Hanks can deliver lines, and he can be quite likeable on screen. But I don't see greatness in the guy, and never did. He has very limited range, unable to vary his act or convincingly play anything but the naive good guy. He's not even attractive and has a long, bean-like head.
I remember seeing him on a Hollywood Reporter roundtable with Willem Dafoe, Gary Oldman and Sam Rockwell, and almost marvelling at how inferior he is to those guys, despite being a bigger star.
He has an incredibly good PR team that has built up a (actual) nice guy image around him. He picks his roles very carefully and always plays nice guys. Being able to maintain that for decades is his real acting.
Saying he has limited range is boneheaded. He’s played asshole characters in multiple movies (League of their own, Toy Story, Ladykillers, cloud atlas). The reason he’s a bigger star is because he can easily carry a whole film by himself and is always the main attraction.
Lol at Woody being an "asshole character". Hanks doesn't have the chops to pull off the bad guy.
Oldman is far more influential than Hanks. People like Brad Pitt, Christian Bale and Tom Hardy literally became actors because of Oldman. Bitter that he's one of the few actors to reject the leftoid narratives you hold so dear?
Lol, a mental defective who thinks dynamic brilliance like Dafoe, Oldman and Rockwell are "awful", and who rates a by-the-numbers "movie star" as the GOAT.
And who's this "William Dafoe" you keep referring to? Heck, you barely even know of the actors you're dismissing as awful.
I suppose I shouldn't be picking on someone with a single-digit IQ.
He blew everybody's socks off by successfully transitioning from comedy to drama and had a very relatable charm when young. He also managed a string of back to back to back hits and basically rode that wave for about twenty years. But I think all that cache is played out by now.
He has always been a C list actor to me, starting with bosom buddies sitcom... and that movie with him on the island I tried to watch, it was supposed to be great - but it was so so horrible I was left wondering how the hell most people think that was good. only thing he ever did that could be considered good was Philadelphia, everything else is joke level crap.
You're right. Except that he had a way of projecting a kind of charm -- which in the movie biz is sometimes all it takes.
What he lacks is gravitas. I was thinking of the difference between Denzel and Hanks in Philadelphia. Denzel wasn't given as much to do, he didn't get to show his range, but he had the gravitas. Even playing someone who was dying of a horrible disease, Hanks still seemed too light. They picked him for the role because he had that boy-next-door quality, and was likable, not because he could reach through a screen and rip your heart out.
People liked to compare him to Spencer Tracy. Tracy had gravitas. He was in demand into his old age because he could command a screen. Once Hanks started losing his boyish looks, folks could find what he offered elsewhere, with a face to match. Hanks should be getting meaty, character-driven roles at this point in his career. Of course, they're not writing things like Judgment at Nuremberg anymore. But if they were, Hanks hasn't the chops to play them.
And to James Stewart -- one supposes in his "It's A Wonderful Life" mode because Hanks didn't have Stewart's late career capacity to play tough and hit massive deposits of rage -- in his Westerns of the 50s -- and his deep emotional weirdness for Hitchcock -- capped in Vertigo.
Hanks hasn't really panned out as a modern-day Tracy(Gene Hackman and George C. Scott were closer to that) or Stewart, but he did what was necessary to become a big star:
In the 80s -- when he was actually pretty handsome in a goofy guy way, he was sort of a light comedy guy-- considred pretty much "the other Steve Guttenberg" (remember him?) until he got the role as a "boy as a man" in Big and an Oscar nomination and was considered "possibly important."
Then came a slump -- The Burbs, Joe Vs. The Volcano, the ultra-bomb Bonfire of the Vanities.
He had a sleeper hit with a KEY Hanks element to it(which I will discuss below)in Turner and Hooch ("A cop and his dog.")
And then the REAL turnaround began in the 90s:
A League of Their Own (like with Jack Nicholson in Terms of Endearment, he was the island of a male star surrounded by women in a chick flick, and his drunk baseball manager was the kind of role that Bill Murray could have played at the time, or Walter Matthau 20 years previous(think Bad News Bears.)
Next came Sleepless in Seattle. Another hit, a romance where the couple didn't meet til the very end (and didn't kiss until 5 years later when Hanks and Meg Ryan teamed again in You've Got Mail.
And then, history -- just like , hey -- SPENCER TRACY -- Tom Hanks won the Best Actor Oscar back to back, two years running, first for a "switch to drama" -- and playing gay -- and dying -- in Philadelphia; and then playing an iconic role in a super blockbuster, Forrest Gump. THAT did it. Hanks was launched for the rest of the 90s and an almost unbroken string of 100 milliion grossing(in the US) hits -- back when that was a big number:
Forrest Gump(well, 300 milliion actually)
Apollo 13
Toy Story(voice only)
Saving Private Ryan
You've Got Mail
The Green Mile
and in 2000: Cast Away
..things finally started to slow down in the 00s for Hanks as a superstar but he remained viable.
Now, the REAL Key to most of the hits of Tom Hanks, simplified down to one sentence:
"Tom Hanks makes you cry."
Oh yes he does. Or DID. A movie director named William Friedkin(The French Connection, The Exorcist) said "people go to the movies for one of three reasons: to laugh, to scream, or to cry." At least that's why they go to hits. Tom Hanks made us laugh a few times, but by the end of his movies, he made us cry. Look(SPOILERS FOR ALL)
Big (the man becomes a boy again, helped by sad music, we cry.)
Turner and Hooch (the dog dies saving Hanks life, Hanks cries.)
A League of Their Own(Hanks is dead of natural causes by the end.)
Philadelphia(Hanks dies of AIDs.)
Forrest Gump(everybody ELSE dies and Forrest meets his little son.)
Saving Private Ryan(Hanks dies and then we hit an even bigger tearjerking ending with modern-day Ryan for the end.)
You've Got Mail(the romance finally connects with a kiss-- all the way after Sleepless in Seattle -- and everybody cries.)
Cast Away(Hanks survives the island and is rescued but comes back to find his woman married to another man , and with a baby.)
I saw a sneak preview rough cut of Cast Away where folks didn't cry at the end. Hanks(I guess) had it re-shot and it became a big boo-hoo with the new scenes.)
One of the reasons "Tom Hanks makes you cry(or DID) is because he did have a gift for accessing his own deep emotion. I think BOTH times he won the Oscar, Hanks cried on stage. He's a pretty soft guy beneath it all and I guess that shone through in his movies.
So that's why Hanks was so big and why he gets honored today , in the later downside years of his career:
Comedy unto drama.
A comeback in the early nineties
Two Best Actor Oscars back to back.
And most importantly at the box office: Tom Hanks Makes You Cry!