Formulaic and unscary (spoilers)
‘The Conjuring: The Devil Made Me Do It’ is a procession of cheap, predictable jump scares and loud, discordant noises of the “thump thump boom” variety... much like Michael Chaves’ previous film, ‘The Curse of La Llorona’, and the other movies in ‘The Conjuring’ series (aside from the first one, mostly).
On the plus side, it still stars Patrick Wilson and Vera Farmiga, who have always shared great chemistry together while investigating some increasingly lurid and utterly ridiculous monsters.
James Wan is modern cinema’s leading producer of formulaic but effective haunted-house scares, cranking out more sequels and spin-offs (‘Spiral: From the Book of Blah’, ‘Insidious: Key Fingers’, etc.) than he could ever helm himself. But underneath the technical expertise that Wan and protégé directors like Chaves have brought to many of these projects are premises that are moldy and interchangeable.
It’s 2021. Haven’t we all seen enough dusty collections of creepy dolls, clattering nun’s teeth, dark cellars, spiders, slamming doors, slowly opening doors and other public-domain genre tropes by now?
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