MovieChat Forums > The Uninvited (1944) Discussion > Ray Milland and Ruth Hussey's acting

Ray Milland and Ruth Hussey's acting


I liked the film because of the photography, setting, ghost effects and Gail Russell (who is surprisingly good). Her acting was so much more natural than that of the lead actors. I thought Milland and Hussey's line readings were stiff and forced, as if it were a run-through of the lines.

They even moved in a stiff manner while speaking as if they just wanted the whole thing to be over so they could rush home. They didn't seem to enjoy the story, as if a ghost movie was beneath them. It sort of ruined the movie for me.

Am I alone in my opinion?

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Thank you for your reply! I understand what you mean. It explains the acting style of Milland and Hussey.
Maybe when the film was new people accepted that style of acting as normal.

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I don't know, this was the film that made me take notice of Milland. I really liked his acting here, the naughty boyish quality that I often don't see in earlier films like this.

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Nick:

I enjoyed the acting of all actors in this film. Remember that Ray Mllland and Ruth Hussey play upper middle class British siblings. In the 1940's, in both British and American films, characters that were upper middle class were portrayed somewhat stiffly and arch. Such characters were portrayed as sophisticated and witty, though such a portrayal would be lost on most viewers today, for whom class behavior is a subject never thought or nor approached. Whether such portrayals were accurate reflections of Britsh upper middle class people of the 1940's or not or if you like Ray Milland's and Ruth Hussey's acting, their characters were supposed to be a little stiff and arch. I, personally, find Milland's and Hussey's acting to be engaging, natural (for their characters), and fun. They both made other films in which their dramatic and comedic talents were even better in evidence but "The Uninvited" is a worthy film to showcase the talents of these fine (and greatly unheralded) actors.

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I agree with you caribeno. At one point even the Grandfather tells Stella that they need to stay away from brother and sister because they are not of the same class. Meaning he and Stella are simple seaside folk while Pam and Rick are a bit more high class city dwellers. :)
I enjoy all the acting during this movie, including dashing Alan Napier.

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Oh I like his performance, it's just a different style. For me it's just as watchable.


Exactly, it's just another style from another time.

And God save us from that contemporary descending-gurgled "naturalism" a la Kristen Stewart and a zillion others.

--

The most profound of sin is tragedy unremembered.

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Yes, Prometheus:

While actors can use profanity, beat up, and have sex with abandon on film today which actors were not able to do until the late 1960's, the acting styles of actors today don't seem anymore realistic than acting styles of 80 years ago. Good acting transcends time and place. The players in "The Uninvited" were uniformly very good. Let Kristen Stewart or Scarlett Johansen trade quips as Ruth Hussey or Ray Milland did or as Ruth Hussey and Ray Milland did so effortlessly in many of their other films. In fact, watching Ruth Hussey as Elizabeth Imrie is textbook dry comic acting in "The Philadelphia Story".

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"the acting styles of actors today don't seem anymore realistic than acting styles of 80 years ago"

Yes, so true. Those who dismiss everyone pre-Brando are really depriving themselves of a lot of great performances.

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If I didn't know this was a horror movie, I would have thought it was a romantic comedy from those two.

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It's a great haunted house movie.

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One of the best. It has everything. The house on the cliff overlooking the sea. The scent of mimosa. The mesmerizing Gail Russell. Classic performances by Gale Sondergaard and Donald Crisp. The famous song Stella by Starlight. This ethereal presence with that tricky backstory. And of course Ray Milland as a painter going all out with his sister Ruth Hussey to buy this gorgeous home on a whim.

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Absolutely. And that scene where they hear the crying in the night gives me goosebumps every single time.

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Yes, they think they’re settled in and then they hear that sobbing in the night. And when they go in that one room that is locked - the artist’s room with the slanting window - and the whole vibe has changed and it’s suddenly cold. And when they did smell the fleeting scent of the mimosa, I could almost smell it too as I am familiar with and enjoy the fragrance of that yellow flower that is a symbol of the South of France.

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So well done. Nice to meet another fan of the movie! 👍

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