Judas is the easiest to sink your teeth into, I think. His is a very meaty part and Carl Anderson was just a phenomenal performer. He really sold Judas as a well-meaning, anguished individual who was torn over what he was seeing and was in a really dark, twisted place mentally/emotionally. There's a brooding intensity when the character is onscreen and at the same time, you can hear and feel his utter desperation to be heard and understood, especially in Heaven on Their Minds, where his physical inability to reach Jesus is the perfect visual representation of what he is feeling.
I also think Pilate's part (Barry Dennen) is very interesting and in spite of the intensity of the scenes, the part is played in this version with great subtlety.
Caiaphas and Annas (the high-voiced priest) make an interesting team. Then We are Decided is a new song in this version. It was never used in others but it deepens the storyline of the priests and gives us something to chew on as to their motivations. And it's a big difference from other versions, where you just meet all the priests in Jesus Must Die and it can sound like they're the ones pushing Caiphas into action, whereas it's obviously the other way around in this version and Then We Are Decided Makes this crystal clear.
In other words, Webber and Rice managed to make the baddies some of the most interesting, if not most conventionally likable, characters.
"Sometimes it's right to feel a fool"- Cleggy
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