MovieChat Forums > The American (2010) Discussion > Why did his boss and the girl go to all ...

Why did his boss and the girl go to all that trouble?


Didn't they know he would figure it out, didn't they know he was one of the best? Why make up that story that the girl needed the rifle built, why not just have her stalk him and kill him? Once he knew who she was all he had to do was look out for her, or set her up, which he did, easily?

The only explanation I can think of his she really did need the gun for some other job but then when he quit his boss sent her after him instead.

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I have the same question.
She tells the boss that she did not have the opportunity to kill him at the Diner, so it does not seem mandatory that she use the weapon for the kill.

I also don't know why the boss was there at the end.
It doesn't seem like something the boss deals with himself

I was born in the house my father built

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It's really simple. He only decided to kill him after he said "I want out." That's all.

The rifle building was a legitimate job that had nothing to do with taking him out.

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You're right. But then I always wondered why Frodo and Sam didn't just hop a ride on the giant eagles to Mt Doom in the first place and save us all the trouble.

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hahahahahahaha!!!! :-)

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You're right. But then I always wondered why Frodo and Sam didn't just hop a ride on the giant eagles to Mt Doom in the first place and save us all the trouble.


LMAO!!!!!!

"I am the ultimate badass, you do not wanna `*beep*` wit me!"- Hudson in Aliens.

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It's really simple. He only decided to kill him after he said "I want out." That's all.

The rifle building was a legitimate job that had nothing to do with taking him out.


And, yes this is exactly correct. After he tells Pavel he wants out, the next thing we see is Pavel calling Mathilde and saying "now listen to me very carefully..." He offers her the additional job of killing The American which she was supposed to do at the drop (him delivering the rifle), but she doesn't and then tries to improvise using the rifle at The Procession. It wasn't all some elaborate setup from the get go.

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The only explanation I can think of his she really did need the gun for some other job but then when he quit his boss sent her after him instead.


Yes. And we were never told anything about the real job, the one she actually needed the rifle for.


___________________________
'It's a mess, ain't it, sheriff?'
'If it ain't, it'll do till the mess gets here.'

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I thought it was all a bit elaborate too. And when he arrived in rome, I didn't quite understand why his boss knew about what had happened in Sweden. When they first spoke on the phone he sounded surprised to hear from him, like they had not spoken in a while.

It may have also served the purpose to make us see how alone he was - the only person he could trust wanted him dead, and so much so went along to the parade to make sure the job was done.

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And why would he call his boss to tell him he was going to quit which set himself up to be killed. Why not take the money and the girl and disappear after he delivered the rifle?

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It's good to ask questions, but it's even better to ask the right ones. Instead of asking why did he call him? Ask what did it show us about his relationship with this boss man that he did call him? And what did he learn by the end of that conversation? Clooney's character must have felt he owed it to him not to just leave. And obviously he wouldn't want to be hiding from a boss to assassins the rest of his life. And perhaps this boss-man was even a bit of a father figure to Clooney's character. But by the end of that phone conversation, Clooney's character knows him well enough to know that his resignation was not being accepted with ease, all without it actually being said. And what do we see him do next? We see him open the gun case back up... and it cuts away. What a perfect film this was.

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When he arrives in Rome, it's some time later than the events in Sweden. This isn't stated on screen, but in the directors commentary on the blu-ray he states it is a few weeks later. You're supposed to pick up on the changes in Clooney's appearance. A guy like him would have taken some time to lay low before resurfacing and contacting his handler.

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This script never resolved the plot. You may call it ambiguous. I call it lazy, dishonest, sloppy etc.

Also, it's not remotely credible that a character in the protagonist's position wouldn't be wearing a vest that protected him against torso gunplay.

Also, it's not remotely credible that he kept calling from the same public phone. You get away from that after week one of training.

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The boss said at one point - you’ve lost your edge. That’s why he made those mistakes.

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Also, it's not remotely credible that he kept calling from the same public phone. You get away from that after week one of training.


He was going to the phone in the village that his handler sent him to, but it's not where he was staying. Every time he would make a phone call he would drive to the other town.

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I think the boss was the one behind the Swedes. Clooney didn't know that at first, but perhaps got a little suspicious when his boss then sends him to a very small Italian village with a cell phone (that can be traced). Clooney chucks the phone and goes to a different, larger, more easily hideable town. I'm guessing the boss thinks Clooney has served his usefulness and need to be made quiet.

He takes the next job, perhaps he needed some money, or perhaps he wanted to test his boss? I think the boss did intend to use the sniper gun for another hit. Sortof, killing two birds with one stone thing. By meeting up with the client, the boss is able to get an idea where Clooney is hiding. He then points the Swedes in that direction to track him down. Clooney, dodging another assassination attempt, is now convinced his boss is leaking his whereabouts to the Swedes. He tells his boss absolutely "he wants out" hoping perhaps that will save his life, but after the conversation, he has a 'gut' instinct that the gun he is now building may be used against him, so he 'adjusts' it.

It did seem unlikely that the boss would try to finish it himself, but maybe he too had a gut instinct that Clooney was on to him and might 'adjust' the sniper gun.

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I was curious about this as well.

Jack certainly appears not to trust Pavel anymore, so I'm not sure that Pavel wasn't behind (or at least involved with) the attempt on Jack's life at the beginning of the film.

Jack telling Pavel that he was going to stop working perhaps only got Pavel to enlist Mathilde, because if Jack "restores", Pavel won't know where to find him.

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I agree with your explanation. what made no sense is why they would try to take him out while he is standing in a crowd with the whole village as potential witnesses. It is not like they had to kill him that instant. they could've waited until he went back to his apartment and killed him when he got out of his car or opening his door with no witnesses around.

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If you wanted a gun why would you ask someone who's hiding out in a small Italian village?

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It was supposed to be done earlier (when she picked up the gun), and don't forget there is another job (what the rifle was made for) that needs to be done, and we don't know when. Maybe she needs to get out of there to complete that relatively soon. And the handler Pavel was involved in setting that up, so he can't have her waiting around forever to take out The American. Doing it there (from some distance) seemed logical at the time. Since she could tell by his behavior at the drop, Mathilde had to know he was being cautious and might not be returning to his apartment.

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