That amazing orchestral montage at the end. In terms of music, colour, arrangement, lighting, metaphor, expression, symbolism and pure style I don't think it will ever be beaten. Its such a powerful, emotional and devestating 5 minutes of cinema.
Another thaT SPRINGS TO MIND IS THE BUILD UP TO THE BELL TOWER SCENE in Black Narcissus. That menacing music or the whole ballet scene in The Red Shoes.
But for me the two greatest film composers of all time are Priesner and Morricone.
this is the first movie i've seen where the music is actually part of the storytelling. i love preisner's music, and 'double life of veronique' is fantastic.
It was very weak compared to finale of The Fountain and if you are talking about marriage of image and music don't forget about Sunshine, it's weak movie but visuals and music are stunning. Other good combinations of image+music are Heat (especially unforgetable Pacino in helicopter going to highway), Gladiator (many scenes), Waltz with Bashir (whole movie is just videoclip for excellent soundtrack)...
If you are looking for devastation watch Lilja 4-ever, listening to Rammstein - Mein Herz brennt after movie will be never same as before Lilja 4-ever.
Peter Markoff If you don't like my english, write it to me in my own language.
Indeed. Blatant use of Mozart in three colours blue too.
Amadeus, its exciting to watch as his life unfolds, the life of a slightly mad genius. Similar in theme to the Korean Chihwaseon where the artist is a painter instead. Amadeus was practically perfect.
Three colours blue hits all sorts of other notes though, or tones should I say :) its definitely blue.
i agree. i am still waiting for another movie of this quality to come out!!! and juliette binoche is superbe, she doesnt get the extreme recognition she deserves!
There have been many greater marriages of score with direction for sure (the musical theme and technically marvelous finale can feel slightly overbearing) though rarely, if ever has the score assimilated itself as a character and metaphor as it so elegantly does here.
Kieslowski's often brilliant eye and Binoche's perceptive soulfulness solidify this film's reputation.
Yes I was impressed both with 'Antichrist' as a film and the opening shot in black and white, played to that wonderful classical music, but sadly it does not beat the end of 'Blue'
I'm also certain that the end musical montage of 'Donnie Darko' paid homage to ' Blue'
Yeah, the first few minutes of Antichrist is probably the funniest thing I've ever seen. Really reminded me of Barney (from the Simpsons) and his "art film". Nice to see Von Trier taking the piss. - pre·ten·tious: characterized by assumption of dignity or importance.
It was beaten already 70 years ago by a Disney production called "Fantasia" and again in 2000 by "Fantasia 2000". Also, 2001: Space Odyssey has an excellent marriage of sound and picture. Nonetheless, the ending of Bleu is fantastic.