An Interesting Career -- One Decade as a Movie Star
An interesting career.
Rod Taylor got to be a movie star for exactly a decade....from The Time Machine in 1960 through Darker Than Amber in 1970.
He had a TV show called Hong Kong in 1960...and returned to TV with a show called Bearcats in 1971.
There would be a few more movies after he went back to TV -- The Train Robbers with John Wayne for one(where he was rather a sidekick and given little to do) but his "true" and legitimate movie stardom was 1960 to 1970.
It seems that every movie star at any level(Rod Taylor was "second tier") got one or two hits or classics to be remembered by. For Rod Taylor, they were The Time Machine(1960) for George Pal, and The Birds(1963) for Alfred Hitchcock. Two effects-driven films. Taylor loved George Pal ("A sweet, nice man") but didn't much like Hitchcock -- who rather ignored and belittled Taylor on The Birds.
Taylor had to take second leads in the 60's behind James Garner (36 hours) and Rock Hudson(A Gathering of Eagles) and Liz/Dick (The VIPS) but got enough of his own stand-alone movies to draw a fan base.
My favorite is "Hotel" (1967) in which Taylor got to lead a "sort of" all star cast in a very sophisticated multi-story tale about the goings on in the New Orleans hotel that Taylor manages for grand old owner Melvin Douglas. The movie has a great emotional score(backed by New Orleans jazz), a good script, and a great look.
Taylor got to switch in for Rock Hudson in two Doris Day comedies: the rather dull "Do Not Disturb" and the rather silly-trendy "The Glass Bottom Boat," which at least packed its spy tale with 60's comedy talent in support.
"Chuka" is a tough Western about a group of cavalry men trapped in a fort about to be overrun by Native Americans; slaughter is on the menu and the tale has a tragic inevitability to it. Also a great fight -- not to the death -- with Ernest Borgnine for Taylor.
"Dark of the Sun" is an ultra-violent 1968 movie -- much beloved by Tarantino -- where Rod has a vicious fight to the death with a neo-Nazi that broke new ground in screen payback (Rod breaks the guy's arms and tortures him in other ways before killing him.)
And "Darker than Amber" was a good swan song with ANOTHER great fight (not to the death) between Taylor and very brawny William Smith. Taylor was playing Florida private eye Travis McGee here, too bad it didn't go to "movie series."
Not a bad decade. Taylor worked for Hitchcock and he worked for John Ford(who directed SOME of Young Cassidy) and he left behind a few good movies and an overall good reputation.