Interesting tidbit: In 1993, The Misfits won the Genesis Award for classic film. This award "pays tribute to the major news and entertainment media for producing outstanding works in television, film, print and the arts which raise public understanding of animal issues." Though the film's main focus was certainly on the internal conflicts of the film's human protagonists, I don't think there can be any doubt about the fact that the plight of these wild horses were an important secondary point of emphasis, reflected in the bestowal of this award.
And as to your original point, yes, I find the images of Gable wrestling with that stallion disturbing--on more than one level. Those scenes, including Monroe's heart-rending accusatory cries in the distance, always leaves me shaken, AND with tears in my eyes--as does the joyous scene where Monroe sets the horses free. The way that is shown, and Gable's reaction to it, leaves no doubt about the film makers' ultimate position on the issue of the treatment of these horses.
Fighting for Truth, Justice, and making it the American way.
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