My Salty Review of IT... [may contain spoilers]
Overall:
It sucked. The jump-scares were predictable. The peripheral 80s setting was more distracting than relatable. The movie felt like a long Goosebumps episode emboldened with a lush, cinematic soundtrack and kids whose dialogue is comparable to prepubescents playing MMORPGs, trash-talking strangers on TeamSpeak. This movie lacked what I loved about the 1990 miniseries and failed to compensate for its setbacks. I still believe there could be a great variation of the IT story... but it's not this one.
Pros:
- The opening.
It set up a beautifully eerie interpretation of Georgie's famous scene. The set design and lighting had a dream-like quality to it that made great for a base to start things off. It really propelled the story well. The score was appropriately "mushy" with an underlying fear that creeps up as Georgie takes his paper boat on her maiden voyage. The first appearance of Pennywise was just what the trailer prescribed, and I was really happy with Bill Skarsgard's portrayal as the character. After this scene, the music crescendo's as a POV shot floats us out from deep within the sewer and the iconic title appears. This build only leads to a rather flat plateau that is the rest of the film.
That's honestly about the only good thing about this film. That and the one comic relief line where Richie says something like, "Hurry up! This kid's pouring out Hamburger Helper from his stomach!" That had me rolling in laughter so loud that for a second I was that annoying guy in the theater.
Cons:
-The 80s bandwagon gimmickry
Sigh... Okay. I'm going to get a bit salty now. But this is my review, so if you don't agree with me, well, go sniff someone else's shit. Anyway, unlike the book, this adaptation of the It story takes place in the late 80s. I knew this going into the film, and I really didn't have any issue with it. I knew some creative licenses were going to be taken, assuming from all that was revealed in the trailers. And that's okay. Unfortunately, the longer the movie progressed, the more I felt like I was be subjected to what I'm going to call "nostalgia-baiting." Nowadays, a lot of studios are using nostalgic devices as a means to attract audience members to watching their shows. In our current times, millenials like myself are typically the target demographic for most R-Rated and MA films. And since the movie Super 8, I've noticed a trend in movies and TV series incorporating the 1980s as a prop to keep the attention of their audience. And sometimes this trick has worked well... before it wasn't so fervently used. (Stranger Things is an exception.)
IT tried to infuse the spirit of Stranger Things' success of nostalgia-baiting into its narrative, but it swoons only fools and 80s-crazed bandwagoners. Reference after reference after reference. NKTOB, summer blockbuster movies being showcased (Nightmare on Elm), Lego playsets, walkmans, calculator wristwatches, and a cheap joke about Michael Jackson fringing his scalp... Okay, so the set designers and costume designers bought a ton of shit on ebay to make this movie feel authentic. But I wasn't fooled by it. I found it to be more distracting than anything. Had the story taken place in the 50s, you'd be in a better setting for the scare tactics that this film deserves. But I understand that that decade would be much more expensive to recreate and it would be harder for younger audience members to relate to. Which brings me to the next point:
-Overbaked cinematography
Movies are a unique art form in which visual space, time, lighting and color all harmonize together to create emotions and moods that help support the story they convey. The cinematography in this film was so stylish and doctored that it really didn't evoke a raw sense of "realness." It worked very well for Georgie's opening scene, because it becomes a past event that sets up a base of fear for the audience to bounce off throughout the rest of the movie. But instead, the movie kind of drags itself through making EVERY scene feel so epic and serene with overused tracking shots and dutch angles during low-key moments in the plot that you feel like everything you're seeing is pre-orchestrated. Which in the back of our minds we know this about every movie, but it is the filmmaker's job to distract us from that knowledge. Overall, the look of the film was contrived.
****Continued in comments below...***