Aspect Ratio
I was initially surprised, and even a bit put off by the 1:33 ratio Aronofsky decided on to shoot this film. Personally, unless a modern movie is trying to replicate the feel of an old-fashioned picture (The Lighthouse comes to mind), I really prefer the widescreen aesthetic.
I suppose, though, the "boxed-in" look present here does add to the claustrophobic feel of the film. Charlie's oversized face and body dominate much of the frame in many shots, highlighting the fact that this huge man is basically trapped in a tiny apartment. Not sure if that's actually what Aronofsky was going for, but it would make sense from a creative standpoint.
Anyone have other ideas or opinions on the unconventional aspect ratio used in The Whale?