right off it feels odd seeing 1970's cars in a hitchcock movie since you don't identify him with this time period, also the language gets to you hearing expressions as b.s, i think that sort of cheapens the movie. since karen black has such distinctive eyes it was neat idea to put her in sunglasses through the beginning of the movie and then have her remove them, i was surprised to see karen black credited as the lead since others seem to have more screen time and impact in the movie, her voice sounds really frail on the twilight zone radio drama "the bewitchin' pool", it makes one wonder if that was perhaps one of her last roles. hitchcock's cameo in this was really far out, not at all like his previous cameo appearances, apparently he had told an actor that he would but wouldn't be in the movie. as the movie's main couple were speeding out of control down the mountain road it was so stressful how she was clinging on to him at the wheel, at one part the scenery reminded of another hitchcock flick "north by northwest". the couple at the graveyard seemed a bit off as well as how easy the tombstone is falling over.
🔮
one winter mornin chilly outside,
her tucked up forms still couldnt be confined,
long brown hair curl around cap,
zip struggle to hold an ample rack,
her steaming hot self made the ice crack,
right before my eyes she melted snow in her hands,
and like a snowman i didnt stand a chance,
couldnt move as she laughed and reduced me to a pile,
just a couple of pebbles for eyes left on the ground,
watching her walk away from the hot outside.
reply
share