MovieChat Forums > La migliore offerta (2014) Discussion > How would you have ended the film?

How would you have ended the film?


I enjoyed the film, but like many others, I felt a little let down by the third act. So after thinking about what ending would be more satisfying for me, I came up with 3 alternative endings:

1. Months after discovering his paintings stolen, Virgil comes out of retirement and decides to conduct his first new auction. At the auction, Virgil unveils the forged automaton but presents it as an authentic Jacques de Vaucanson. He sells it to the highest bidder for an extraordinary amount. We also see that he has a new "Billy" in the crowd, who helps him collect an expensive painting of a woman that looks somewhat like Claire. Virgil, now wearing his gloves once again, goes back to the empty, hidden room in his house and hangs the first painting.

2. Instead of his paintings being stolen, Virgil chooses to publicly confess at one of his auctions to passing off authentic paintings as forgeries. He promises to hand them over and step down from his position. After public outrage, facing lawsuits, and losing everything, Virgil decides to flee to Prague with Claire to live a new life across from the clock café.

3. After finding his paintings stolen, Virgil meticulously retraces all of his steps and finds one "brush stroke" mistake that Billy made in his plan, possibly something small that's hidden in Billy's painting that reveals a trail leading back to a warehouse where Billy has stored the stolen paintings in Prague. Virgil boards a plane to Prague. Once there, he sees Claire setting up a secret meeting with an art buyer to come to the warehouse to view the newest shipment. When Claire arrives to let the buyer in, she's shocked to find Virgil there instead, waiting in the rain. Virgil enters the warehouse and sees that Billy has amassed an art collection much larger than his. Virgil begs Claire to still run away with him. She shouts at him to stop calling her Claire, that it was all an act, and that he fell in love with who he thought she was. She tells him to just go and walk away from it all.

I could write more, but those to me would have been more satisfying for me. How would you have ended the film?

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My plot twist at the end would be, that he realize that real Jacques de Vaucanson master piece is Claire from the bar nearby mansion, the piece that he saw at Robert is found by them there and they used as a part of the fraud, but in reallity it was really piece from her. Remember how Claire in the bar never give wrong answer, like the one from the story and there is also clue about dwarf who speak but it is never a wrong answer. At one point I was thinking about fake Claire and that maybe she is automata and that, broken one (who is fixing by Robert) was "the boy from Prague who get hit by the car" but in the end I was completely wrong and I am glad for that because real plot I just realized when she first show the fake Claire the room. Of course after he realize who is real Claire, he make a fortune and maybe, just maybe fake Claire shows up again.

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I had no problems with the ending. Excellent movie. The Café and the Clocks was a fitting final scene. The fact that you think about alternate endings says that you was entertained and emotionally challenged by The Best Offer.





















Quiet I am Thinking

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I would have made Claire a bit unable to handle these love scenes,as she turned out to be a sophisticated automaton. But he loves her anyway! And when he proposes, he promises to keep her well oiled and to promptly fix any broken parts she may have.

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Tornatore said the ending should be understood in a positive way. Virgil [once microfobic, orphan, bitter and alone] has learned how to love unconditionally, and waits for her to come back.

Note: My english is bad, sorry. I'm italian.

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I would like Mr. Oldman punished them like Tarantino's protagonists do. Mr. Oldman should use a katana to dissect Claire's skull, and what about Robert, Mr. Oldman should get a coupla *beep* with a pair of plyers and a blowtorch, etc.

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