History Class


This film ought to be shown in history class.

I was fortunately enough to witness this film at an age where critical thinking will shape my understanding of fellow mankinds for eternality

Others should also have such oppertunity

There is no escaping reason, no denying purpose. To deny history is to deny the very meaning of our existence.

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I would also recommend 'A Time To Kill' with Samuel L Jackson, Kevin Spacey and Sandra Bullock. Great film. Similar in content to MB but maybe a little more personal to the characters.

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I have seen a time to kill in my law education class last year

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please. This film is revisionist history at its best and to show it in a history class would be ludicrous.

The FBI in 1964 did not give a damn about those missing civil rights workers, and in suggesting otherwise, the film is an egregious lie.

Dafoe and Hackman are great actors and the story (as told by Parker) is heart-warming: if we all lived in fantasy-land this film would be fine. However, the fact is America was incredibly racist in 1964 and still is today, only maybe not so much. It all depends on who you ask.

When I saw the words "this film ought to be shown in history class", I had to laugh out loud. chaosdynasty is either very young, very naive, very ignorant, or some combination of the three. Sorry, but that's my humble opinion. Frank

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I believe this film should be shown in history classes, my history teacher recommended our class to watch it as we are studying the Ku Klux Klan(as part of America in the 20's, not for the hell of it) and it will provide an idea of the racial hatred that existed and in some places still does.

-Michael Harrison

CAUTION: Cape May NOT cause user to fly.

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You should really read Taylor Branch's Pillar of Fire to find out just how "involved" the FBI was. In essence, they sent some of their most bumbling agents to "investigate" as a showing to the public (since indeed, "shock waves" were reverberating "throughout the world [well, the country anyway]". To ignore the political context of the FBI's role in the investigation is to live in a fantasy world that ignores the fact that segregationists were being widely supported by governmental forces not only in Mississippi, but within the FBI. President Johnson may have made a big show about his support for the parents, but he certainly did not insist that the FBI bust in and find out whodunit. Most accounts have him making a perfunctory call to the Senator James Eastland of Mississippi (himself a staunch segregationist) and asking what he knew. Of course the Senator said "Listen, there isn't even a Klan organization in Nashoba county", which was enough for Johnson. Also keep in mind that at this time, local officials were accusing black residents of Mississippi of BOMBING THEIR OWN HOMES as publicity stunts. For quite a while, the disappearance of these fellows was characterized at high levels (among the FBI) as a similar counter conspiracy.

Thus, it seems that the FBI didn't really give a damn, no matter what we might want to believe about the public showings that Johnson may have made.

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This is offered as extra credit in my history class. just rented it, now im going to watch.

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As far as FBI's involvement is concerned, it may not have been as comprehensive as it could have been, the detectives may not have been the best and the most experienced and so on. I don't know, but in the end they did get the job done.

The FBI may have some skeletons in their closet but that is relly not the issue in this film. Let other films, like JFK for instance point at the corruptness and faults of the government and federal organisations. Mississippi Burning is a lesson about hatred, disrespect and shocking reactionary behavior that must be taught. It is immensely important that future generations can learn from history, and therefore it is immensely important that this story has been told.

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yea only because of the fact that there were 2 missing white boys,if it had been 3 black boys who'd gone missing that would have been an open and shut case,1950-1969 and even today,cops dnt care about blacks thats why they passed out crack to neighborhoods and guns and want them to kil eachother....

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I am aware that the drama of the true story had been twisted. But the main issue the film protraits, racism, has not being tainted. I don't care what the intention of FBI was(not that I believe your claim just because you stated it), all I really want is every teens out there have a taste of who we once were, and to think of the road that lies ahead of us. The core of the film revolves around racism, not the FBI. That's what needs to be exposed.

Yes, America is still a racist society.

I don't quite get what you are trying to say when you accused my taste for the film. If you think I picked the film for history class because it opens my mind(the fact that I had no idea just how racist the Southern State once was), then I will agree with you. This is the reason why I suggest everybody in high school should see it, to be less ignorant and naive about our society.

If you think the film doesn't worth to be shown just because it enhanced federal government's image, then you had totally missed the point of the film


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chaosdynasty5, my apologies for making it personal, that was inappropriate. I am certain your film tastes are refined and erudite.

But no one is going to change my mind about the FBI going less than all-out to catch the murderers of those three Civil Rights workers, I don't care who anybody's uncle is. Sorry, but I'm just not buying it.

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frankkael, no hard feeling, just a little misunderstanding

Once again, I believe the villians are the ones who define this film(documentary nature). Since every villian needs a hero, the FBI part just makes this film complete

Since I had done no research on the motivation of the FBI in this case, I can not carry out a discussion about their true intention. Sorry

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Revisionist? Hardly. Even with what I know about J. Edgar Hoover, who was drawn kicking and screaming into this case, the role of the FBI in solving this case is truth. Sure, some details are modified, but on the whole it is correct. The KKK murdered three civil-rights workers for exercising their constitutional rights in a part of the country in which some people still acted as if violence were an appropriate way of dealing with the opposition. Real revisionism would be to say that blacks had every cause to be happy with being treated as subjects in Mississippi.

J. Edgar may have had as much bigotry toward blacks as a typical KKK fascist, but he knew which way te wind was blowing. Political violence is contrary to everything noble in American political life, and the KKK is political violence with a thin veneer of religious expression and patriotism. Rank-and-file FBI agents may have treated this case with little relish -- but they had their purpose, and they exercised their investigative skills as honorably and effectively as possible. That meant that the KKK fascists were going to be discovered. caught. and exposed.

We see what the KKK was -- Kowards, Kooks, and Killers. We see one Kluxer, after being dropped off in the "dark side of town" to walk home, acting as if he had encountered ghosts. Those fellows were scared of the likely consequences of the erosion of white power -- that their privileges would disappear, and that their loved ones might begin to see through the superstition.

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I also recommend seeing A Time To Kill, but if you can bear it, watch Rosewood if you want to see the true depths the American racists sunk to. Beware though, it's really shocking, even more so that it was a true story.

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We watched this in my AP U.S. History class at the end of this year (after the AP exam). It was eye-opening.

"I want to believe that the dead are not lost to us."

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I dont understand why the admins deleted my posts. All i asked was whether other students were studying the KKK in Sociology, rather than history.



Interceptors, Immediate launch!Have UFO on positive track

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Ah, my posts are back up. Thanks admins!

Interceptors, Immediate launch!Have UFO on positive track

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brower8, well said, and I accept your opinion. But it doesn't change mine.

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dwendt 99, I am sure your uncle was and is a good man, but my feeling is that he was outnumbered in the Bureau at that time. No need to call me a Communist, either; heck, I'd rather you call me an idiot!

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"please. This film is revisionist history at its best and to show it in a history class would be ludicrous."

Actually, this film was shown in my history class, and was enjoyed by everyone. Even if the FBI "did not give a damn about those missing civil rights workers," that does not prove the film is an "egregious lie." It is sad that a story prommoting racial unification provokes your label of "ignorant" to those who find it feasable.

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I know this comment was made in 2003 when you couldn't have known what the outcome would be in 2005, but now you know that it's not so ludicrous to show ths film in history classes. Although it was said to depict "fictional events" now we all know the truth.

PHILADELPHIA, Miss. - An 80-year-old former Ku Klux Klansman, Edgar Ray Killen was convicted of manslaughter Tuesday in the slayings of three civil rights workers that shocked the nation exactly 41 years ago and helped spur passage of the Civil Rights Act of 1964.

I agree that America was racistin 1964 and that it is to some extent today. Being a multi-racial woman myself i know this. However i just wanted to let you know you should probably re-think this movie now that we know the truth.

~*~Jess~*~
"If i have to look at one more *beep* housewife smoking a newport I think I'll puke"

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They showed it in our alevel history class when we were studying the black civil rights movement. It was actually very helpful.

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If one expects a film to be 100% accurate in its portrayal of a complex historical event, then that is fantasy world. Mississippi Burning is a work of art as well as telling a very important story about a terrible time in American history. Regardless of the details, the point was that for whatever reason, the Federal govenrment went to war against racism in the South on that issue and later in Alabama and this dramatically changed the course of history. Not that it eradicated racism, get real. Have AIDS films eradicated AIDS? Will racism ever be eradicated. NO! But the emotional power of this and other films can do as much as any single thing to change the hearts and minds of people willing to change. It's very tiresome to read these childish rants from a mentality that is so limited it doesn't even realize that the same problem it is attacking is being enacted by its own myoptic view of the world. Mississippi Burning is a masterpiece of cinema that tells a story well-worth telling, extremely well.

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I teach a History in Film class and definitely show this film. Students are certainly capable of understanding the propoganda in film as well as the truth in film. Being able to critically analyze which is which is part of what we are teaching. Don't sell our kids short. They are much more astute than they are given credit for.

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While I agree with the points you make about the fact that the FBI didn't give a tinkers' damn about the missing civil rights workers in the film and that a perfunctory investigation was begun to make it look like someone did give a damn, I think you miss the point of Chaosdynasty's post.

Even though there have only been a few generations between the time the story occurred and the present day, and even though there is still discrimination and prejudice in our country today, people need to see films like this to remind themselves of what that time in our history was like. So it's not a completely accurate history, you say? The teacher showing the film to the class could make a disclaimer that states that, although some facts and history in this film are incorrect, the film is an excellent example of what these times were like and what people felt, said, and did during this great upheaval in our nation. Then you give the class an assignment to delve into the REAL history behind the film so as to indelibly mark it on their brains.

Having just re-watched Ghosts of Mississippi last night, I realized once again that old saying that goes, roughly, "those who forget the lessons of history are doomed to repeat them." At one point in the film it was mentioned that no one even remembers who Medger Evers was and this was in the early 1990s. So, within just 25 years of his death, Evers and his circumstances were already forgotten to history by a great many people in our nation and, therefore, a whole new generation might not be taught or realize just what he died for. I also recently re-watched The Autobiography of Miss Jane Pittman (I must be on a Civil Rights kick lately!) and the scene at the end where she goes up to drink from the "whites only" water fountain also reminded me that we have come quite a ways but we also forget easily the struggles the nation had to go through to get to where we are today. Many children today do not realize or remember those kind of incidents and the fact that black people were beaten, arrested, or even killed for simply drinking from a fountain not designated for them. In watching films I have shown my own children, they have witnessed things in the films that they have not seen in real life due to what progress we have made. However, when these questions came it, I used it as a tool to help them understand what a different world it was then, how far we HAVE come, but also how far we STILL have to go.

Are we in a perfect world where no one ever commits discrimination or has a thought of prejudice in their minds? No. As Alec Baldwin's character (and his father's) said in GOM, roughly: "It doesn't matter what or how we legislate. We can't change how people think." But, as long as we continue to learn and re-learn and reflect on our history, we have the chance of leading each subsequent generation in the direction of a society that understands each other more and discriminates less.

So, even if GOM isn't completely accurate, it's still an excellent learning tool to use in a history class-as long as the teacher follows through on the real facts and reinforces those with the class.

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*sighs* another 10 year old on the internet pretending to be a klan member or something.

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What the hell is a *beep* anyway? If you're such a hard-ass why don't you just come out and say what you mean, 'boy'?

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Ah I see. Shame it doesn't automatically remove moronic posts altogether...

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You said,

"There is nothing wrong with white power"

and I say, "White Power" means that non-whites have no rights, as in Mississippi before the Civil Rights Act.

Ku Kluxers, neo-nazis, Skinheads, and their like are pathetic losers too cowardly to judge people on their personal merits instead of upon skin color or physiognomy -- and too foolish to recognize their own moral deficiencies. They want to feel better than others despite a lack of legitimate cause for personal pride.

Even if no law prohibits one from swimming in a sewer, common sense tells one not to do so. Regrettably, common sense isn't so common as the phrase implies.

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you said, "Ku Kluxers, neo-nazis, Skinheads, and their like are pathetic losers too cowardly to judge people on their personal merits instead of upon skin color" etc etc but shouldnt you state that you have a problem against White-Power Skinheads or Nazi-Skinheads because if you didnt know there are several different types of skinheads and the 3 most prodominant are:
Traditional Skinheads(mostly referred to as Trojan Skinheads or Trads) who purely identify with the original skinhead movement in terms of music, style, culture and working class pride.
SHARP (Skinheads Against Racial Prejudice) who are very outspoken and political skinheads who are aggressively against racism and is often left wing.
White Power skins and Nazi-Skinheads are Racist and highly political, generally extreme right wing. Despite the common moniker, many Nazi skins have NO connection to the original skinhead culture in terms of style or interests. (SHARPs and traditional skinheads sometimes refer to them as Boneheads.) Im sorry for this long explanation but i dont believe you should be against all skinheads which your statement does express its just like saying your against germans coz nazi's were germans. And i understand that the public has a misconception of skinheads and that you might not be fully aware but maybe you should know before you go putting all of them in the same boat as they say. :)Thanks for listening heh i can really blabber on, sorry .

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Humm in our school it's shown in African Canadian Studies .. but you need your parents to sign a permission slip first.

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OK, I refer to "racist skinheads", the ones in the news who twist traits of the more honorable and anti-establishment Skinheads into something fascistic. The racist Skinheads would gladly do the dirty work for a fascist regime.

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I didn't see it in history class, but my history teacher DID tell us "to rent it right away". I still haven't, but I will soon.

He can't show it in class, because we can't see "R" movies in school... my teacher could get fired for showing it. It's a shame.

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Yes, please do =)

My teacher is just cool...and careless

Be warned though, a certain portion of history is rated R

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I grew up (white) in the town where this event happened. I agree that this version is helpful for seeing the level of white brutality against blacks in the era. A more accurate telling of the story is to be found in the 1975 TV movie "Attack on Terror: The FBI versus the Klan."
And even that version overplays the FBI as noble. One of the early posts has it right: the FBI was not aggressive in protecting blacks or voting rights activists, and it was only the politics of protecting middle-class white kids coming down from the North (Freedom Summer 1964) that forced the hands of the Federal government.
This story also portrays the Mississippi blacks as passive victims; it underplays the important role played by many local black people who were risking everything in advancing the cause of justice. I recall for example Bud Cole, who was badly beaten that night the church was burned. and Lillie Jones, who as a 70-something year-old woman who welcomed and assisted civil rights workers in "the Quarters." This portraying of blacks as passive in this history is also on-screen in "Ghosts of Mississippi," where it is noble white people who right the wrongs that have been done to blacks.

The movie further simplifies the plot by portraying all the whites in town only as vicious bigots; there were those who did stand against the Klan, at some risk. That simplification is understandable, because the complexities of relationships couldn't fit into the story.

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"The movie further simplifies the plot by portraying all the whites in town only as vicious bigots; there were those who did stand against the Klan, at some risk. That simplification is understandable, because the complexities of relationships couldn't fit into the story."

I thought the role of the deputy's wife fit that part nicely, although at times it did seem that she was the sole black sympathizer.

I did watch this movie in history class. It enlightened me to how cruel and crooked the world can be, and how rampant the racism was. While racism still exists obviously, no one is killed by a public gathering of 50 or so people to lynch a random black person. The point of my teacher showing the movie during the Civil Rights Era unit was to show us the extent of the federal government's involvement in the issue, and to open our eyes to the problem. The only way to progress is to learn from history, and sometimes the best way to experience civil rights history is through drama. We also watched a number of educational films on the Million Man March, the crisis of Little Rock, Arkansas, and Martin Luther King Jr. But don't think all we watched was films for the unit, we studied many of the events exhaustively. I got an amazing feel for what it was like to live during those times.

Also, my town consists of about 7000 white people. It is important to see movies like these when you are young and relatively closed off from an abundance of other races. If you don't get some exposure before you're too old to be affected by positive propaganda, you may end up like the frank fool in this thread.

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I think your response is well-thought-out. Even though drama is not factually correct, it can be truthful. The problem, of course, is that in organizing the story to make it "neatly organized" enough for a dramatic presentation, it might leave out the complexities of the motives by which real people made their choices. Real history is never as neat or straightforward as a dramatic creation. But somtimes the dramatic creation can teach us more about what was important to know.

And in this story? I wonder about the message that the FBI could only achieve its arrests by being just as brutal as its suspects. Is it necessary for law enforcers to use whatever means get them their convictions? Do the ends justify the means?

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Yes. Absolutley. If it means putting killers behind bars, then the ends absolutley justify the means. You want to put the rats out of commission, sometimes you have to get your hands dirty. Of course, the danger is that sometimes it doesn't stop at the hands. That's why we have our judicial system.

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The ends cannot be used to justify the means! The means themselves must be honorable and honest and virtuous - or else the law enforcer sinks to the level of the lawbreaker. Our society (US) is supposed to stand for decency in dealing with other people. We cannot say that "civilizing" Indians justified torturing them to renounce their own religions, all in the name of Christianity.
Similarly, you cannot ignore rules of legal procedure, for instance threatening a suspect, and say that it's okay because you're trying to find out who did the deed. The Supreme Court and legislators have all agreed that there are basic protections for suspects.





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Yes, in my opinion, the ends always justify the means. If the legal system of the state of Mississippi would not prosecute the Klansmen, then the FBI would have to do it "their way". The ends did justify the means. I'm reminded of an episode of Law & Order, where a kid who conducted a school shooting was about to be released on a minor technicality involving the 4th Amendment. The defense lawyer made the same statement: "So the ends justify the means?" If it means putting a mass murderer behind bars, then yes, absolutely!

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Maybe your response as stated was more extreme than you really believe? If "the ends ALWAYS justify the means" (my emphasis in your phrase), then it doesn't matter how you get it done - ever. That would mean that the democratic processes are unimportant; just "git 'er done."

Further: If the ends EVER justify the means, then you can set a bad precedent for the next time somebody else wants to git 'er done. And what if there is a disagreement on what are the good ends? It is only through using honorable means that we can at least trust in the system.

In fictional stories, like that episode of "Law & Order," and in this fictionalized story, we are certain of what the facts are - no mistakes in the prosecution's case. Sometimes they are wrong - look at these news stories about wrongly convicted people, put there because the prosecuter was determined to put them away.

And further - if for example these FBI officers believe they can ignore the law to do what needed doing, then how is that different than what the local lawmen of this story did to maintain order in their community?

What happened in the real story did not involve such extreme acts as are portrayed in the film. The results were slow in coming, and not all the guilty parties were convicted. But the larger change was that the rule of law has moved forward in Mississippi. It was a local jury, who by their actions showed that we can and must put our trust in to pushing legitimate means. More important than convicting Killen, people in Mississippi can now believe that the legal system - in it own slow, imperfect way - can move forward to punish the guilty. That's a more important victory than capturing one or two bad guys by breaking the rules.



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Beyond any question, blacks were legitimately scared of the Klan. One never knew what white person could be the Enemy, a member of the secretive KKK willing to seek out an excuse for an act of severe brutality against any black person who violated the unwritten strictures of race in the South. A black man like James Earl Cheney could be murdered with impunity because he had no political allies. The white power structure of the time in no way represented him; it did not need, let alone want his vote. The two New York Jews killed with James Earl Chaney had family members who could talk freely with their Congressional Representatives... and those Congressional Representatives got the wheels of federal law enforcement turning. J. Edgar Hoover got pulled into the matter kicking and screaming, but he still got into it. That mattered this time.

Murder is always disgusting and disgraceful. Denial of civil rights generally taken for granted in America is also disgusting and disgraceful. People are assumed to have the same civil liberties in Mississippi as in New York in accordance with the Constitution.

The FBI doesn't operate like the Gestapo or NKVD/KGB; it doesn't tell a suspect "Ve haff vays to make you talk!" so well known as a movie cliché. It seeks out people willing to talk, and those people say even more than people under torture. The FBI lets suspects tell their own self-serving exculpations that implode due to contradictions or that evidence proves false. There could be a second interview in which the FBI exposes a crook for what he is and then turns a suspect against fellow conspirators. The FBI techniques are even more effective than torture. As J. Edgar Hoover said, crooks are liars, and by exposing their lies one gets to their crimes. So it is with the Mafia and so it was with the Mississippi Klan.

Black people in Mississippi may have been too scared to talk, but white people had their concerns. At the least, Klan activity was bad for business, and its brutal activities violated Christian teachings.

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It was shown in my history class, although edited for content just a bit. It was well recieved. At that point, our teacher made us research the movie and find out what exactly was historically inaccurate about the film. I liked the assignment.

-Bad waves of paranoia. Madness. Fear and loathing.-

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