researching the history of the genre for a project, and I noticed that Wiki (for what that's worth) categorizes TRUE GRIT as a revisionist western, but this seems inappropriate. This version actually seems more faithful to the classic genre tropes than the 1969 version and other films also known as "revisionist" westerns. Is it just because people have a bias against classic westerns and thus want all "good" westerns to be considered revisionist or neowesterns?
There is more in you of good than you know, child of the kindly west
Like you, I'm not sure why it would be classified as such. As a longtime Westerns buff/resident/avid reader, this version seems especially authentic, especially considering the dialects, clothing, filth, etc. Awesome film.
Like you, I'm not sure why it would be classified as such. As a longtime Westerns buff/resident/avid reader, this version seems especially authentic, especially considering the dialects, clothing, filth, etc. Awesome film.
There's a lot of revisionism in this, the anti-heros, cynicism, casual racism, no romance, the slow pace (Act 1 is extremely long), the non-events, and of course the less than idealized ending. This western presents a female lead who is considered unattractive, hints she may not be straight, finally dismisses Wild West legend Frank James as "trash" LOL The Coens have established what contempt they have for American mythologies, so it's all pretty much what you'd expect. Cogburn exhibited little growth, he went back to associating with Frank James and Quantrill's men. However his character revealed someone who has enough faith to try and redeem himself by saving Mattie, his soul is itself saved after death by his body being moved to Mattie's lot away from the damnation of Quantrill.
I noticed that too, comparing this new one to the original. The 1969 Mattie had almost the exact same lines, and she had guts, but she was still portrayed as a relatively normal young woman. The 2010 Mattie was kind of a cold bitch, like some immature power fantasy. You can have a tough female character without her being an asshole.
a lot of viewers complained about the portrayal and mistreatment of native americans by the whites in this and other Coen Bros movies but I always point out that the racism towards them was very real and part of the culture back then, so even Rooster kicking indian children around like feral animals is on par with white attitudes towards natives at the time, and even today.
Only your opinion. He was a mean nasty SOB, and I doubt he cared about the color.
But you go on seeing racism in everything .it will help assuage your white guilt. Me? Well, my ex-wife is an American Indian, so I know how little I care about race.
In the novel, there is one Caucasian and one Native American child who are mistreating the horse and Rooster kicks both of them in the mud. Don't know why Coens changed that to them both being Native American.