I have to disagree... (lots of spoilers ahead!)
Audrey, his wife, adds a lot, not only to the first third of the movie as it sets up his dissalusionment with downsizing, but it also triggers his existential crisis, which is key to the film... He has spent his life doing what is expected of him, following what he expects is his destiny and such, without being present, without connecting in a real way with the world and people around him, instead he was simply being dutyfull, going through the motions, following the plan...
His wife's abandonment also mirror's his choice to abandon his new love and the rest of humanity to do his "predestined" fate of joining the people in the mine... It is this choice that matters, the chocie between following the "plan" and continuing to go through the motions blindly, or to engagge fully in an emotional and real way with the world and people around him...
The hillarious and terrifying phone call scene with his wife once he is downsized also has a different, more complex meaning once the movie ends... when we first see that scene it is one of pure cowardice, vanity, selfishness and betrayal... However, when we remember what she also said about leaving her family, friends and remmeber the context of her saying goodbye to her father and her mother's dissaproval, we realise that she was going through those decisions alone... Her husband was unaware and not emotionally engagged enough with her to realise that... It's still the ultimate dick move on her part, as one gets the sense that she had her doubts when they were at the facility before downsizing and she should have spoken up to save him, but it adds an interesting layer of complexity...
If he was just some single guy who downsized for economic or for environmental reasons the film would be different... it would mean something different...
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