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beto's Replies
Whoa, stop right there, buddy! Hitting anything to get it going just works, so it's no joke.
It's a fact proven by science and me. ;)
Can't wait for the Clone Club to be back again...
When did occur the connection between Syd, David and Lenny? Is David really sick? What happened to David's mother? Why did they dismiss TWABITW interesting line? After a while, it became irrelevant. What is this really about? Love? A young murderer? X-Men? (OK, no) However, I'll be looking closer and try to answer some question. These are some first impressions.
19. Chapter 5 is one of my favorites. Despite of being one of the weirdest, it's ironically one of those who feel smoother, grounded and with definition. Very tight, very well directed.
20. The production? Superb: The DYE is fan-fucking-tastic. It has given me the creeps through the whole show. The places are well put, good design, good exteriors and, of course, the memories aren't shabby in any way.
21. The music is another great aspect of the show. From Radiohead's tiny soundscapes to the chaotic world of Pink Floyd at the end of the party. We have little gems such as 'Oh! You Pretty Things', from one of Bowie's masterpieces, interpreted by the lovely Lisa Hannigan and Nina Simone to the other side. Also, Ravel's Bolero is professionally adapted for that magnificent scene that constitutes the peak of the series. And so on.
22/23. The edition is what made the show what it is now. Kudos for the team. The sound (or lack of) shows its value in terms of aesthetics and as a valid form to convey a message beyond words. Bravo.
24. The FX were good. Yeah, it's true sometimes they were a little off but that has not ruined anything, so let's just leave it in good.
25. So, in conclusion, the show stands right now as some of the best debuts of the decade and what it needs polish it will be worked from a position of dignity, solid creativity and fun. It has nothing to prove anymore.
Overall: 90/100
Well, the show is over. For now.
Me right now: http://www.imdb.com/title/tt5114356/mediaviewer/rm2987736832
See you around. Don't get lost.
Hello, again!
I've just finished the last episode of the season and I'm going to summarise my thoughts here:
1. The cinematic experience is simply outstanding, from the camera placing and lighting to the subtle works of framing. There are lots of frames that I'll remember for quite a long time due to their full dedication to the story. Most of them are memories. Oh, the memories!
2. I'd like to point out the contrast of the asceticism in the labs and outdoors scenes with the warm, old-style persona the characters have maintained through time. It's been good not knowing when the facts occurred because it allows this sort of ambiguity that only reinforces the state of denial and tribulation inside of David's world. In your opinion? Yes, your honor! In my opinion, or course...
3. Costume design is lovely, in my opinion, especially Amy's outfits and Syd's with her distinctive style; oh! And, sure, our friend Lenny, who looked monstrously good all over the show. Kudos for all the glasses she's used in the course of the show, great choices! Ahem...
4. Following the line, they were very careful when it comes to chromatism. Perhaps I'll write something about the color palettes later. Those oranges and ochers are calling me...
5. The acting hasn't been that GREAT; this is, of course, my opinion again; but it has worked well for the purposes of the series. There are times when most of them are going to lose it, but perhaps that's just me. Audrey has been on point the whole show and so has Dan Stevens. He has convinced me.
6. The dialogues are one of my favorite parts of the show. They chat, they fight, they philosophy. Despite my reticence in the characters as people (don't worry, I'll talk about it in a bit), as real human beings, suffering, enjoying or whatever, they have made me love their moments, maybe not themselves but I did love the moments they've shared. I appreciate that.
7. The script was well-written (but you've already known it, haven't you?), with the strength that only an experienced, talented writer can put ahead... [Damn I'm tired]
8. The storyline is certainly refreshing. I've already watched Mr. Robot but it's not quite the same and having another batshit crazy show around fills my quota of TV insanity. It's something we can all appreciate here.
9. The plot approach... Um, I definitely have some disagreements regarding how they handle the storyline, but [Damn I'm tired] I won't delve into that right now. Just to say that I never saw the character development.
10. And now: Character development. What's real and what's not? They all seem to be real people to me and yet, it feels like a one-guy story and his toys. Sure, we can write a story of just one guy, one and only, why not? But he must be incredibly rich, figurately speaking.
11. I like the scene of the bird at the end of 'The Prestige' that recites: "Every magic trick consists of three parts. The first part is called 'The Pledge'. In this case, they've got us with the matter of schizophrenia. That's OK. Then, we've got the second part, 'The Turn'. We find out that David is probably sane. Cool. So, we see the third part, 'The Prestige'. Oh, wait! There's no third part. Because there are so many questions and so little answers. I think what brings a story together is people, not just moments (as good and entertaining as they can get). A simple guy or girl and their ability to grow.
12. OK. What about the Shadow King?-They say-. He got out so you can see that moment as the opportunity of David to find a new path. His moment of growth. Fine. That's true. What about the others? They've been spinning around David like planets and have no proper backgrounds. Why should I care about those folks, Carry and Kerry? What changes if Ptonomy or Dr. Melanie die? Nothing, because they're not real, just an illusion of friendship or comrade, in my opinion of course.
13. Beyond the previous points, it's a great moment to be alive. High-quality experience. The Bolero Scene, The Long Kitchen Scene, The Ice Cube scene, all highly entertaining and very well done scenes, plus we've witnessed the evolution of the girl from Parks and Recreation. Boo-yah.
14. Amusement? Would I be here if this was not so?
15. Not a emotions grower, IMO. Nope. I believe it's because of the reasons stated above (11, 12, etc.)
16. Influence? Yes.
17. Legacy? For sure.
18. Difficulty? That's what I love the most about it. It's mind-bending. One of those difficulties relies on so many unanswered questions (OK, I'll stop) such as: What happened with David's father? Or broader, what are all those secrets David was hiding at the beginning and what the hell happened to him when he was just a kid? Did his dad touch him? What? And why did the monster need a living host when he has used plain objects? (as stated for the fact that he is TWABITW)
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My thoughts exactly. I was curious to see Mara doing some "indie horror" work but after I saw the trailer I'm glad I was wrong. Both Mara and Affleck participated in some strong films last year and now they're going for everything.
I can't wait for this to come.
How so?
So Danny's with Misty in the comics? Interesting...
Or the fist has some powers we're not aware of just yet...
Chill mate, dude's just talking... although I agree it wasn't his fault as he said he just trained for 3 weeks, I believe.
Found it. Ep. 3 around the 8 minutes. Priceless! That's the kind of emotions I'm talking about! Superior acting in every way.
Ah, I thought he was in the main cast.
This Banshee?: http://www.imdb.com/title/tt2017109/?ref_=fn_al_tt_1
Perhaps do you remember the chapter?
Dude is very solid when it comes to making great shows. Good for him, a dude has a fan.
Well, I showed this series to my little sister and she said it has "Too much yellow". ¯\_(ツ)_/¯
With very funny moments as well: https://www.youtube.com/watch?v=Prq2FPRuiGY
Indeed. I'm actually thinking about watching more of his stuff because of that.
Stewart. Emma Watson still has to prove herself.
Thanks!