> I didn't really get that [self-centered] vibe [from Larry].
#MeToo. The problem for me was that nothing he did was *clearly* fully selfish. There were always mitigating circumstances. The guy accusing him of song-stealing was dying and may have been half crazy. The one-night stand was a bitchy sort -- mocking him for checking up on his mom, in the middle of a pandemic! -- and he could've had good reasons for leaving. Rita needed him much less than the book's Rita did.
Now, selfish jerks are not selfish all the time IRL. So, OK. But if there had been one case where he didn't have any excuse for his actions, I think it would have made quite a difference. As it was, Larry's laments that he's a screwup came off as neurotic self-criticism more than anything else, at least to me.
> What I was referring to [was] the actor's performance.
I know. I thought the performance was solid, but I can't praise it that highly, mainly because at the end I still didn't have a real sense of who Larry is, for the reasons I gave above. Maybe that's because I've got prior expectations from the book.
> He carried that episode fully on his shoulders. I'm [shocked] because Stu right now is a background character.
I think they're introducing a few people at a time. Last week it was Stu, Fran, and Harold. This time it was Larry, Nadine, and Joe's show. The next episode's title, Blank Pages, implies to me that it will be Nick's turn, and so Tom's and Julie's.
Harold's sure into full creepy mode. Hunched over in the bathrobe when Larry dropped by, he reminded me of Dussander in Apt Pupil.
> What do you think [of Flagg]?
Not as fearsome as depicted elsewhere. Of course he's the Bad Guy, we know that. Right now he seems like a serious man who can do some magic tricks. A naive viewer might think Flagg is leading Lloyd to Boulder. Maybe that's the idea. I've complained that The Stand doesn't explore why ordinary folks would align with evil. If that's what they're showing it's a plus IMO.
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