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The Ideal Movie Villain Should Be Rich *And* Good-looking


...and athletic (but that *only* applies to men, since athleticism is still frowned upon in women).

No-one in high school got bullied for being a dummy. In fact, if you were smart, and particularly if you were bookish, you were bullied for being a 'nerd'.

However, anyone who wasn't rich and/or good-looking was given the fourth degree (although I was quite good-looking as a kid, as soon as I started wearing glasses, I was a target, since glasses automatically denote 'homeliness' and 'nerdiness', as is anyone who isn't rich enough to afford the latest and most stylish fashions).

If artists and studios truly have any sort of empathy for the common regular joe, and our primal fears and formative scares, they should make films in which the villains, and/or the figures of ridicule, are *both* rich and good-looking.

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Being rich and good looking are "batman" traits. You are bound to be lead to the good side since you have your wealth and good looks privileges to lose if you chose a life of crime. criminals have "joker" traits, they come from poor backgrounds and have nothing to lose. They are ugly lots of the time and realize the only way to get extremely hot woman is thru wealth and power acquisition. A good super villain should be rich but sickly and weak looking with huge power muscular henchmen doing his bidding, that is badass and realistic. Look at El Chapo, his name literally means shorty. He isnt that intimidating by his stature but he doesnt need to be since he has an army of criminals following his orders

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Interesting. I'm actually inclined to agree with you, but that's because I think the Batman villains often have a pathos that derives from their tragic background and/or difficult circumstances.

But I think so-called Hate Sink villains should never be ugly. They should have at least *something* going for them, and not just inherited wealth because that isn't something they personally brought to the table. That's why I like Hate Sink villains who are handsome jock types, like the type of villains you find in high-school movies.

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yeah there place belongs in 80s movies and comedies that rip off 80s movies and satire it

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A more interesting villain is the one you don't see coming. Those are the most fascinating, because, if the writing is well-done, you can be completely fooled into thinking that one person was the villain, but then someone the hero knew all along and thought was their friend steps out from the shadows near the end and reveals that they were behind it all. Those often appear very innocuous and give off a convincingly likeable aura, which shows you how good they are at tricking people.

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This is true, I'm thinking of a couple of movies where guys like Kevin Spacey or Daniel Bruhl were revealed as big-time villains, nobody suspects the small, ordinary-looking guy, and they're great in movies where the villain's identity is in doubt.

But I still think that your go-to villain is rich, attractive, and physically powerful, because those things both give him or her *power*. If you are going to present your villain straight-up, with no searching, then it's best to present someone wealthy, attractive, physically formidable, highly intelligent, and well-connected, because all those things give a person power in this world. They're going to be someone even the most badass hero is going to have trouble defeating, plus the audience can resent or envy their wealth or looks. A villain who's been overly favored by fortune is SO easy to hate.

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I see, in this post, an instinct toward dogma, or doctrine. An attempt to limit something which might have many interpretations or treatments, to a single 'ideal' one.

There are certainly many, many instances where the villain (or his/her daddy) is indeed rich and good-looking. But why must -all- of them be? That seems oddly peremptory, reductive.

Iow, the counter-argument is there are no single ideals, really. Many. Here's an example :

https://www.youtube.com/watch?v=3ym-Das0s84

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I'll admit that I was asking a fatuous question, albeit one that might stimulate an interesting discussion.

I agree that there shouldn't be such prescriptive rules when it comes to art. What I personally object to is the 'Hate Sink' villain which I'd regard as someone who was (born) rich, stupid, ugly and useless, and doesn't bring anything to the table. At least a handsome or beautiful rich kid is admired for their beauty (even if they were born with that beauty). No one is admired for being born rich and spoiled; just resented and possibly envied.

As it happens, I generally enjoy it when a villain is oppressed and downtrodden, possibly because of a trauma, or socioeconomic experiences, or because they belong to an oppressed demographic; becauese it tends to give them a degree of pathos, which is much more interesting than the aforementioned 'Hate Sink' or 'Straw Man' villain.

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Yes, all kinds of angles to go on. Villains as products of one sort of disadvantage or another (Manson, Kemper, probably most serial killers), villains with everything going for them who are evil just for the fun of it (Trump, though his father probably was a lulu to grow up with).

One of the more compelling scenarios is the everyman or woman, on an ordinary path in life presented with an irresistible temptation (e.g. finding a large cache of likely blood/drug money, intolerably provoked).

Another is the unfavored one raised in proximity to other favored ones, who envy curdles into pathology. Or an abused child, or a disinherited one, etc.

I suppose when you analyze the scenarios, there are not so very many different broad themes, but an almost infinite number of nuances to put upon them in order to make them compelling.

Which, often enough, sets up the revenge narrative, which no one can resist. We all LOVE revenge fantasies. Its in our blood. As such, a villain with a legitimate or semi-legitiimate grievance. OTOH, the horror of a villain with no such grievance in simply, simply a cold-eyed predatory nature to destroy/subvert/sabotage, etc.

They're all in the end projections of our fears, fantasies of our revenges, etc.

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I think Trump, who I never liked, even when he was being praised and solicited by all the various Hollywood celebs and 'liberal' politicians who now speak of him as the most evil man in history, has, unfortunately, damaged the movie/fictional villain, because, whether or not his father was abusive, for most of us, Trump seems like the embodiment of privilege, and someone who has no legitimate grievance or basis for his incredibly detestable behaviour.

I'm not really a fan of that type of villain, certainly not as the MAIN villain (as a side villain, I think the spoiled, entitled jerk works, but not as the 'embodiment of evil'), because they often amount to little more than the dreaded Hate Sink character, and I much prefer villains/antagonists with nuance, depth and a degree of genuine pathos. Unfortunately, post-Trump (Presidency), although (quote surprisingly) I haven't seen too many attempts to portray Trump or Trump proxies in recent fiction, I have seen a lot of two-dimensional Hate Sink villains (Rian Johnson, an inexplicably popular filmmaker, seems to have a particular hard-on for simplistic and binary 'good' v 'evil' characters).

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Witless characters, conflicts, narrative arc, make for forgettable films. Not much to say about it. Generally, films are light on the writing side these days, long on the spectacle. But that never appeals much to discriminating viewers.

A 'hate sink' villain, as you say, never rates other than perhaps in a B-level horror/thriller flick, not to be taken seriously, or even much cared about. Schlock is schlock.

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Schlock does sell, schlock does a brisk business😬

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Frozen (2013)

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Agreed. I like that villain (not in the sense that I liked him as a person, but in the sense that I liked him as a concept). And not only was he wealthy and very handsome, he was also quite charming. You could see what Anna saw in him, before he was revealed as the baddie.

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Same. I loved to hate that guy.

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Rich and good-looking should be the ideal for everyone.

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It's an unobtainable ideal for most people, and once one gets to a certain age (i.e. once one is past childhood), one should be able to understand that. FWIW, I'm reasonably good-looking (although when it comes to status, money matters far more for men than good-looks, and, alas, I am poor), but I instinctively identify with 'homely' and 'ugly' people because they are the 'underdog', so to speak, and what decent, right-minded person can begrudge the under-dog?

Plus, in recent years, we've started to discover that pretty boys from earlier generations (i.e. the Depps and Pitts and Francos of this world) are perhaps not as perfect as we once all believed. I can only imagine that the Goslings and Evans will also go through the same routine in a decade or so. Wealth and good-looks, particularly in Hollywood, tends to breed a certain entitlement and toxic masculinity, *particularly* among men who openly identify as 'feminists' and 'progressives'. And as Harvey Weinstein proved, one doesn't even have to be good-looking to be a hypocritical 'feminist' and 'Democrat' as the serial rapist and DNC/Hilary/women's charity contributor sadly demonstrated.

No doubt I'll be excoriated for that last paragraph, but I'm a staunch leftist, albeit one who HATES hypocrisy, and that tendency to target fellow libs, who aren't as genuine as me, no doubt rubs some people the wrong way. But attacking Trump is like shooting fish in a barrel. We all know that he is a POS (although many were much later than me to recognise this, judging by all the Hollywood people and politicians, including the Clintons, he was once chummy with). Now it's time to identify *future* Trumps (i.e. men who everyone currently love and adore, but will eventually show their true colours; and anyone who says Trump was *never* adored by the centre and centre-left, is a LIAR; the photos of him chumming around with the Clintons, Jesse Jackson, Spike Lee, and other 'progressive' celebs are easily found online).

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Don't agree, not all villains need to fit any kind of box and certainly not all villains have some tragic origin story, or one that requires them to be rich, good looking or athletic - or conversely, poor, unattractive or un-athletic. Look at Selina Kyle in Batman. My girl was both and she's one of the best ones

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'Both' what?

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She was shown to be dumpy, poor and un-athletic, but became rich, good looking and athletic, she's the embodiment of both of these things.

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In what versions?

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Batman Returns 1992, thought this was obvious, but that's maybe because the only Catwoman I really acknowledge is Michelle Pfeiffer's.

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I'm obsessed with that film, and suspected you were referring to it, but I don't agree that Michelle's Catwoman was 'dumpy, poor and unathletic' before her transformation, and I don't think she became particulary rich *after* her transformation.

She was *always* a good-looking and athletic woman. The novelisation and original screenplay drafts go into this a bit further, but even the finished film makes it clear that she was a decent raquetball player, even before she 'transformed'. And I always figured she was middle-class. She seems to come from a decent, stable home (her mother was a nag, but she looked out for Selina, and the novelisation once again says she had a pony growing up, which indicates a well-to-do family; she also seemed to come from a church-going family when she refers to 'Sister Mary Margaret getting morning-sickness'), unlike many versions of Catwoman, who are often homeless orphans surviving on the street, and she also has an okay/medium-salary job.

I do like Batman Returns as an example of what I mean about good-looking and rich villains. Unfortunately, so many people misinterpet/misunderstand the film IMHO, and believe The Penguin, who is ugly, deformed and poor (and I don't care what anyone says about 'his parents being rich,' when you're dumped into the sewers as a baby, and live the rest of your life as a homeless outcast/circus freak, you are NOT 'rich' in any sense of the word), is the main villain, when I believe that the supporting cast, and Gotham as a whole, are the film's *real* villains, especially Shreck.

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Michelle Pfeiffer is good looking, but the character is framed as unattractive initially, going from https://i.ytimg.com/vi/mVYPpqK5BNk/maxresdefault.jpg to https://i.pinimg.com/originals/34/c0/8b/34c08b5a6120cc26654d3af15428eb02.jpg. Money is the reason, it's the reason why the styling of her clothing changes after her revival and why she looks so drop dead gorgeous at the charity event where she dances with Bruce - expensive clothing, styling and makeup. This suggests she became wealthier, like via theft.

As for your point about Penguin, he was a terrific villain, despite being nothing that you suggest, and isn't a lone, minor villain, but apart of an assemble of villains of varying kinds, which is what makes Batman and DC in general so great - the variety in both the justice league and the rogues gallery. There doesn't need to be one kind to be enjoyable, the differences are what's so fun.

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We never see Pfeiffer's Catwoman steal anything, other than a whip. She merely blows up a department store. The implication is that she had that beautiful dress she wears at the ball already, or perhaps she purchased it with her own money. But I'd love to come up with a fanfic about how exactly she did steal money to buy her dress etc. assuming you're right. I have a theory.

I didn't say Penguin was a 'minor villain' but I do think he's a tragic character rather than the root cause of all the evil in Gotham.

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Villains are not the root cause of all evil in a city. That's not what villains are necessarily. There are multiple villains, hence multiple causes of evil, so no one root.

As for Catwoman, we saw the clothes she had in her apartment - not exactly charity gala material. Definitely not fashion forward in the slightest. Also doubt she's done much sewing after the cat suit. Plus, it just kind of makes sense, in a cheesy comic book way, that a cat woman would be a cat burglar.

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I don't know. We never see her do any cat-burgling, like other Catwomen, and she had an array of nice clothes in her apartment. The clothes she wears when she returns to Bruce's apartment, and the stuff she's wearing when Bruce arranges a date with her, and when they're on said date, are all pretty glamorous and high-class IMHO.

I have no doubt that she bought that expensive-looking gala dress after she became Catwoman, but I doubt she stole it.

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I don't think she steals clothing, I think she steals items of value, like money or jewellery, and then buys the clothes. Also, we do not see an array of nice clothes in her apartment, there is a wardrobe full of dull, neutral browns, a.k.a her bland office outfits, and a pink shirt with kittens printed on it that we see once. The only thing that stands out is the coat she makes her catsuit from - which is in clear contrast to what's in there and is therefore unlike her usual drab attire. Her apartment also suggests this isn't a woman who dresses in high glam, she literally has stuffed toys everywhere. And her date with Bruce takes place after she becomes Catwoman, which we know because before asking her, they're walking down the street and there are articles about Catwoman printed and stacked on the street, which they both comment on.

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That's why I think she started buying those nice clothes *after* her change. But we never really see her steal anything, including money or jewellery (which she'd still need time to fence, in order to get the money to buy nice things).

Also, more glam clothes would probably placed in boxes to preserve their integrity, rather than on clothes hangers right next to her ordinary day-wear and casual clothes.

What would be cool is if we saw her raid someone else's home, maybe a character who was guaranteed to be gone, and steal *their* glamorous clothes, like that beautiful dress she wears at the ball. Although it's impressive that she found a dress that was perfectly in her size.

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Recently I am beginning to rethink this idea that you should hate the villain. The villain should definitely be doing something wrong, however if their back story is so good, and their motivations so convincing that you empathize with them -- it takes the emotional payoff to a new level. This is where you can get into movies like Scarface, where the villain actually becomes the central character and their tragic descent and demise becomes the main story.

Thinking back, for me, the quality of a Marvel movie has been determined by how good the villain is, not the hero.

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100% agreed.

I was spitballing, but I certainly prefer a tragic, semi-sympathetic 'villain' to an all-out evil one. I was thinking of those situations where filmmakers, unfortunately, plump for simplistic 'Hate Sink' antagonists.

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