In your OP, you used the phrase "hugely open to interpretation", yet you seem intolerant of my opinion because it doesn't align with yours.
I never said I only like films where everyone is likeable. That's your ridiculous inference.
The doll situation was bizarre and made her seem deeply mentally ill to the point it was out of character. If it was intended as a metaphor, it was clumsily overdone.
Nobody would tell her that she looked under forty, which at least one character did. It's preposterous and requires an unreasonable level of suspension of disbelief.
I have no problem with the character Harris played. But when film makers choose to use a star actor in a role, it sets up expectations. His presence from the beginning was obviously not just a cameo; it was strongly implied more than once that some sort of closer involvement between him and Coleman's character might be developing, a possibility greatly strengthened by having an actor like Harris in the role. In this movie, using Harris was misleading. His character went nowhere.
Nothing Coleman's character actually did was as tragic as the loss (death) of the daughter would have been. To make it seem like something that terrible had happened throughout the movie, then reveal at the end that no such disaster had taken place, was dishonest on the part of the film's makers. Not only was the daughter alive and well, but she and Coleman's character still had, at the least, a polite speaking relationship.
Okay film, but a letdown on several levels. Glad you thought it was great, though.
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