I can only surmise that the people who enjoy it are just happy to see actors they are fond with on the screen again. It's not because its americans Its not because its black and white. It's not because its modern.
I'm a fan of Joss Whedon, and of several of the actors - then again, 'Much Ado' is my favourite of Shakespeare's plays. What follows is, of course, simply my opinion. Alexis Denisof was miscast - he didn't seem comfortable as Benedict at all, in fact I think the best performance was Sean Maher as an understated Don John! The black and white thing seemed unnecessary and considering the subject matter making it modern was a mistake - by our modern standards what Hero was accused of was not enough to destroy her and her father, forcing Elizabethan standards on 21st century people was uncomfortable and made me feel more angry than usual at Claudio (did love the unrequited emotion of Borachio - that felt like a nice touch and explains why he folds so easily at the end) - also having such standards makes the sexual relationship Benedict and Beatrice had (all Joss Whedon) albeit (I assume) briefly, more sordid than it must have been intended (and gives Benedict the lie when he says he knows Beatrice is virtuous) - it's either/or, it can't be both. I love Nathan Fillion and his Dogsberry was nice, though I think not as good as Michael Keaton's in Branagh's version...again, I found the modern day watchmen a little bit of a poor fit, if that makes sense. In short, while I'm always happy to watch this play and it's not terrible, I agree it lacks lustre, especially compared to Branagh's film version.
by our modern standards what Hero was accused of was not enough to destroy her and her father, forcing Elizabethan standards on 21st century people was uncomfortable and made me feel more angry than usual at Claudio
Even in our modern standards, cheating on your finance the night before your wedding is pretty unforgivable.
But it's not cheating on her fiancé that's the main issue, it's that she wasn't 'virtuous', she's not a virgin - the point is made that she has done this many times, which is why Beatrice says that while she didn't share her bed that night she had for the year previously. And even if it was simply about her cheating the night before her wedding, which I agree IS pretty unforgivable, the consequences would not have been the same, it would not have destroyed her, it wouldn't have led to her father hoping she was dead, nor would it have led to her father's potential undoing either.
it wouldn't have led to her father hoping she was dead,
Actually, there are still cultures in modern times where, yes, a father would react this way. It's not far fetched that this is one of them.
nor would it have led to her father's potential undoing either.
It could've in this case. It seemed like his business partners felt like they'd been made fools of. This could really undo his life if they turn on him.
Perhaps, but I think you're reaching, this was set in a specific culture, OUR western culture, not one where honour killings (for example) are considered de rigour. All I did was give my impression,I don't think it's a bad film, just not as good as it could have been, it missed the mark slightly for me, that's all.
Perhaps, but I think you're reaching, this was set in a specific culture, OUR western culture, not one where honour killings (for example) are considered de rigour.
Not necessarily. It's our time, but not necessarily our culture. It's a culture where the morals and language of Shakespeare persisted through the 21st Century.
All I did was give my impression,I don't think it's a bad film, just not as good as it could have been, it missed the mark slightly for me, that's all.
PreachCaleb: Your no-information-content reviews are pretty unforgivable. You have not provided any cogent reason for your negative reviews on this film, even when provided with examples of how to do so.