimental story is that they do find their way back together. Though the romantic idyll of Inman's boyhood fantasies has been shattered, the painted china refinement of Ada's former life smashed to dust, they themselves immeasurably and unrecognizably changed, some thread of connection manages to bring them together at the end. Is it love, maybe. Is it loneliness, disillusionment and trauma struggling to find any kind of semblance of soul sharing, however fragile, very possibly. But whatever it is, it's real, it's there, and it endured. Not a hollywood romance, but a romantic sensibility at work nonetheless.
I think Ada Sums it up better that anyone when Ruby remarks brutally that they don't need Inman, and Ada replies, "I know, but I think I want him."
I love that line too and agreed that the book essentially more romantic. The flowery and sappy words/scenes in the film are silly. Also in the the film Inman comes on to Ida and in the book Ida it is Ida who offers to remove her clothes for intimacy. Also I am pretty sure Ida in the book didn't get to work out and have a six pack.
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