I think that the most interesting aspect of the book is that it challenges the point of the traditional happy ending and challenges our values as a society.
While reading the book, there is a great tension between the idea that, fundamentally, Zobrist is right but releasing a plague is also not right. This is succinctly summed up by the opening line of the movie, "there is a switch, if you throw it half of the population will die, but if you don't, in 100 years the human race will be extinct." The great suspense is, how will Dan Brown resolve this unwinnable situation in a way that will be satisfying to readers? What should Langdon [and we as a species] do, when faced with such a choice?
The movie replaces an interesting, thought-provoking moral solution from the book's ending with a contrived stopping-the-bad-guy "happy" ending.
In a trite way, that might be emotionally satisfying to an audience but only if you don't think too much about it. We're supposed to be happy that Langdon stops the bad guys, gets his watch back, returns a museum artifact and sort of reconnects with an old flame, but this ignores the fact that Langdon, the WHO and the movie story-tellers chose option B, do nothing; which means that in 100 years the human race will have over-harvested and over-fished the land and seas of the Earth and reach a crisis point that will rival the painful misery of the Black Plague...
Just because the main character doesn't succeed at their intended goal established at the beginning of a story doesn't mean that the story has no point. American Beauty, House of Sand and Fog, Rocky, etc.
You should read the book, Brown comes up with some pretty decent story elements to justify Zobrist setting up this wild goose chase. It's not perfect, but works so much better than the movie because there's a larger point being made, not just paying off Langdon's efforts by having him "win" in the end. This was a no win scenario, and the filmmakers seem to hope that you forget that when they force feed you their ending.
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