MovieChat Forums > Project Almanac (2015) Discussion > Is there a time travel movie that got it...

Is there a time travel movie that got it right?


As proven by this article (in which, beware, spoilers abound):

http://www.mjyoung.net/time/almanac.html

Project Almanac gets the time paradoxes completely wrong and has a rather inconsistent ending.

Is there a time travel movie that ever got it right?

I'd like someone who is very knowledgeable about matters of timelines (from the scientific standpoint) to recommend a movie that does get it right. I mean, not just from the standpoint of regular, non-physicist moviegoers, but rather, from the standpoint o someone like this M.J. Young who seems to know what he is talking about.

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I'm very surprised that this one hasn't been mentioned yet, but IMO the best time travel movie, hands down is Primer. It's a bit heady and it's a very low budget Indie, but the movie is fantastic and is considered the time travel film with the least amount of glaring plot holes. This movie was a rushed mess. It's like someone got an idea in their head and then just made the film without actually thinking it through once or twice. Also, a little too similar to The Butterfly Effect without being as charming.


"We are here to help the Vietnamese, bc inside every *beep* there is an American trying to get out"

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I'm very surprised that this one hasn't been mentioned yet, but IMO the best time travel movie, hands down is Primer. It's a bit heady and it's a very low budget Indie, but the movie is fantastic and is considered the time travel film with the least amount of glaring plot holes.

Primer gets a lot of things right about the process of scientific discovery, but I'm afraid the time travel is riddled with grandfather paradoxes. Any time you have a character from one timeline interacting with multiple other versions of the same character from timelines that have been erased/reset, it pretty much guarantees there will be a logical inconsistency somewhere.

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I think there's a big difference between saying that there must be an error and actually pointing out an error.

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I think there's a big difference between saying that there must be an error and actually pointing out an error.

Fair point. I'm too lazy to go back and look up the specifics. IIRC, though, we learn at the end that multiple versions of a main character now exist together in the same timeline despite their originating from other timelines that have been erased. But if those other timelines were erased, then where did those other versions of him come from?

It's no different, in principle, than when you travel back in time and kill your grandparents, thereby erasing the timeline in which you were born. If your birth never happened, however, then where did you come from? How is it you exist at all to do the deed? That's the grandfather paradox in a nutshell.

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It's funny because at first Primer does try to adhere to the usual fixed timeline "rules". In the beginning, Abe makes sure to allow his past self to get into the box. They hide out in a hotel room so as not to interact or change anything. They are afraid they'll somehow cause a paradox.

But then it falls apart and they realize those "rules" don't apply. They find that, in fact, you can go back and kill your grandfather. Nothing will happen to you at all. You're there. There's no magic force that will ripple-effect your way out of existence. The you in that new timeline will never get born, but so what? He's not you.

So they manage to divert their past selves, without killing them, so that the past selves now don't have to do the same things they did. They don't even have to time travel to "close the loop". They're essentially different people at that point. What happens to them has no effect on you.

It works pretty well under the "divergent timelines" approach to time travel. I'm not aware of any errors, timetravel-wise.

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It works pretty well under the "divergent timelines" approach to time travel.

Right, that's my recollection, too. As I say above, a "divergent timelines" approach can indeed resolve the logical contradiction of the grandfather paradox.

The thing is, when you take such an approach, you have to be careful not to mix it with a single timeline. This is a common mistake a lot of films and TV shows make, including the Back to the Future series. Each change to the past has to create its own tangent timeline, rather than erasing the original. That's how you avoid the paradox.

But, when you have a bunch of copies of characters from erased futures existing simultaneously in the same timeline, it's usually indication there's only one timeline that's being repeatedly rewritten. If there were multiple timelines, most of these copies would exist in different futures, rather than the same one like in Primer.

As I say, I'm too lazy to go back and work out all the loops and resets. I'm not even sure it can be done since so much of the time travel takes place offscreen. But the existence of multiple copies of a main character at the end strikes me as at least prima facie indication the film mixes divergent and single timeline approaches.

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I really don't see a huge difference if old timelines get erased or still exist.

Say I build my time machine, get in and go back in time to before I get in the machine. I stop myself from entering. Now there's 2 of me.

With divergent timelines, the original timeline just has me get into the machine and disappear. It might as well be a disintegrator from that timeline's perspective. Life goes on without me.

With the new timeline, there's two of me. And we timeshare whatever we can, play tricks on people, and/or can't stand each other and it ends in murder, who knows?

From this new timeline's perspective, it doesn't matter if the original timeline gets erased or not. If it stays, no problems. It it goes, and we're dealing with a single-timeline that's changeable, I still think there are no problems.

If the old timeline gets erased, that shouldn't erase the me that arrived in the new timeline. I'm there already, and there's no physical force connecting me to the original timeline anymore. Sure it looks like my existence blows up "Cause and Effect" and "Conservation of Energy/Matter", but what are they going to do about it? :)

With divergence, the two timelines don't interact anymore after the arrival point, so either timeline may as well consider that the other doesn't exist. And if the original timeline doesn't exist, well, it also can't interact with the new timeline anymore. It doesn't exist, so can't interact.

It's why I really see no difference between the two approaches. Even with a single changeable timeline, you can just consider that the other timelines may still exist, even if they don't.

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I really don't see a huge difference if old timelines get erased or still exist.

Say I build my time machine, get in and go back in time to before I get in the machine. I stop myself from entering. Now there's 2 of me.

That's actually the essence of the grandfather paradox. If you never time traveled, then how are you there to stop yourself from entering the time machine? Your presence in the past is an effect that no longer has any prior cause.

Physicists disagree whether time travel is theoretically possible. But even proponents of the possibility take it as a given that causality violations like the grandfather paradox aren't allowed. Kip Thorne actually co-authored a paper addressing the same basic scenario you describe (i.e., shooting a billiard ball through a time machine such that it deflects itself before entering).

http://authors.library.caltech.edu/6469/

Divergent timelines aren't super scientific either, but at least there's no causality violation. If two timelines exist simultaneously, then there's still a reality in which you time traveled into the past to stop yourself. The chain of cause and effect is unbroken.

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And we really don't know if Primer contends that prior timelines still exist or not. From the point of view of the "final" timeline (3 Aarons + 2 Abes), whether they do or do not shouldn't matter.

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We don't know for sure, no. But like I explained above:

when you have a bunch of copies of characters from erased futures existing simultaneously in the same timeline, it's usually indication there's only one timeline that's being repeatedly rewritten. If there were multiple timelines, most of these copies would exist in different futures, rather than the same one like in Primer.


I think if you make an effort to actually map out a simple time travel hypothetical where each change to the past creates a new timeline, you'll see what I mean. There's an inherent limit to the number of "copies" of yourself that can co-exist in a given timeline "branch" in such a scenario.

BTW, another movie that I think we'd agree gets the logic of time travel correct is Interstellar.

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Successful timeline charts for Primer have been done many many times:

https://www.google.com/search?q=primer+timeline&oq=primer+timeline

This one is the first one I recall running into that's pretty detailed and shows the various timelines:

http://i2.wp.com/bitcast-a-sm.bitgravity.com/slashfilm/wp/wp-content/images/primer-chart.jpg

I guess you can pick the one you prefer.

Interstellar uses a fixed timeline, so is a different brand of time travel than Primer uses.

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The Terminator serious gets it mostly right because it makes use of the branching timelines theory of time travel.

https://www.youtube.com/watch?v=APLxvcCfHok

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SOMEWHERE IN TIME - a love story on a fixed timeline and loop

GOSENZOSAMA BABANZAI - a lady from the future comes to visit her grandfather, a teenager in the present, with her time-travel agent father following to stop her. She ends up having sex with her grandfather, mainly because he thought she was a nutcase and was taking advantage of her, and thus they had a son, the agent, who had followed her to stop this happening to begin with.

Men In Black 3 - deals with changing history and multiple timelines


I'd suggest the former two, since it's tighter and wraps things up fairly well.





07/08/06... 786... the sentinel of Allah has arrived.

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Source Code.

Fanboy : a person who does not think while watching.

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