Wow! What a refreshing thread!
So often when the OP begins with a negative about a show, film, or actor, people jump on quickly with more coals for increasing heat. I am delighted that people are speaking positively about Matt as an actor and for what he brought to this pilot, which I just discovered tonight.
When I saw that F. Scott had written it, I was going to give it a pass because his writing has not been a favorite. But, fortunately, seeing that Matt was the star, I watched it and found it mesmerizing. Because it is F. Scott, some story lines clearly have his signature writing on them; yet, with Matt in the lead, the story does not feel leaden as can happen. Matt is so natural that he provided a rhythm that easily moved it forward.
I loved the focus that he brought in his distress his brother-in-law's death and when he went to confession; that he wasn't Catholic, yet he needed to speak to the faith-based love of his wife and her brother. It felt very real, along with the energy that he expended in his daily life to manage his melancholy. It was extremely poignant.
When he asked the priest if he cared about films, where they important to him, the priest demurred and I said "yes" because I understood what he was asking. It was about passion and experiencing something to which you are so committed that your spirit sings with life because of it. The process of films is ultimately to bring X many minutes of magic to others. People who are gifted like Matt, Kelsey, Lily, and the others in this cast can interpret and bring writing to life. (This assumes that there is good writing to begin with.)
As a teenager, I discovered and loved the films of the 30s. They were very powerful and amazingly diverse, including some dark spy thrillers. This is the first thread I have read, so I hope this series is going to be made and with this cast.
Here's looking at you, Monroe Stahr!
A Checkered Life speaks of myriad diverse adventures being the rewards of endless curiosity.
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