First, I am of mixed origin. Part asian, part caucasian and thanks to a caucasian male who pushed me out of the water I am alive today - he is not.
It took me 3 tries to see the whole movie, not because it was bad, but because the memories it brought back to me. But I went to see it because I needed to see it, I needed to feel something about it all. I needed to remember because I can't remember what the guy who saved me looked like any longer - I remember his expression, when he lost his grip and was taken, but his looks is lost like so many other things from that day. I can remember all the silly things me and my friends did before it all happend, but I can't feel the fear and horror any longer, I can't remember the running or when I was in the water trying to get some air. But I still remember the sounds so clearly. So to me this movie was very personal and I could care less about caucasian or spanish actors or what color their skin now might be, because it is not that important to the story and it is impossible to tell every story about everyone who was there and who lost someone in one single movie.
The show was about one family - one out of thousands and how they found each other again, against all odds. Remember more than 200,000 (I dont know the exact number) people did not make it and I feel sad and horrified that someone actually make this about race and start politicizing it, could we for once not talk about race and just once in the history of humanity be one family?
I know - or as far as I remember it, that on that day, no one spoke or talked about race or color and only how we all could help each other to get through it all together. The people in Thailand, no matter if they were locals or foreigners did an amazing task to help and support everyone who needed help and again, it was from what I experienced it, irregardless of race.
I don't wish anyone to experience what I experienced, but I wish that people for once could show some empathy.
I certainly wouldn't dare tell you what you should or shouldn't feel.
I wouldn't dare suggest that people who experienced this disaster were concerned with separating themselves along racial lines when basic survival was paramount.
It is possible to respect and be deeply moved by this story of survival while also being troubled by the fact that the first dramatic representation of this natural disaster that many people will see, was centered on a Western family.
Well said, I hate these people who seem to find racism everywhere. Maybe, they are just trying to make a name for themselves when in fact, they are just sad, unimportant tree huggers, who love to see their politically correct attitudes in print.
Relax, you're still in the majority when it comes to the U.S. as a whole. As for southern California, it depends on where you live. For example, if you live in Chula Vista near the border of Mexico, yeah, you'll feel like a minority. On the other hand, if you live amongst the tweekers in Santee (Klan-tee), or the beautiful mansions in Rancho Santa Fe, then you'll feel right at home amongst your pale easily sun burnt brethren. Anyways, California used to be part of Mexico, so if there happens to be a lot of Hispanics, then you shouldn't be surprised. If it's so bad to live amongst real minorities, move to a different part of the city that suits you. If I can give you 2 examples, then you should be able to think of at least one.
Racism is only "everywhere" if it exists in your perceptions. In reality, it's not any more. There is an agenda of victimhood that needs racism to be everywhere. You're working from a conditioned response, and you don't even know it.
Anything played wrong twice in a row is the beginning of an arrangement. FZ
>>Racism is only "everywhere" if it exists in your perceptions. In reality, it's not any more. There is an agenda of victimhood that needs racism to be everywhere. You're working from a conditioned response, and you don't even know it.
Wow. I could not disagree more. You must be a white ignorant fellow living under the rock to make such a broad statement. Racism definitely EXISTS - more so in Hollywood (why else do they keep casting white male actors in the role of Jesus, why are colored South American characters portrayed by white North Americans?) than anywhere else, but you won't know it unless you are a colored person yourself.
You are right. There is also another set of people for whom it is just power struggle: let us say you are colored and your boss is white...you get the idea.
It's funny how Americans confuse Latinos with Spaniards. Latinos are people from Latin America who are either of completely native ancestry or are have mixed European and native predecessors. Spaniards are white Europeans and are the same as every other nationality in Europe. The only thing they have in common with Latinos is the Spanish language. So portraying a Spanish family as white is completely correct.
I'd say the people complaining about racism in this film are on par with those who complain about the lack of black people in Lord of the Rings!
Spot on remarks regarding the ignorance of people thinking the Spanish have South American ancestry. They are Europeans and have the same checkered history of many other European countries, ie, invade, dominate and destroy, hence many central and southern American countries speaking Spanish. They are no more a put-upon minority than the Italians, French or British.
My guess is that they made the family English speaking because the movie was funded by Americans and they aren't interested investing in foreign language films.
Latinos are people from Latin America who are either of completely native ancestry or...
There is no one of "completely native ancestry" in the Americas (the Western Hemisphere) because AmerIndians originated from Asia and emigrated to the Americas via Beringia. In other words, they're simply older settlers compared to newer settlers from Europe & elsewhere.
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>>Racism is only "everywhere" if it exists in your perceptions. In reality, it's not any more. There is an agenda of victimhood that needs racism to be everywhere. You're working from a conditioned response, and you don't even know it. I couldn't AGREE more with you and am NOT white... Are you not entertained? Are you not entertained? Is this not why you are here?
Or maybe, since you're the only one sitting here insulting other people, you're just a sad, unimportant media dupe who loves to spout the hate that he's been told to believe about people he himself doesn't actually know anything at all about.
Maybe it's possible to not insult other people just because they have a different opinion from you, like an ignorant little parrot-brained loser who is so afraid and unsure of himself that insulting and hating anyone who thinks differently is literally the only think he can think of to try to defend his beliefs.
I just saw the movie. First of all, the medium of this illustration is film. Producers and and other involved in this kind of art have to consider the mode and the way characters are able to portray the story, not just the material. I suppose the most accurate method for delivering the story would have been to have the original family star in the film. Race certainly wouldn't have been a factor in this case, would it?
When viewing art, yes you consider the artist and where he came from, his own personal story. But how far do you take this idea that 'race' should be as much a part of this story as the family and what happened to them? Should the director also be of this 'race'? Should they all meditate around the ideas that race might play? Remember, film is a form of art. One with limitations, such as time. And art also has certain rules. In filmd, like a ballet, you're dealing with a medium that uses time in a very different way than traditional art. Time is depicted, not in a linear fashion, but as a moment in and of itself. A ballet isn't made up of each formal move and the stories of the dancers themselves. Movement in this way is meant to capture all of these pieces as interpretive experience which can say something quite true in 2 hours about something that took a lifetime to construct: the struggle between grace and nature for example. Art in this way moves our soul, not our logic or our understanding of the progression of things in the 'real' world.
I'm sure casting is a tough job, but Naomi Watts and Ewan McGreggor both have incredible resumes and were very qualified to play these roles. These are creative decisions, not social ones. There was no 'social' argument here. A japanese family could have played these roles just as well if the actors were decided to embrace and commit the direction of this creative work. Yes it was a true story, and because of that the creative process demands certain considerations. But as far as critiquing western culture, your argument lacks premise. The family the film was based on is Spanish. And if my geography is correct, Spain IS a western country.
Culturally speaking, like every country in Europe, they have their own way of life yes, but they're still largely western in their thinking, their play, their political ideology. But once again, this film isn't about 'Spanish" culture. It's about a family. Yes they were Spanish, but as such a family they have their own familial nuances and particular way of life that I'm sure is different enough from other families in Spain to make them personal. Did it matter that the actors in the film didn't speak Spanish? They were on vacation. They played soccer. Celebrated Christmas. Played ping pong. Drank soda. And they enjoyed the amenities provided for people who are accustomed to western culture. So the fact that the cultural experience of the family in the film seemed to be British (Ewan McGregor's character was obviously Scottish) isn't in any way a distraction from what actually happened to the Belon family. I agree casting for Lucas might have yielded better results, but the outcome of the experience portrayed is unchanged.
So the premise that this film somehow falls short of a narrative accurately depicting some 'racial' truth about Maria and Henry Belon and their children is just completely absurd. The film is a narrative about deep suffering, courage, love, ... a family's desperate struggle to find each other. The husbands undying devotion to his wife. The wife's bleeding heart to help others in need. To demonstrate that character for her son. To overcome her own internal fears. And somewhat about how they perceived this new devastated world they found themselves in. How to relate to others. How to cross a language barrier. How to let strangers take care of them. These ideas in fact aren't 'western' at all. They're Universal. If you can't see that, you should spend a little more time studying these disciplines, art, culture, psychology. Before you try to impose something as controversial as race into a conversation that obviously affected the readers in a very personal way. The gentleman you were responding to actually went THROUGH this disaster, like the Belon family. Maybe you missed that. But then again it sounds like you missed a lot more than that.
yak yak yak... I understand art... all that... easiest class. who doesn't? go on and on as much as you like. doesn't erase the fact the producers and director totally ignored the people this disaster effected. and promoted people who were out easily.
I'm always amazed at criticism like yours. I mean this story is about a family on holiday that found themselves caught up in the events that transpired during the quake and resulting tsunami. The film is effective because if you've ever been a tourist, you could relate to what is depicted in the film.
You talk about the producers and director ignoring the people this disaster effected, but THIS film is set in Thailand, and if you followed the reports of deaths, you'd understand that almost as many foreigners (2,510, most of whom were Europeans ) as Thais (2,568) died in the tsunami that hit Thailand.
Again, this isn't a documentary...it's a story. As such, it doesn't owe it to you or anyone else to tell the story in the PC way you believe it should have.
Covering all the victims would be better served in an actual documentary!!!
No Andell, the makers of this film are obviously horribly racist because the film they should have made would have focused on each person affected by the tsunami regardless of ethnicity. From Banda Aceh to Thailand to Sri Lanka, all of them, including the experiences of the 200,000+ killed. Then no one would say it was racist. However, they might then whine about it being 243 hours long ... with subtitles.
I have seen enough to know I have seen too much. -- ALOTO
I don't find it at all troubling that this movie is about a Western family. Why should anybody find that troubling? If you want a movie about a non-Western family make it and watch it.
You do realize that there were a lot more poor brown folks that got "owned" than rich white folks? Given your grasp of the English language, probably not.
Approximately 150,000 people die every day on the planet, roughly the same amount that died in the tsunami. 150,000-200,000 strangers dying is not an unusual event.
The truth is that we are more affected by the death of a pet hamster than we are by the death of 150,000 strangers to whom we are not bound by ties of history, kinship, or religion.
That was a stupid comment. It obviously isn't anger that a Spanish filmmaker didn't make a film about any race. But anger that in the middle of a huge tragedy where thousands of Thai's died. They just ignore the locals and show some white family. Like the locals lives didn't matter at all.
- Religion is regarded by the common people as true, by the wise as false, and by rulers as useful.
So what you wanted is for the Spanish director to make a movie about the tragedy of one Thai family? That's fine, but doing a movie about a white family is ok too. You pick the story you want to tell. No need to feel obligated to tell a story about the majority.
That was an even more stupid comment. Did a Thai family with several members (let's suppose, hm, 5 for example) survive a tragedy and reunite after days of painful searching? The odds are all in favor that it never happened (or it would become a movie or something, I don't know).
The point was to show the drama (the real history, not some political correctness b.s.) of that single, specific foreign family. The locals are not less important, but the film would be too broad and long if they didn't focus on the most incredible and interesting history of the whole thing.
Exactly. The movie is made for Western audiences. It is as silly to call this film racist as it would be were it made by and for Japanese audiences and featuring a Japanese family. There is just a segment who pretend to take offense just for the sake of trying to stifle free expression, move along, nothing to see here.
The movie is made for Western audiences. It is as silly to call this film racist as it would be were it made by and for Japanese audiences and featuring a Japanese family.
^ THIS. First of all, this is a true story. The filmmakers are specifically telling the story of the Belon family, not fictional characters.
Secondly, if it was done by Japanese filmmakers and focused on a Japanese family (whether fictional or real life), then no one would be screaming racism. The simple fact is that Thailand has a huge tourist industry and one of the reasons the effects of the tsunami were so internationally devastating is because it affected people all across the globe by killing many visiting foreigners as well as locals. It was equally horrific for tourists and locals alike. Thailand has put out some mind blowing movies; there's no reason they couldn't produce a similar film that focuses on the events from the perspective of a real life Thai family who survived.
From what I've read, Maria Belon specifically requested that Naomi Watts portray her because she was impressed with her acting in other films. Belon was also heavily involved in the writing process and was on the set of the film itself to ensure that it was pretty damn accurate. Other victims of the disaster have praised the film's realism. And for those saying they turned a "darker" family into a bunch of whiteys...the real family is from SPAIN. They have dark hair and more of a Mediterranean look, but they are still white Europeans (http://tinyurl.com/n2t9oxb). It's not like the filmmakers "changed their race," so this whole discussion is ludicrous.
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It is set around a "western family" because it is a movie from the western world. Go to the east if you want to see a movie about the tsunami that features a Thai or other eastern/Asian family... there are plenty
Haven't seen it yet, but i plan to because i am impressed with the output of Naomi Watts, who is Australian but plays caucasian females of many accents astonishingly convincingly. Had she not been in it, i may have passed on this one because of the annoying Anglicization of the characters. Which is of course why the Spanish prinicpals were transformed into Northern Europeans: Star power.
That's not to say the westernization per se of the victims depicted is a small point. I dislike that which Asians in this case may also dislike, the egocentric focus on Europeans in film in general, and on American-Europeans in particular. It's bad enough they had to change the nationalities from Spanish to British, which must have been hard to take for the actual family depicted. How demeaning. "You people just wouldn't draw the numbers of the type of viewers the producers want to attract, so we must bleach you." The English-speaking world is just that much larger than the Spanish-speaking world, particularly in terms of box-office. Apparently! And unfortunately, when skin hues and native tongues supposedly have to be changed.
That predominately American attitude is why i seek out so many foreign films. Had this film been a foreign-language production of quality higher than merely that Naomi Watts is in it, i would have seen it and enjoyed experiencing more of that other culture's filmmaking, e.g., the unique and wonderful films of Thailand's Apichatpong Weerasethakul (Blissfully Yours). Hope this one is even better than most are writing it is.
That's right. Naomi was born in Kent but moved all over southern England, then to Wales (her mother's parents lived there - her mother's father was Welsh and her mother's mother was Australian). She eventually moved to Sydney in 1982 when she was 14. She has stated that all the moving she did in her childhood taught her how to adapt and pick up accents.
Regarding her nationality, Watts has stated: "I consider myself British and have very happy memories of the UK. I spent the first 14 years of my life in England and Wales and never wanted to leave. When I was in Australia I went back to England a lot." She also has expressed her ties to Australia, declaring: "I consider myself very connected to Australia, in fact when people say where is home, I say Australia, because those are my most powerful memories."
Its not the first representation of this event. It was the subject of a TV movie "Tsunami: The Aftermath", and a subplot in "Hereafter" with Matt Damon.
And that is off the top of my head.
Yes, these also focused on "western" characters, but that is not racism in any meaningful sense of the word. Western film companies that make movies for western audiences naturally tell stories with western characters with stories they can identify with.
Not always. In fact, I will bet that there are a more diverse characters and settings in Western films than in say, Chinese.
...troubled by the fact that the first dramatic representation of this natural disaster that many people will see, was centered on a Western family...
It's common in Western cultures to make cinema part of the storytelling. I presume that other cultures do not turn every major story into a film, they have other forms of storytelling that allow them to accommodate the horror they have suffered.
--signature advice from Coach: you want to own this board, work on your rebounds--
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Thye film is Spanish, and a portrayal of a Spanish family and in particular MarĂa BelĂłn. Why can't Asian film makers make their own portrayals of this disaster? Why is it up to westerners to do it for non-westerners?
The fact that no one can name one African American in this film does make it appear racist. Perhaps someday it can be remade with more African American roles.
Also shouldn't this film make a point about climate change, hydraulic fracking, the Tea Party and Yahoo videos causing tsunamis. These root causes are hardly mentioned in this film.
why are you troubled by that fact? how does that fact in any way impose racism? by that logic, any movie that cast white characters as main characters is racist simply because they are white.
the movie was centered around a family of spannish origins living in Japan (and they went back to living in Japan afterwards in real life). The family this movie is built on was factually "White". how is it racist to factually depict what happened?
--------------------------------------------- Applied Science? All science is applied. Eventually.
Don't worry about the alleged "racism". It's a straw-man argument from a bunch of trolls who just want to get back at whitey. The same people would complain that the classic Michael Caine movie "Zulu" (1964) was told from the Welsh perspective and not from the Zulu perspective. The folks who are always shrieking "racism" should look in the mirror. The word has been used so much that it no longer has any meaning.
ReddressSally24 its people like you that are tiresome, seeing racist white boogeymen under every bed. A lot of us of just plain tired of your complaining *beep* Grow up.
... there was one. All the "isms" of post-modernity are used as conversation-stoppers. The accuser takes the moral high ground, while the accused is given no right to justify themself. Conversation stops there even with many words left unsaid. Similarly, when people say "grow up" like you told ReddressSally24 ... all I hear is you saying "shut up if you intend to disagree with me, oh please please agree with me because it makes me feel grown-up".
Could be sillier, when people talk about reverse-racism. There's no such thing, it's all racism.
--signature advice from Coach: you want to own this board, work on your rebounds--
The race did not bother me in the film, it was more the focus on the western family. I just found it hard to feel relieved that they were all safe and being whisked off in a plane for first class medical treatment when there were thousands of people who lost entire families, homes and livelihoods.
The native people are the ones for who the tragedy would have an ever lasting effect. They will be homeless it would take them years to reestablish there old lives, for the economy to return. We are talking about a country with a poor population, that is why I find it hard to find solace in rich foreigners being whisked away from the carnage, they will live and go back to there nice home where as the natives will go back to rubble, Ewan and Naomi got through there horrors and I know it must have been horrific but for most people that was only the start.
I just thing there is a bigger story to be told, in no way do I want to belittle the event, and I'm sure this is an accurate portrayal of the struggle of western people during the tsunami (which must have been horrific and we will never fully understand the terror without experiencing it). I just couldn't share the relieve of there airlift to safety when so many people are struggling and won't be able to restart there lives.
Even though I am no better than a beast do I not have the right to live? Â
Agree with everything you said. I felt the film cheapened the story - the story of a country that suffered tragedy both during and after the Tsunami hit. We got to see a very short part of that story, one that I felt was less significant as it focused too directly on the family. It started to grate me how self-absorbed it all became, annoyingly so.
It started when he left his kids, instantly passing responsibility to someone he doesn't know, like she was their nanny and it was his right to tell her to watch his kids. The list goes on, like the many people they encounter who do good deeds for the family without gratitude, they are entirely focused on themselves. I know Lucas does some nice things but the majority of it is very self-absorbing and obnoxious.
It was the most logical and kind thing to do by leaving the country as fast as possible, otherwise they would only take up the food, water and other medical resources that can be used on the other needy.
You are completely missing the whole point. "The Story" was NOT the tsunami, "The Story" was about THIS FAMILY. If this film was about "the story of the tsunami", and then focused solely on this family, then you would have a point. This is a film about one family's survival of an unspeakable tragedy. How is focusing on that one family being "self-absorbed"?
I'm assuming that since this is based on a true story, that in real life the father left his kids. I don't know for sure. But assuming that's true, then how is it the film's fault that they depicted that? Wouldn't it be worse if they changed that to make people like you feel better?
I'm quite amazed that you found it hard to feel relieved that the family in this story were airlifted to safety just because there were others suffering more.
You need to learn that this was just a story about one family in particular and this is how it ended for them.
We all know they were incredibly lucky compared to many many other families and individuals who lost loved ones and had their homes and livelihoods ruined.
Your post is extremely patronising, we know there are many who were effected worse than the family in this story.
It's ridiculous that you're saying you don't feel any relief for this family BECAUSE there were worse effected. That is like saying you don't feel relief for someone who lost a limb in a war but made it back alive, because others died in a war so you struggle to be pleased he/she made it back.
The race did not bother me in the film, it was more the focus on the western family. I just found it hard to feel relieved that they were all safe and being whisked off in a plane for first class medical treatment when there were thousands of people who lost entire families, homes and livelihoods.
The native people are the ones for who the tragedy would have an ever lasting effect. They will be homeless it would take them years to reestablish there old lives, for the economy to return. We are talking about a country with a poor population, that is why I find it hard to find solace in rich foreigners being whisked away from the carnage, they will live and go back to there nice home where as the natives will go back to rubble, Ewan and Naomi got through there horrors and I know it must have been horrific but for most people that was only the start.
I just thing there is a bigger story to be told, in no way do I want to belittle the event, and I'm sure this is an accurate portrayal of the struggle of western people during the tsunami (which must have been horrific and we will never fully understand the terror without experiencing it). I just couldn't share the relieve of there airlift to safety when so many people are struggling and won't be able to restart there lives.
Even though I am no better than a beast do I not have the right to live?
This is exactly how I feel about this film. It's hard to feel sympathy for people who can just up and leave while the majority of the victims have only more troubles to look forward to. They cannot just escape the tsunami & it's after effects, they have to live with it for years. & yet the luckiest of the bunch is what this film focuses on, not the worse.
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Khaki, stop trying to make everything about race. The story is based on a true account of a Spanish family. What do you want the filmakers to do? Kill them all off incase anyone thinks it's racist?
I think anyone who comes out of the film even thinking about the subject of race, went in with the completely wrong attitude. At no moment does this film address anything related to race, countries of origin, language, or accents. JA Bayona has said he never gave importance to the accents, because he wanted to make the story as universal as possible. In today's world, english is the language most people are familiar with so it made sense to make it in english so that it would reach everyone. Unfortunately, spanish spoken films don't make as big an impact on North or South America as english-language films do. That said, I think, even now, I'm overanalyzing something that has nothing to do with this film.
At no moment does this film address anything related to race, countries of origin, language, or accents.
Yes, I think that's the problem some people have with it. Watching this film, you'd think that the tsunami only affected white tourists. Clearly most of the people affected were local residents, who as one contributor above said didn't have the relative luxury of an insurance company able to whisk them off to Singapore. A little more explicit acknowledgement of that would have been welcome I think.
Having said that, the Thai characters in the film were very sympathetically depicted.
Turning a Spanish family into an English one is an understandable decision on commercial grounds I guess, but it still seems a shame that people feel the need to do that. It's the same phenomenon that kept black actors out of leading roles for so long - this notion that the audience won't be able to 'identify'. If that's true it does actually indicate racism on the part of the audience. If it's not true then it indicates a pretty disappointing failure of imagination on the part of the filmmakers.
If people can't see the problem with white anglo saxons being disproportionately over-represented in leading roles, they really need to go away and think about what racism actually is. It's certainly not just about people using the n-word.
I used to want to change the world. Now I just want to leave the room with a little dignity.
I was going to write something similar to this, but I see you already wrote it, so..well done:)
I'll just add that I tried so hard to ignore my niggling reservations concerning the "save the rich white tourists first!" in the movie, but the dream collapsed when the private jet showed up courtesy of their Zurich insurance. Some people who watch this film are in danger of thinking they now understand the full events and the aftermath of it all. This is probably one film I wish I hadn't watched, I wish I could undo it.
Critical posters are ignoring the fact that one of the points of the film was the poignant/ironic one that a moderately well-off Western family's dream vacation could be suddenly turned into a nightmare. When that happens, the fundamental values of the family are tested, and this family showed that it had the values of love, loyalty, courage, and determination. That is what the movie is about--the love, loyalty, courage, and determination of all the members of one family. The fact that the family is Western is irrelevant to this personal story. An epic story depicting the effects of the tsunami as a whole would obviously have had to deal with its effects on Asian and poor people and would have been a lot longer and more costly.
As far as the family supposedly ignoring the plight of other people, the seriously injured Watts character had all she could do to try to help her own family. The Holland character helped a lot of people, and the McEwen character helped some as he searched for his family. Have the critics ever actually been in the chaos and horror of a disaster? I doubt it. As for the ending, arrangements had been made for the family in Singapore. (God bless insurance companies!) Some other people presumably had similar arrangements. Most did not. Simply shuttling large numbers of people to Singapore was not really a viable option.
Having said the above, I must, however, add that I do wonder about changing the family's nationality from Spanish to British. (Both Caucasian nationalities, BTW.) Could not English-speaking Spanish actors--Antonio Banderas and Penelope Cruz, for example--been able to do the parts and attract a large audience? (English-speakers would still have been the largest part of that audience, though the production company was Spanish.)
this is what the film was about...coulda been any disaster, any family any ethnicity...thing is it is about the human spirit and that crosses all boundaries...to say otherwise cheapens it...and also dishonors the dead, and the pain of the surviving family members who have to think about the horror of that day every day...
The real Maria Belon said she actually requested Naomi Watts for the role because of her acting in past films. Your suggestions are interesting but I can't see Cruz powerfully or believably portraying that kind of character. And Banderas would've been too old for the role. McGregor and Watts did tremendous jobs - best acting I've seen from either of them in a long time, by far. IMO everyone in this film should have gotten an Oscar. I think it really comes down to casting options...there really aren't any marketable actors from Spain who could have played the parts that well. I can't think of any Spanish actors or actresses who could have given such brutally realistic performances; there just aren't enough Spanish actors out there to draw from. Yes, we can attribute that to the failings of the western film industry as a whole, but in this particular case, Watts and McGregor (and those kids) were just the right choices, creatively speaking.
I would have been irritated if the real family was Asian, or black, etc. but changing the nationality of a white family from Spain to a white family from England doesn't trouble me, especially when the performances were so utterly spectacular and were approved by the actual survivors.
My theory when watching the movie was that the casting may have been for financial reasons, but not necessarily from decisions made by the creative team alone. It must have been an expensive movie to produce; whoever financed it may have requested the compromise that Anglo stars be cast in the lead roles for additional appeal to the huge English-speaking market, in exchange for a certain amount of money for the production. It may have been as cut-and-dried as, "If you put one big name (that we can afford) in a key role, you can have this many special effects shots, and if you put two big names in it you can have this many more..." And I'm sure it was important to the filmmakers to include those incredible effects of the tsunami blasting through the resort, etc.
Anyway, just a theory, I have no idea if there's any accuracy there.
Quite unbelievable what I am reading here. It is a movie based on the true events of a family caught in one of the worst natural disasters of our time. It is about the human race, love, family, caring, sharing and a determination to survive, and race does not even enter into it, in any way, shape or form.
I found the film extremely moving and I thought Naomi Watts was superb, as were the special effects and the direction as a whole. Anyone who could not be moved to tears by this movie needs to take a good look at themselves before they comment.
I was in Thailand (Phuket)just before the tsunami, and two months after it and the damage and devastation was still very evident. The people that died will be forever remembered in the many Wats/temples in the affected areas and even now I, along with other Thais and foreigners visit the Wats to remember these folk on the anniversary of the disaster.
What came out of this disaster was the fact that no matter what colour or creed you were,you pitched in and helped one another and shared one another's hope, sadness and joy (such as it was).
See the film for what it is, a celebration of humanity over diversity when mother nature plays her worst hand.
"Quite unbelievable what I am reading here. It is a movie based on the true events of a family caught in one of the worst natural disasters of our time. It is about the human race, love, family, caring, sharing and a determination to survive, and race does not even enter into it, in any way, shape or form."
Speaking only for myself, I'm going to recast this through my own filter.
It's not that I found anything in the movie racist. Quite the contrary, as others have also said. It's a beautiful story with great performances all around. I get that this is based on the experience of a real family, I get they were Spanish, I get they were living in Japan, I get that casting decisions ended up with Naomi Watts and Ewan McGregor, two of my favorite actors.
But I think it showed a reliance on an easy marketing bias. When hundreds of thousands of people were affected in a specific part of the world, I would have liked it even better if we'd been given a shared story. Even if it meant making a longer movie I'd have appreciated seeing a local family share equal screen time with the western family. The reason is because when it comes to films purporting to be about true events and real people, Hollywood and most western film-producing countries have fed us a constant diet of white "heroes" even when they had to make them up. This has gone on for decades and it's tiresome.
Case in point: "Wind Talkers" from 2002. Nicholas Cage played a bodyguard to Adam Beach's Navajo code talker in WW II. In reality the Navajo code talkers didn't have bodyguards. And Adam Beach is a fine actor all on his own. The only reason to throw in Nic Cage was to soothe some financial suits who didn't believe Native American lead actors could carry a riveting true story. Unfortunately once a movie on a little-known event is made and doesn't make big bucks, it tends not to get remade. How long we'll have to wait to see a better portrayal of the code talkers is anyone's guess, and it'll be a shame if it doesn't happen while at least a few of them are still alive.
Someone mentioned Michael Caine's 1964 film "Zulu". It was sloppy history with good performances, very typical of a time when Brits & Americans (Cy Endfield and John Prebble) were out to tell their own cultures' stories. And why not? So far as I know no Zulu account was available. But the point is, no one back then would even wonder what the Zulu point of view was. Nowadays it's impossible to imagine it being remade without at least some insight into the Zulu point of view. I'd pay to see that movie, and would appreciate seeing African actors in the roles.
I could go on but I'm sure everyone can come up with their own examples. We had decades of Westerns where Native Americans were nothing but faceless threats. When there have been movies featuring non-white leads they've mostly been superheroes like John Shaft, the latest martial arts star, or some other impossibly empowered fictional revenge-seeker.
I just don't believe that there wasn't another non-western family in Indonesia whose story wasn't every bit as compelling, one that could have served as counterpart in a way that would have reinforced the empathy and universal appeal of this film even more. I think the filmmakers were attracted to this story because it had an emotional release component they thought audiences would be comfortable with; flying away from disaster at the end, the family restored, to some place where these horrible things (by implication) never happen. It was kind of a 60's disaster movie ending that felt predictable, even as I was really engaged with it.
Yes, I know it really happened. But so did many other human experiences that we barely got a glimpse of. And now that a "tsunami movie" has been done for the big western movie market we probably won't get to see anyone else's experiences of that event.
It puts me in the odd position of criticizing a movie for not being the one I wanted them to make, even though I liked the one they made, but there you go. These days I just want more than the same old, same old I had to grow up with.
I have absolutely no problem with the family portrayed being Westerners. Nobody - or much less people - would have gone to see a Hollywood film featuring an family from the place. Or is the debate about the family not being Latina? I still stand by my point. However, what I did mind was the fact that the locals were only portrayed - albeit in a positive light - as the hospital staff and not as people who died/got wounded/lost everything.
There are thousands of movies that are showing stories about real events that affected a large number of people. Just think about Saving Private Ryan, The Pianist and so many others. When making a movie about these kinds of events you choose the story that represent the best all the people involved. I watched the movie yesterday and the entire time I was thinking about myself (I wasn't there but the movie made me feel that I was part of that). I went home with my wife and I told my kids how much I love them. I really believe that this movie was made to make us feel part of it and it did the job. So...no matter what race you are or either you were there or not, when watching this movie you will see your story, you will be part of it.