The ending is explained BEFORE what most people think


SPOILERS obviously

After all the mishmosh of theories of the ending I watched this for the first time today and realized that everyone is confused about the ending because they interpret his "death" from the SECOND time he shoots himself on stage.



He shoots himself for real when he is standing on the stage in his underwear.

If you watch it from that point on you can see several things.

First there was foreshadowing up to that point. He points out the importance of structure with his discussion with the critic. But as for us as the audience let's take note. The foreshadowing was when Edward Norton's character got angry with him for replacing the real gin with fake gin. Norton's character is an opportunist who is willing to do anything to get the attention he wants. So he replaces the prop gun with a real gun.

Second, backstage he winds up locking himself out because of all the chaos and disorganization. This shows us that the workers are sloppy and not paying attention. Because he comes on stage from the audience, someone rushes out and hands him a gun. So he didn't take the gun with him. Notice there's attention drawn to the fact that he's holding up his hand like a fake gun. Naomi Watt's character even says "put down the gun"

Someone just slaps a gun in his hand (we don't even see who) and he storms to the front of the stage to finish the scene.

Then the camera pulls away.

Notice, there's constant chaos in the Hallways behind the scenes in every other scene before this.

But when he walks onstage from the audience and is just about to shoot himself, the camera pulls away and lingers on the hallway for an extended period of time.

The filmmaker takes a looooong time sitting watching the empty hallway. Why?
Where is everyone? They are all on the stage attending to him because THAT is when he really shot himself.

Listen again, you hear the shot and then you hear applause that suddenly just stops.

Then he walks back into the room and we follow him up with blood on the back of his shirt. When he gets in the room he sits and talks with his daughter. (Why is she there? And notice the gentle conversation and how we hear her voice before we see her. It's a peaceful scene compared to all the drama before it.)

After that he begins many of the over the top abstract things like flying. Notice that it is an interplay of fantasy with reality pushing it's way in. For example when he lands and walks into the theater, the cab driver rushes up and demands to be paid and we see an open taxi door.

IMO All the scenes after the hallway scene reflect (as someone else mentioned) a similar style of "An Occurrence at Owl Creek" he's dying in these scenes and his life is flashing before his eyes as he's imagining it all.

That's why in the scene with his wife, the camera swoops into the dressing room and he's lying across the dressing tables. The room is filled with flowers just as a funeral home would be.

Watch this again and you will see it looks like a funeral and he's in the position he'd be in in a coffin in a flower filled room.

It also mirrors how we are introduced to the hospital room later.

It's a mish mosh of fantasy with reality creeping in as his "rational mind" rewrites it. You can see an almost "going through purgatory" sense of him walking out of the liquor store and seeing the man "performing" in the scaffolding.

When he replays his life, he tells off the critic, he performs the scene he screwed up in a fantastic way, the audience is on their feet and the critic runs out of the theater.

Even if you watch Edward Norton's character in that scene, he is underperforming the scene.

When he wakes up in the hospital room it is just a moment of him regaining consciousness before he dies. Who is in the room with him? The three people whom he loves the most. His best friend, his ex wife and his daughter. (If he was really recovering, wouldn't his girlfriend be there?)

Then at the end when he looks at himself in the mirror he realizes that he's not the same person any more. Notice at this point he's all alone in the room and then Birdman shows up. This is when he dies and goes out the window. At the end he is reassuring himself that his daughter will be OK.

Notice that she first looks down, and notice that prior to this there was a conversation pointing out that it was an accident, not a suicide attempt. This is is reflected by his daughter looking down in fear that he jumped out the window, but then looking up realizing that he just died and flew away.

(Very similar to the end of American Beauty) A sense of peace.

If you go back and watch the movie from the scene with the underwear you will see that from that point on is where it is that he is dying. It doesn't make sense if you do it from the second gun shot.

The scene where the camera "stares down the hallway" is the "break" and lets us know that everything after that is different.


Feedback is welcome. I didn't go through the entire board and I'm curious if anyone else saw it this way.

reply

I really liked this interpretation. One thing that really bugged me is that when the opening night show is happening, and he is called to places for the final scene while lying down talking to his exwife like you said, he shows no urgency to get to places at all. He continues talking to his exwife for at least 5 minutes, and even though this scene is supposed to be "real" it felt like a fantasy scene to me because in the real world he wouldn't be up in his room relaxed, he would be backstage, ready to go. Your theory explains that.

reply

Very interesting theory. For sure there's something deep going on in this movie, and I've never been happy with the obvious seeming ending to it, of suicide and dementia. I'm looking forward to watching this again and looking for the things you've pointed out.

"I said no camels, that's five camels, can't you count?"

reply

I would love for people to rewatch it with these details in mind and see if it changes the interpretation.

And as to the question what is the point of watching the character as he is dying.

In drama there are only three real conflicts. Man versus man, man versus nature and man versus self. The problems with his relationships is man versus man, the birdman is man versus self and man versus nature is the ultimate reality that we are all living as we are dying. Everyone will die.

We crowd up our life with seemingly important things but the reality is that none of them really matter. All that matters are the relationships we have with others and the legacy we leave behind. He was so worried about being a "real artist" by producing this amazing play even though most people loved him because he was Birdman. Somehow that wasn't "good enough" for him.

When he went through all of this he realized it doesn't really matter anyway. The existential depression that many of us go through in wondering the meaning of life is at the heart of the story.

He has the best time once he doesn't realize he is dying. Hence the title "The Unexpected Virtue of Ignorance"

reply

Interesting theory although a bit un-provable. I'd take that route a bit further - what if the whole play experience is his death thoughts right after trying to drown himself? This is supported by the flashes of the jellyfish and the beach and his body in the beginning and the end of the movie.

reply

ohtruethat,


That's why in the scene with his wife, the camera swoops into the dressing room and he's lying across the dressing tables. The room is filled with flowers just as a funeral home would be.


For what it's worth, during rehearsal actress Amy Ryan, who played Sylvia, Riggan's ex-wife, said that there was no room for the camera crew when Michael Keaton and she sat on the chairs and then tried sitting on the couch but there still was no room for the camera crew, so Michael laid on the dressing tables to make room for the camera crew. She called it a happy accident.

Here is a link to the video on Youtube, move the cursor to 39:43 mark to watch her, it is from the 52nd New York Film Festival:

https://www.youtube.com/watch?v=PEf3i6U7Txo


blueman_0101

reply

no, i think that he just flew out the window for real at the end.

reply

I have a similar view of the ending Neo. But instead of Riggan just flying away, I think he climbed up on to the roof and sat there like his daughter, Sam, did earlier.
- Sam has a tattoo of birds on her shoulder. She is also into the bird character / idea.
- When she saw her dad up on the roof, she smiled. Because that is something that she would have liked to have done.

Imo at least, BB ;-)

it is just in my opinion - imo - 🌈

reply

Interesting take. If you pause the movie when the gun is handed to him on stage, you'll clearly see the red plug in the barrel. The fake one is handed to him.

I'm not sure if this necessarily disproves your theory. Reading it has forced me to rethink this film, as there is certainly more to it than meets the eye.

reply