Why was it set in 1962
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sharebecause the original National Lampoon stories were, all the writers were about that age. (College years around that time.)
Ephemeron.
Thanks. I somewhat thought it was because of the source material, but wasn't sure... from what I've read for example the Vacation movies are also based on the writers personal stories and stuff like that, right?
shareBingo!
That's the correct answer. I think the choice was wise. It makes the movie timeless as we don't try to always relate it to the present.
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Another factor could be that it was the last year before JFK's assassination. "Dirty Dancing" and "American Graffiti" were also set in the same time frame.
shareThat was my thought. For (especially) rich white kids, life was shiny and hopeful; the race riots hadn't started, we weren't entrenched in Vietnam yet...
shareWe had "Advisers" in Vietnam at the time.
Sound familiar?
"the race riots hadn't started"
????
There were all sorts of race riots prior to the 1960s--of course they were usually white mobs attacking and killing black people, but no one seems to count those.
The movie was based on National Lampoon writer Chris Millers college years, which covered that time frame. The screenplay was fleshed out by Miller, Ramis, and Kenney.
shareThey were going for what they considered were more innocent times, so they picked 1962, which is considered the last innocent years before the Kennedy assassination, and the sex, drugs, rock and roll years.
shareSpot on -- it was the last days of innocent frat boy rebellion.....until they came again.
There were signs of the beatnick then and hippy stuff to come, but we all know what Bluto did to that guitar.
Perhaps in a modern context, it would be like if somebody today made a movie like this that's set in the year 2000 - before 9/11, the War on Terror/Iraq, the collapse of the economy, etc.
shareExactly this. It was the last days when you could get wild in a fun world without severe ramifications. This is still a favorite film of mine for the fantasy world it represents.
shareWHen Larry Kroger is caught shoplifting there is a cash register with a digital readout in the background that isn't being used. Anachronism.
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"Where were you in '62?"
...was the catchphrase for American Graffiti , made 5 years before Animal House, and a big hit, too.
I've always been intrigued that both films -- both big hits -- made the decision that 1962 was "the end of innocence" year. JFK gets blown away a year later, Vietnam beefs up, and even the "innocent" Beatles would bring a kind of musical/movie/cultural revolution that got fairly raunchy.
Funny thing: had American Graffiti come AFTER Animal House, I don't think it would have been as big a hit. Graffiti is rather realistic and "quiet" in its humor and characterizations. Animal House took everything up a big notch -- sex, drinking, drugs, "horseplay."
70s, 50s-60s nostalgia beforte the recent wave with Grease and Teen Beach
shareAh, I see someone else finally mentioned the American Graffiti connection to the year...good catch.
Yes, 1962 is a key year in American history, many (myself included) consider it to be the actual conclusion to the decade of the 1950s, considered an age of conformity and traditional values that were quickly about to be blown out of the water by the tumultuous occurrences about to begin in the next year and thereafter.
And it does make sense that Animal House came after American Graffiti because chronologically it made sense since if AG is a basically a "high school" take on the early 60s, AH is the "college" view of those times. There's also an East coast/West coast and a blue-collar/white-collar dichotomy to the two films, also. I pretty much think as touchstones for the filmic representation of the "youth culture" of 1962 America, both films can be considered two diametric sides of the same coin.
Ah, I see someone else finally mentioned the American Graffiti connection to the year...good catch.
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Hey, thanks.
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Yes, 1962 is a key year in American history, many (myself included) consider it to be the actual conclusion to the decade of the 1950s, considered an age of conformity and traditional values that were quickly about to be blown out of the water by the tumultuous occurrences about to begin in the next year and thereafter.
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The 1963 "end of the fifties" seems to be an accepted idea that is more weakly echoed in other decades as well. For instance, the "end of the sixties" seems to have come in about 1974 with President Nixon's resignation; he had ended the Draft in 1973 (hastening the end of the Vietnam War) and the War would end in 1975. Slowly, the residual hippies of the early 70's gave way to disco, a new way of dress, shorter hair and -- in 1978 -- a rather "retro" light comedy of Animal House. (The rougher, bloodier, "hippie" Animal House had come in 1970 -- MASH, starring Donald Sutherland, who was in both films.)
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And it does make sense that Animal House came after American Graffiti because chronologically it made sense since if AG is a basically a "high school" take on the early 60s, AH is the "college" view of those times.
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Great point! I'll bet that came up in discussions at Universal(home studio of both movies.) "Don't worry, this isn't a copy of American Graffiti -- its college!"
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There's also an East coast/West coast and a blue-collar/white-collar dichotomy to the two films, also.
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Some irony, here. Though Animal House is clearly set on the East Coast, it was filmed at a college and environs in Oregon, on the West Coast a few hundred miles north of American Graffiti locales in Northern California, and I usually have to work to forget that.
I pretty much think as touchstones for the filmic representation of the "youth culture" of 1962 America, both films can be considered two diametric sides of the same coin.
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It took a few years after Animal House and some "space" to see the connection between the two films...but I totally agree. The films use the same year for the same reasons, but approach its "innocence" in distinctly different ways. Recall, too, that these films were based on the personal memories of the young men AND women(well, woman) who made them -- George Lucas and co-writers Willard and Gloria Katz on Graffiti; the Lampoon guys (principally Chris Miller and Doug Kenney) on Animal House.
For the record, I maintain a personal list of my personal favorite films of each year, going back decades, and: American Graffiti is my favorite film of 1973 and Animal House is my favorite film of 1978.
"For the record, I maintain a personal list of my personal favorite films of each year, going back decades, and: American Graffiti is my favorite film of 1973 and Animal House is my favorite film of 1978."
Oh god, there were SO many GREAT films made in the 70s that I think I'd literally go bonkers if I had to pick a favorite film from each year. Let me just say that I'd consider putting both these films on lists for top ten films from 73 and 78.
Oh god, there were SO many GREAT films made in the 70s that I think I'd literally go bonkers if I had to pick a favorite film from each year. Let me just say that I'd consider putting both these films on lists for top ten films from 73 and 78.
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Yes, I sometimes joke with myself about the craziness of picking "just one." American Graffiti hit home for a variety of personal reasons that year and was my emotional favorite of 1973, but boy was that a great year for entertainment and nostalgia. I can't really do Top Ten lists, but I know I loved these movies in '73:
American Graffiti
The Sting
The Way We Were
Charley Varrick
The Paper Chase
The Long Goodbye
Pat Garrett and Billy the Kid
Westworld
Day for Night
High Plains Drifter
Magnum Force
The Last Detail
....and while I don't love The Exorcist, it was clearly a huge movie that year(and into 1974), and I dutifully stood in a very, very, very long line to see it.
I don't think 1978 was quite as top-heavy with great entertainments; the movies were already changing after Star Wars and the end of the Vietnam War, and so we had Grease and Superman and Animal House at the top rather than The Sting and The Exorcist. (We also had, tellingly, The Deer Hunter and Coming Home to make some final statements ABOUT the Vietnam War.)
But still, every year has a LOT of memorable films.
Or did.
Well, because it's Friday and I don't feel like working, I took your bait and saw what I could come up with for "best" films of the two years in question...
Of your '73 selections, I've seen all you listed except one (Paper Chase), and liked most and would have jotted them down for consideration. Adding to your list, I'd include these, too:
Serpico
Mean Streets
Don't Look Now
Badlands
The Wicker Man
The Final Programme
Soylent Green
State Of Siege
The Three Musketeers
And once I perused titles released in '78, I'd have to agree that the pickings were getting slimmer as to quality...many I saw but few seemed to rise above the rank of average. These are the cream I could skim for at least a respectable list:
Animal House
Coming Home
Dawn Of The Dead
Days Of Heaven
The Deer Hunter
Halloween
Heaven Can Wait
Invasion Of The Body Snatchers
The Last Waltz
Superman
Straight Time
Who'll Stop The Rain
Writing lists like these always makes me wish I had more time to do it for all years...alas, have to get back to work now. Nice chatting with ya!
And ditto.
Making these lists can become its own "black hole" of speculation, but I find them helpful because -- if you've lived long enough and seen enough movies(as a movie fan), you suddenly see all of these great experiences as part OF your life, and you see how the movies imperceptibly changed over time, even if you didn't notice it AT the time.
Still, I have found that if I "go to my quickest gut reaction" I can locate the personal favorite of any year I was watching movies. Sometimes it spreads out to two or three "in a tie," but usually there is just one.
Thanks for taking the work break....