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Brooklyn Nine-Nine's #MeToo episode is the best argument against #MeToo episodes


https://slate.com/culture/2019/03/brooklyn-99-metoo-episode-he-said-she-said-review.html

It's amazing that a show set in a police station took 120 episodes to tackle sexual assault, says Marissa Martinelli. "Ultimately," she adds, "the episode argues against its own singularity, as in a poignant scene in which Amy reveals she has been the victim of workplace harassment, something she has in common with 'literally every woman I know.' If the writers really want to stress just how widespread stories like Amy’s and Keri’s are, they might consider revisiting the topic in Season 7, because sexism, harassment, and assault are everyday occurrences that can’t be comprehensively addressed in a single episode, even one as thoughtful as 'He Said, She Said.' There’s nothing Very Special about them." ALSO: "He Said, She Said" episode shows just how pervasive inappropriate behavior toward women is every day. https://mashable.com/article/brooklyn-nine-nine-metoo/

Brooklyn Nine-Nine shows how TV comedies can tackle #MeToo stories

https://variety.com/2019/tv/news/brooklyn-nine-nine-metoo-episode-recap-he-said-she-said-1203152049/

Brooklyn Nine-Nine is proof that a comedy doesn't have to transform its identity to incorporate such a sensitive topic as sexual misconduct. "For the most part, TV’s takes on #MeToo have been limited to dramas that have leaned into the weighty gravitas of this reckoning," says Caroline Framke. "Shows like The Good Fight and The Romanoffs weighed the rights of the accusers and accused, to varying degrees of success. Comedies that dip their toes into the murky waters — including GLOW and the Murphy Brown revival — tend to drop the punchlines in order to focus on the severity of the incidents, letting the stark contrast to their usual rhythms speak volumes." That's why Thursday's "He Said, She Said" episode of Brooklyn Nine-Nine, directed by cast member Stephanie Beatriz, was "such a startling exception to the rule," says Framke. "Written out as such, 'He Said, She Said' doesn’t sound very funny at all — and to writer Lang Fisher’s credit, the episode never tries to dance around the severity of the situation in order to downplay it. Instead, it weaves punchlines throughout by targeting the gross culture surrounding it." Framke adds: "When all’s said and done, 'He Said, She Said' is a pretty impressive new entry into the 'TV Tackles #MeToo' canon. It doesn’t sacrifice Brooklyn Nine-Nine’s typical structure or joke flow even as it emphasizes the very serious inspiration behind its story. It mocks the people in power, not those who get targeted by them. It grounds everything in its characters, keeping them as sharp and empathetic and smart as the show has made them over the years. If TV is going to keep diving into #MeToo, 'He Said, She Said' is a solid road map to use going forward."

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It was a heavy handed, and badly written episode. Not to mention it was late to cover a topic that isn't fresh or even under exposed. I think the show is really strong in it's portrayal of various sexual preference, and some of the characters happen to be gay or bi, but not identified by that fact. That subtly can carry a message,but the "kick a dead horse" writing is lazy.

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I thought the "Moo Moo" episode would've been the last of it. Seems as though they have a feminist agenda to push.

I love "B99", don't get me wrong, but I like coming home from work, resting, and having a good laugh. The last thing I need is some sob story about Amy kissing ass to get promoted by accepting dinner offers.

Enough already. Keep Stephanie Beatriz and whomever else away from directing and writing.

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