Really? Hmm, I love the sequels, so that's hard for me to do. I guess you can ignore them since the Halloween series has multiple universes, LOL.
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Yes, it is a battle that can never be won in a movie business that has given us multiple sequels to Psycho, Halloween, Friday the 13th, Nightmare on Elm Street and then REMADE those movies and THEN given us sequels to those movies.
(However, there has been no remake of Psycho II yet -- I think Psycho is at once too sancrosanct and too "old fashioned" to generate sequels anymore.)
Nonetheless, I have little respect for Psycho II and I do NOT accept its take on "what happened to Lila Crane" in the years after. Its basically fan fiction and it indeed creates a "less likeable" Lila (who, lets face it, didn't get much depth in the original) who is engineering exactly the kind of flimsy mystery scheme that Hitchcock would have rejected in his own films.
In short, there is only one "Lila Crane" in the annals of film history, and it is the one in the original. However, I do give credit to Vera Miles in Psycho II in this regard: Anthony Perkins was still thin and LOOKED good in Psycho II, but his performance came nowhere near the one in the original -- he was rather not the same actor anymore in voice or manner. (Take a look at Perkins work in the parlor scene with Janet Leigh for a great comparispon.)
BUT: Vera Miles DID manage to "keep Lila going" -- she seemed EXACTLY like the woman back in 1960, just given a greater sense of madness borne of her sister's death. And unfortunately, given a really dumb plot line this time around.
Sidebar: Psycho II pretty much as the plot of William Castle's Strait-Jacket of 1964: psycho killer released into society, murders begin again. (Joan Crawford this time, and Strait-Jacket is not a sequel.) Castle was the "low rent Hitchocck" of his era; but Strait-Jacket had a script by Robert Bloch -- who wrote the NOVEL of Psycho. Alas, Bloch wasn't a very good screenwriter
CONT
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